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IMDbPro

Lisa Rinzler(I)

  • Cinematographer
  • Camera and Electrical Department
  • Director
IMDbProStarmeterSee rank
New York, soon... Technology’s exponential  growth is fast and furious. Human life is  in  the process of being transformed. Mankind stands on the verge of  re- engineering its biology—merging with the incredibly intelligent machines it has   created. Mia 2.0, the world’s first ‘Transbeman’,(techno-human)   commits a crime in full view of the worlds media to make the bold   political statement—that  human reliance on the fragile flesh body  is  over and ‘eternal life‘ is at hand. Mia goes on the run and  tells her  story to Clay Konroy, a renegade journalist, while a  police manhunt is closing in for her capture, but not before the  world learns via live  meshcast, the full story behind this "brave  new world" technology and  faces the question: Would you Die to Live  Forever?
Play trailer1:11
2B (2009)
  • More at IMDbPro
    • Contact info
    • Agent info
Lisa Rinzler is known for Menace II Society (1993), Pollock (2000) and In the House (1997).
IMDbProStarmeterSee rank
Add photos, demo reels
  • View contact info at IMDbPro
    • Won 1 Primetime Emmy
      • 6 wins & 2 nominations total

    Known for

    Larenz Tate and Tyrin Turner in Menace II Society (1993)
    Menace II Society
    7.5
    • Cinematographer
    • 1993
    Ed Harris in Pollock (2000)
    Pollock
    7.0
    • Cinematographer
    • 2000
    In the House
    Short
    • Cinematographer
    • 1997
    Three Seasons (1999)
    Three Seasons
    7.2
    • Cinematographer
    • 1999

    Credits

    Edit
    IMDbPro

    Cinematographer



    • 10-13
      • Cinematographer
      • Pre-production



    • Move Ya Body: The Birth of House (2025)
      Move Ya Body: The Birth of House
      7.5
      • Cinematographer
      • 2025
    • After: Poetry Destroys Silence (2024)
      After: Poetry Destroys Silence
      8.7
      • Cinematographer
      • 2024
    • Heidi Levitt and Charlie Hess in Walk with Me (2024)
      Walk with Me
      • Cinematographer
      • 2024
    • Homing Instinct (2023)
      Homing Instinct
      Short
      • Cinematographer
      • 2023
    • Katie Holmes in Rare Objects (2023)
      Rare Objects
      5.3
      • Cinematographer
      • 2023
    • With This Light (2023)
      With This Light
      7.4
      • Cinematographer
      • 2023
    • Carrie the Jewel
      Short
      • Cinematographer
      • 2023
    • Art of Disappearing (2022)
      Art of Disappearing
      • Cinematographer
      • 2022
    • The Fire That Took Her (2022)
      The Fire That Took Her
      7.7
      • Cinematographer
      • 2022
    • Simone: A Survivor's Story (2020)
      Simone: A Survivor's Story
      Short
      • Cinematographer
      • 2020
    • Asaf Avidan: Anagnorisis
      6.1
      Music Video
      • Cinematographer
      • 2020
    • Bendiciones (2020)
      Bendiciones
      Short
      • Cinematographer
      • 2020
    • Generation Lockdown (2020)
      Generation Lockdown
      7.7
      Short
      • Cinematographer
      • 2020
    • Learning to Skateboard in a Warzone (If You're a Girl) (2019)
      Learning to Skateboard in a Warzone (If You're a Girl)
      7.5
      Short
      • Cinematographer
      • 2019
    • The Infiltrators (2019)
      The Infiltrators
      6.3
      • Cinematographer
      • 2019

    Camera and Electrical Department



    • Beyond Utopia (2023)
      Beyond Utopia
      7.9
      • Additional Cinematographer
      • 2023
    • Charm Circle (2021)
      Charm Circle
      7.7
      • additional cinematography
      • additional photography
      • 2021
    • Bob Dylan in Rolling Thunder Revue (2019)
      Rolling Thunder Revue
      7.5
      • additional camera
      • 2019
    • Michael Imperioli in Cabaret Maxime (2018)
      Cabaret Maxime
      5.8
      • camera operator
      • 2018
    • George Harrison in George Harrison: Living in the Material World (2011)
      George Harrison: Living in the Material World
      8.1
      • camera operator
      • 2011
    • Fran Lebowitz in Public Speaking (2010)
      Public Speaking
      7.6
      • additional photography
      • 2010
    • The Investigators (2000)
      The Investigators
      7.1
      TV Series
      • camera
      • 2003
    • The Blues (2003)
      The Blues
      8.0
      TV Mini Series
      • additional photography
      • 2003
    • The Soul of a Man (2003)
      The Soul of a Man
      7.3
      • dv camera operator
      • 2003
    • The Guys (2002)
      The Guys
      6.3
      • additional photographer
      • 2002
    • Ibrahim Ferrer in Buena Vista Social Club (1999)
      Buena Vista Social Club
      7.6
      • director of photography: New York crew
      • 1999
    • Anjelica Huston and Donal McCann in The Dead (1987)
      The Dead
      7.2
      • camera operator: documentary crew
      • 1987
    • Key Exchange (1985)
      Key Exchange
      4.8
      • assistant camera
      • 1985
    • George Segal and Shelley Hack in Trackdown: Finding the Goodbar Killer (1983)
      Trackdown: Finding the Goodbar Killer
      5.5
      TV Movie
      • second assistant camera
      • 1983
    • Sessions (1983)
      Sessions
      6.1
      TV Movie
      • assistant camera
      • 1983

    Director



    • Carrie the Jewel
      Short
      • Director
      • 2023
    • In the House
      Short
      • Director
      • 1997
    • Dance (Film-as-Set Design) (1979)
      Dance (Film-as-Set Design)
      Short
      • co-director
      • 1979

    Videos2

    Sleep Dealer
    Trailer 1:45
    Sleep Dealer
    TransBeMan
    Trailer 1:11
    TransBeMan
    TransBeMan
    Trailer 1:11
    TransBeMan

    Personal details

    Edit
    • Alternative names
      • Lisa Rinz

    Did you know

    Edit
    • Trivia
      Invited to join the Academy of Motion Picture Arts and Sciences (Cinematographers Branch) in 2005.
    • Quotes
      [talking about her photography work for the film Pollock]: "The driving force behind the photography was a need to express and help bring to life Pollock's intensity as a man and as an artist,my strongest impression of him was that he was full of immense energy, yet at odds socially in the world and with himself. His personality, which Ed inhabited so brilliantly, was ultimately the guiding force behind the photographic style. Scene by scene, Pollock's psychological state was the starting point for the lighting and the camera design."

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