Alice Sapritch was unattractive and she knew it for a fact. She nevertheless decided to become an actress, aware that she would never be the love interest of the handsome hero or play the blushing ingénue. That's the reason why she set about emphasizing her lack of glamor instead of concealing it. In these conditions, two main categories were available to her, either obnoxious monsters (Folcoche in TV made 'Vipère au poing') or foolish eccentrics (the crazy actress in 'L'événement le plus important depuis que l'homme a marché sur la lune'). In 1971, with 'La folie des grandeurs', Gérard Oury gave her the opportunity to combine monstrosity and ridicule in a single character, the duenna of the Queen of Spain who, although as ugly as sin, indulges in what may well be the most comical striptease ever filmed. Unforgettable! And not being a beauty queen also happened to be an advantage. Didn't she play Hamlet's mother at the age of twenty-three? And when she was older, the beauty factor having become irrelevant, she was able to embody the poignant 'Mère russe' (Russian Mother) in the TV film of the same title. The real trouble is her film career for, in spite of one or two satisfying roles, she appeared in an endless series of particularly inept vulgar French 'comedies'. By her own admission, she would have dreamed of being directed by Bergman, Schlöndorff or Herzog and she wound up working for Philippe Clair, Michel Gérard, Jean Luret and co! Of course there were a few exceptions to this rule, for instance when she played Aunt Elizabeth in Téchiné's 1978 'Les soeurs Brontë' and a few appearances in good quality films at the beginning of her career but all in all her performances on the silver screen are a real disappointment compared with what she did on TV and on the boards.
IMDb Best of 2022
IMDb Best of 2022
Discover the stars who skyrocketed on IMDb’s STARmeter chart this year, and explore more of the Best of 2022; including top trailers, posters, and photos.
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