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IMDbPro

Jimmy Sangster(1927-2011)

  • Writer
  • Additional Crew
  • Second Unit Director or Assistant Director
IMDbProStarmeterSee rank
One of the driving, creative forces behind the legendary Hammer Studios, Jimmy Sangster was born on December 2, 1927, in Kinmel Bay, North Wales. He began in the film industry as a production assistant at age 16 during WWII. After this gig, he worked as a gofer and assistant projectionist for Norman's Film Services at London's Wardour Street. Subsequently, he became a film magazine loader and clapper boy at a small studio located on Abbey Road.

At this point, he was drafted by the R.A.F. and was posted to India. After his tour of duty came to an end, he was able to get himself a job as a 3rd assistant director for a low-budget film, that happened to be shooting near his parents' cottage. That film's producer was offered a job with Exclusive Studios, which was to become Hammer Studios. He brought Sangster along with him as an assistant producer.

Hammer Studios producer Anthony Hinds offered Sangster the assistant director job, which he performed for a while before Hinds and 'Michael Carreras' urged him to give screen-writing a go. His script for the science-fiction film X the Unknown (1956) proved to be the turning point in his career. His next project was The Curse of Frankenstein (1957), which he wanted to make his own instead of patterning it after the 1930's Universal picture; he was more interested in the role of the creator than that of the creature. Horror of Dracula (1958) (aka The Horror of Dracula)followed, which proved to be an even bigger hit for the studio. He then turned out subsequent scripts such as The Revenge of Frankenstein (1958) and The Mummy (1959) and would even write scripts for competing studios such as Blood of the Vampire (1958) and The Crawling Eye (1958) (aka The Trollenberg Terror).

By now, Sangster had tired of writing Gothic horrors and entered into a phase of his career where he concentrated on psychological thrillers which would be filmed in black & white. These included Scream of Fear (1961) and Paranoiac (1963).

Another short-lived phase of his career came when he was approached to re-write a script titled The Horror of Frankenstein (1970). Feeling that it was too much of a carbon copy of his own The Curse of Frankenstein (1957) and wanting to put a fresh spin on it, he injected his re-write with much sex and humor. His proviso for the re-write was that he get to direct for once, which Hammer allowed him to do. After "Horror of Frankenstein", he directed Lust for a Vampire (1971), filling in for frequent Hammer director Terence Fisher, after the latter had broken his leg. His final directorial effort was "Fear in the Night"; unfortunately, these three films would prove to be disappointments commercially and critically.

Around this time, Sangster moved to Hollywood where his screen-writing credits would include Whoever Slew Auntie Roo? (1972), The Legacy (1978) and Phobia (1980), as well as episodes of such television series as Banacek (1972), Cannon (1971) and Kolchak: The Night Stalker (1974) and some detective novels.

Sangster retired some time back, maintaining homes in both California and England. In 1997, his autobiography "Do You Want It Good or Tuesday?" was published. Sadly, the legendary writer passed away on August 19, 2011.

His many years in the business are indicative of the talent of a prolific and much-respected screenwriter, whose films continue to be enjoyed to this day.
BornDecember 2, 1927
DiedAugust 19, 2011(83)
BornDecember 2, 1927
DiedAugust 19, 2011(83)
IMDbProStarmeterSee rank
Add photos, demo reels
  • Awards
    • 1 win & 1 nomination

Photos

Jennie Linden and Jimmy Sangster in Nightmare (1964)

Known for

Christopher Lee in Horror of Dracula (1958)
Horror of Dracula
7.2
  • Writer
  • 1958
Fear in the Night (1972)
Fear in the Night
5.9
  • Writer
  • 1972
The Horror of Frankenstein (1970)
The Horror of Frankenstein
5.8
  • Writer
  • 1970
Maniac (1963)
Maniac
5.9
  • Writer
  • 1963

Credits

Edit
IMDbPro

Writer

  • Flashback (2000)
    Flashback
    • Writer
    • 2000
  • Beyond Belief!!
    • Writer
    • TV Series
    • 1992
  • Dødelig kjemi
    • screenplay
    • TV Mini Series
    • 1992
  • North Beach and Rawhide (1985)
    North Beach and Rawhide
    • Writer
    • TV Movie
    • 1985
  • The Toughest Man in the World (1984)
    The Toughest Man in the World
    • teleplay
    • TV Movie
    • 1984
  • Ripley's Believe It or Not! (1982)
    Ripley's Believe It or Not!
    • written by
    • TV Series
    • 1982–1983
  • Ramblin'Man (1979)
    Ramblin'Man
    • writer
    • TV Series
    • 1979–1981
  • No Place to Hide (1981)
    No Place to Hide
    • teleplay
    • TV Movie
    • 1981
  • Bill Cosby and Elliott Gould in The Devil and Max Devlin (1981)
    The Devil and Max Devlin
    • story
    • 1981
  • Once Upon a Spy (1980)
    Once Upon a Spy
    • story
    • teleplay
    • TV Movie
    • 1980
  • Phobia (1980)
    Phobia
    • screenplay
    • 1980
  • Greg Evigan in B.J. and the Bear (1978)
    B.J. and the Bear
    • story
    • teleplay
    • TV Series
    • 1979
  • The Concrete Cowboys (1979)
    The Concrete Cowboys
    • Writer
    • TV Movie
    • 1979
  • Ebony, Ivory and Jade (1979)
    Ebony, Ivory and Jade
    • teleplay
    • TV Movie
    • 1979
  • The Billion Dollar Threat (1979)
    The Billion Dollar Threat
    • written by
    • TV Movie
    • 1979

Additional Crew

  • Claude Akins, Frank Converse, and Merle Haggard in Movin' On (1974)
    Movin' On
    • executive story consultant
    • TV Series
    • 1975–1976
  • Circle of Fear (1972)
    Circle of Fear
    • story consultant
    • TV Series
    • 1972–1973

Second Unit or Assistant Director

  • Ripley's Believe It or Not! (1982)
    Ripley's Believe It or Not!
    • segment director
    • TV Series
    • 1982
  • Paid to Kill (1954)
    Paid to Kill
    • assistant director
    • 1954
  • Hillary Brooke, Paul Carpenter, Sidney James, Alex Nicol, and Susan Stephen in Heat Wave (1954)
    Heat Wave
    • assistant director
    • 1954
  • Blackout (1954)
    Blackout
    • assistant director
    • 1954
  • The Black Glove (1954)
    The Black Glove
    • assistant director
    • 1954
  • Dan Duryea, Elsie Albiin, and Eric Pohlmann in Terror Street (1953)
    Terror Street
    • assistant director
    • 1953
  • Diana Dors, Naomi Chance, Louis Hayward, Sydney Tafler, and Charles Victor in The Saint's Girl Friday (1953)
    The Saint's Girl Friday
    • assistant director
    • 1953
  • Three Stops to Murder (1953)
    Three Stops to Murder
    • assistant director
    • 1953
  • Spaceways (1953)
    Spaceways
    • assistant director
    • 1953
  • Bad Blonde (1953)
    Bad Blonde
    • assistant director
    • 1953
  • Stolen Face (1952)
    Stolen Face
    • assistant director
    • 1952
  • Dead on Course (1952)
    Dead on Course
    • assistant director
    • 1952
  • Death of an Angel (1952)
    Death of an Angel
    • assistant director
    • 1952
  • Richard Carlson and Greta Gynt in Whispering Smith vs. Scotland Yard (1952)
    Whispering Smith vs. Scotland Yard
    • assistant director
    • 1952
  • Diana Dors in Man Bait (1952)
    Man Bait
    • assistant director
    • 1952

Personal details

Edit
  • Alternative names
    • John Samson
  • Born
    • December 2, 1927
    • Briarley, Kinmel Bay, North Wales, Wales, UK
  • Died
    • August 19, 2011
    • Kensington, London, England, UK(heart and kidney disease)
  • Spouses
      Mary PeachJune 30, 1995 - August 19, 2011 (his death)
  • Other works
    Interviewed in "Memories of Hammer", by Gary Svehla and A. Susan Svehla.
  • Publicity listings
    • 1 Print Biography
    • 1 Interview
    • 1 Article

Did you know

Edit
  • Trivia
    He worked as a production assistant at Hammer Films. His duties included assistant director, second unit director and production manager. For an upcoming project, the head of Hammer suggested that Sangster try his hand at writing; if he liked Sangster's script, Hammer would buy it. This began his career as a writer, the profession he is best known for. His early scripts were not only for Hammer, but some of Hammer's competitors as well.
  • Quotes
    [in 1996] All of a sudden I'm a cult figure. But it's all due to about five movies: a couple of Frankensteins, a couple of Draculas and a mummy.
  • Nicknames
    • John Sansom
    • James Sangster
  • Salary
    • The Curse of Frankenstein
      (1957)
      $450

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