Paula Prentiss - News Poster


Drive-In Dust Offs: The Stepford Wives (1975)

The Women’s Liberation Movement, or more commonly known as Women’s Lib, was in full swing by the mid-’70s. The fight for equality raged on from the late ’60s until…well, what time have you got? It was only natural for the arts to comment on the growing and vocal discontent within the feminist community, and so it was that The Stepford Wives (1975) hit the screen (based on the Ira Levin novel) with a resounding thud. Regardless, it plays as a witty indictment of male morals and suburban blandness.

Distributed by Columbia Pictures in mid-February, The Stepford Wives only brought in $4 million, was wildly derided by critics who thought it hit none of its intended targets, and screenwriter William Goldman (Butch Cassidy and the Sundance Kid) disagreed with many of the changes imposed by British director Bryan Forbes (International Velvet). Disgruntlements aside, it holds up remarkably well and
See full article at DailyDead »

Nora Johnson, Writer of ‘The World of Henry Orient,’ Dies at 84

Nora Johnson, Writer of ‘The World of Henry Orient,’ Dies at 84
Nora Johnson, who wrote the screenplay for “The World of Henry Orient” with her father, writer-director Nunnally Johnson, died Oct. 5 in Dallas. She was 84.

Her daughter, Marion Siwek, said she died of natural causes.

Johnson based the story on her novel about two schoolgirls who have a crush on a concert pianist, informed by her experiences at private school in New York. Peter Sellers played the pianist; the film also starred Angela Lansbury and Paula Prentiss. It also became a Broadway musical, “Henry, Sweet Henry.”

Her memoirs about her father and growing up in show business included “Flashback,” “You Can Go Home Again” and “Coast to Coast,” a memoir of her childhood shuttling between her journalist mother in New York and her Hollywood-based father. Nunnally Johnson was the writer and director of films including “The Three Faces of Eve” and “The Man in the Gray Flannel Suit” and screenwriter of “The Dirty Dozen.”

Her 1959 essay
See full article at Variety - Film News »

Red Line 7000

It’s finally here in all its glory, the Howard Hawks movie nobody loves. The epitome of clueless ’60s filmmaking by an auteur who left his thinking cap back with Bogie and Bacall, this show is a PC quagmire lacking the usual compensation of exploitative thrills. But hey, it has a hypnotic appeal all its own: we’ll not abandon any movie where Teri Garr dances.

Red Line 7000


Kl Studio Classics

1965 / Color / 1:85 widescreen / 110 min. / Street Date September 19, 2017 / available through Kino Lorber / 29.95

Starring: James Caan, Laura Devon, Gail Hire, Charlene Holt, John Robert Crawford, Marianna Hill, James (Skip) Ward, Norman Alden, George Takei, Diane Strom, Anthony Rogers, Robert Donner, Teri Garr.

Cinematography: Milton Krasner

Film Editors: Bill Brame, Stuart Gilmore

Original Music: Nelson Riddle

Written by George Kirgo story by Howard Hawks

Produced and Directed by Howard Hawks

Critics have been raking Howard Hawks’ stock car racing epic
See full article at Trailers from Hell »

Where the Boys Are

Heading for Spring Break somewhere? Long before Girls Gone Wild, kids of the Kennedy years found their own paths to the desired fun in the sun, and most of them came back alive. MGM’s comedic look at the Ft. Lauderdale exodus is a half-corny but fully endearing show, featuring the great Dolores Hart and the debuts of Connie Francis, Paula Prentiss and Jim Hutton.

Where the Boys Are


Warner Archive Collection

1960 / Color / 2:35 widescreen / 99 min. / Street Date July 25, 2017 / available through the WBshop / 21.99

Starring: Connie Francis, Dolores Hart, Paula Prentiss, Jim Hutton

Yvette Mimieux, George Hamilton, Frank Gorshin, Barbara Nichols, Chill Wills.

Cinematography: Robert Bronner

Art Direction: Preston Ames, George W. Davis

Film Editor: Fredric Steinkamp

Original Music: Pete Rugolo, Neil Sedaka, George Stoll, Victor Young

Written by George Wells from a novel by Glendon Swarthout

Produced by Joe Pasternak

Directed by Henry Levin

Ah yes, in 1960 first-wave Rock
See full article at Trailers from Hell »

Review: "The World Of Henry Orient" (1964) Starring Peter Sellers; Kino Lorber DVD Release

  • CinemaRetro
“Schoolgirl Crushed”

By Raymond Benson

George Roy Hill’s 1964 comedy, The World of Henry Orient, is based on a novel by Nora Johnson that fictionalizes her own experiences as a schoolgirl in New York City when she and a friend allegedly had crushes on pianist Oscar Levant. She and her father, Nunnally Johnson, adapted the book to screenplay.

It’s the story of two mid-teens, competently played by newcomers Merrie Spaeth (“Gil”) and Tippy Walker (“Val”), who attend a private girls school in the city. Gil’s parents are divorced and she lives with her mother and another divorcee in a nice Upper East Side apartment. Val’s parents are still married, but unhappily, and they’re constantly traveling the world for her father’s (Tom Bosley) business. This leaves Gil and Val to indulge in precocious imaginary “adventures” around the city.

Val develops an infatuation on eccentric womanizing concert
See full article at CinemaRetro »

25 underrated political thrillers

Rebecca Clough Jan 13, 2017

Samuel L Jackson, Colin Farrell, Kirk Douglas, Denzel Washington and more, as we explore underrated political thrillers...

Ask someone for their favourite political thrillers and you’re likely to get a list of Oscar-winning classics, from JFK to The Day Of The Jackal, Blow Out to Argo. But what about those electrifying tales that have slipped under the radar, been largely forgotten or just didn’t get the love they deserved? Here are 25 political thrillers which are underappreciated but brilliant.

See related Star Wars: Episode IX lands Jurassic World director 25. The Amateur (1981)

Generally, the first hostage to get shot in a heist movie is considered insignificant; luckily this time the young woman killed by terrorists has a devoted boyfriend who vows to avenge her death. Charles Heller (John Savage) already works for the CIA, so he’s able to use secret information to blackmail his bosses into
See full article at Den of Geek »

I am the Pretty Thing that Lives in the House; The Neon Demon and more – review

Hauntings and mind games provide the chills in two superior Halloween releases from Osgood Perkins and Nicolas Winding Refn

It’s Halloween eve, and while DVD distributors have oddly refrained from flooding the shelves this week with apposite horror fare, Netflix has held up their end of the bargain with some class. Landing on the streaming service after last month’s Toronto festival premiere, Osgood Perkins’s I Am the Pretty Thing That Lives in the House is one of the year’s most elegant chillers. Not a film of gut-knotting shocks, it hits the back of your neck like an icy draft blown through a lace curtain. The spirit of classic mystery novelist Shirley Jackson courses through Perkins’s film in more ways than one, with Paula Prentiss (in her first major film role in 35 years) playing a senile, Jackson-inspired horror writer tormented by the spectre of one of her own literary creations.
See full article at The Guardian - Film News »

Netflix releases trailer for horror I Am the Pretty Thing That Lives in the House

Ahead of its premiere this Friday, Netflix has released a trailer for director Oz Perkins’ horror film I Am the Pretty Thing That Lives in the House, which stars Ruth Wilson, Paula Prentiss, Bob Balaban and Lucy Boynton; watch it below…

A young nurse, Lily (Ruth Wilson), moves in to a secluded old house to care for an elderly, reclusive horror novelist. But it seems the pair is not entirely alone.

I Am the Pretty Thing That Lives in the House premieres on Netflix on November 28th.
See full article at Flickeringmyth »

‘I Am The Pretty Thing That Lives In The House’ Trailer: Ruth Wilson Gets Haunted in Netflix Horror Film

  • Indiewire
‘I Am The Pretty Thing That Lives In The House’ Trailer: Ruth Wilson Gets Haunted in Netflix Horror Film
Writer/director Osgood Perkins has premiered two horror movies at the Toronto International Film Festival in as many years, with “I Am the Pretty Thing That Lives in the House” debuting at the fest last month. Anyone intrigued by that alluring title — or the fact that Perkins is the son of Anthony “We All Go a Little Mad Sometimes” Perkins — won’t have to wait long, as the film is headed to Netflix this week. Watch its trailer below.

Read More: Tiff Rounds Out Slate With ‘Blair Witch,’ ‘Free Fire,’ ‘The Bad Batch’ and Many More

Ruth Wilson stars in the haunted-house thriller, informing us via voiceover narration that “I am 28 years old — I will never be 29.” She plays an in-home nurse for an elderly author of Shirley Jackson–like novels whose most famous, unsettling work may or may not be connected to the house she lives in.

Read More:
See full article at Indiewire »

Ruth Wilson in 'I Am The Pretty Thing That Lives In The House' Trailer

"The pretty thing you are looking at is me. But it is me that still cannot see any of what is coming." Netflix has debuted the trailer for an indie horror thriller titled I Am The Pretty Thing That Lives In The House, which is actually opening this week in time for Halloween weekend. Best to get it out and available now while people are in the mood for some creepy horror. Ruth Wilson stars as a young nurse who moves into a secluded old house to care for an elderly, reclusive horror novelist who barely even acknowledges her. As expected, not all is right and some kind of malevolent force seems present with them. Things take a turn for the worse after she reads the woman's novel. Also starring Paula Prentiss, Lucy Boynton and Bob Balaban. I like the cinematography in this, the bold framing makes things seem even creepier.
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I Am The Pretty Thing That Lives In The House Review [Tiff 2016]

Osgood Perkins strays far from mainstream normalities with his more “intellectual” approach to horror (you’ll understand once The Blackcoat’s Daughter releases this Fall). Technically, I wouldn’t even call I Am The Pretty Thing That Lives In The House a horror movie – more a chilling page-turner, like some visual representation of written word. Jump-scares and tropes are thrown away for artistic reverence, basing tension on our comprehension of the path laid by a cryptic narration.

Scenes don’t just play out, they’re explained through wordy prose by a character who insists she’ll be dead by the time Perkins draws his final scene. That’s not a spoiler, it’s the confirmed trajectory from the protagonist’s first spoken lines. This is one of those brainier, more ambitious takes on dreamy thrills, which will remain divisive amongst genre audiences – with your reaction resting solely on your appreciation for dry,
See full article at We Got This Covered »

Toronto Film Review: ‘I Am the Pretty Thing That Lives in the House’

Toronto Film Review: ‘I Am the Pretty Thing That Lives in the House’
I Am the Pretty Thing That Lives in the House” would make more sense as a first feature from actor turned director Osgood Perkins — it’s an impressively if also somewhat self-defeatingly rigorous, near-abstract take on traditional ghost story terrain, claustrophobic in both physical and presumed budgetary scale. Yet his prior “February” (retitled “The Blackcoat’s Daughter” after a successful festival run) was a more accessible horror entry that expertly applied greater psychological nuance to slasher-cinema tropes. In both title and content, this followup is an exercise in willful idiosyncrasy that has some limited appeal of its own. But does not feel like a step forward.

Apart from bookending exterior shots, virtually everything here takes place within the rather stark interiors of a modest 200-year-old Massachusetts home currently inhabited by Iris Blum (played by a mostly mute Paula Prentiss, who’s barely recognizable until we hear that distinctive voice). Miss Blum was a popular,
See full article at Variety - Film News »

Film Festival Roundup: BFI London Announces Full Lineup, Austin Adds Playwriting Track And Much More

  • Indiewire
Film Festival Roundup: BFI London Announces Full Lineup, Austin Adds Playwriting Track And Much More
Keep up with the always-hopping film festival world with our weekly Film Festival Roundup column. Check out last week’s Roundup right here.

– The BFI London Film Festival has announced its full program, running October 5 – 16. The festival will screen a total of 193 fiction and 52 documentary features, including 18 World Premieres, 8 International Premieres, 39 European Premieres. There will also be screenings of 144 short films, including documentary, live action and animated works. A number of directors, cast and crew are expected to take part in career interviews, Screen Talks, Q&As and Industry Talks: Lff Connects during the fest.

The festival has previously announced both its opener — Amma Asante’s “A United Kingdom” — and its closer — Ben Wheatley’s “Free Fire” — and those titles are joined by a bevy of new additions. Highlights include “The Birth of a Nation,” “Nocturnal Animals,” “Manchester By the Sea,” “La La Land” and many more. You can check
See full article at Indiewire »

Richard Benjamin Reflects On "The Sunshine Boys": A Cinema Retro Interview

  • CinemaRetro
By Lee Pfeiffer

On June 16, the Warner Archive will release the 1975 screen version of Neil Simon's comedy classic "The Sunshine Boys" as a Blu-ray special edition. The film stars Walter Matthau and George Burns as Lewis and Clark, a legendary vaudeville comedy team who have not been on speaking terms since they broke up their act eleven years ago. For their work in the film, Matthau was nominated for the Best Actor Oscar, George Burns won the Best Supporting Actor Oscar and Richard Benjamin, who co-stars as Matthau's harried nephew and agent who tries the Herculean task of reuniting the team for a television special about comedy greats, won a Golden Globe award. Cinema Retro had the opportunity to speak with Richard Benjamin about his memories of working on the film.  

Cinema Retro: "The Sunshine Boys" must have had a very personal meaning to you, given the fact that your uncle,
See full article at CinemaRetro »

Stewart 'in Talks' to Be Featured in Subversive Iraq War Homefront Satire

Kristen Stewart, 'Camp X-Ray' star, to join cast of 'Billy Lynn's Long Halftime Walk' Kristen Stewart to join 'Billy Lynn's Long Halftime Walk' movie After putting away her Bella Swan wig and red (formerly brown) contact lenses, Kristen Stewart has been making a number of interesting career choices. Here are three examples: Stewart was a U.S. soldier who befriends an inmate (Peyman Moaadi) at the American Gulag, Guantanamo, in Peter Sattler's little-seen (at least in theaters) Camp X-Ray. She was one of Best Actress Oscar winner Julianne Moore's daughters in Wash Westmoreland and the recently deceased Richard Glatzer's Alzheimer's drama Still Alice. She was the personal assistant to troubled, aging actress Juliette Binoche in Olivier Assayas' Clouds of Sils Maria, which earned her a history-making Best Supporting Actress César. (Stewart became the first American actress to take home the French Academy Award.
See full article at Alt Film Guide »

New on DVD Blu-ray August 26, 2014: 'Belle,' 'Portlandia,' 'Walking Dead'

Moviefone's Top DVD of the Week


What's It About? This 18th century English romance is about Dido Belle (Gugu Mbatha-Raw), a biracial woman raised by her aristocratic great uncle and aunt, Lord and Lady Mansfield. She grows up alongside her cousin Elizabeth (Sarah Gadon) as equals and best friends, but as they come of age, their differences become all too apparent -- to each other and to their would-be suitors. Meanwhile, Lord Mansfield (Tom Wilkinson) is facing a trial as Lord Chief Justice of England that could change the future of slavery. Will Dido find love on her own terms?

Why We're In: It's an elegant period piece perfect for Jane Austen fans, and it's a subtle but effective examination of the intersection of class and race in 18th century England. Mbatha-Raw is fantastic, and director Amma Asante has an excellent eye for detail.

Moviefone's Top Blu-ray of the
See full article at Moviefone »

The Stepford Wives (1975)

When city couple Walter and Joanna move to a peaceful New England backwater, they discover that the women cater to their husbands' every need without question. It's almost like they're made to order or something... Butch and Sundance writer William Goldman delivers a strong adaptation of Ira Levin's chilling bestseller, with Katharine Ross and Paula Prentiss starring alongside director Bryan Forbes' own wife, former washing-up icon Nanette Newman.
See full article at Sky Movies »

DVD Review: "Goodbye, Columbus" (1969) Starring Richard Benjamin And Ali MacGraw

  • CinemaRetro
By Lee Pfeiffer

The Warner Archive has reissued Paramount's DVD release of Goodbye, Columbus as a burn-to-order DVD title. The film caused a bit of a sensation in 1969 with its rather graphic- if comical- examination of a young couple's attempts to have a fulfilling sex life and the obstacles they encounter along the way. Based on Philip Roth's best-selling novella, the movie was released at an opportune time when such coming-of-age stories were able to speak to a new, rebellious generation. It was a sizable hit with critics and the public.  Yet, the film never comes close to matching the impact of The Graduate, the movie it almost desperately tries to emulate. Richard Benjamin plays Neil Klugman, a young Jewish man living with his over-bearing aunt and uncle in a lower middle-class section of the Bronx. Invited to a swanky country club as a guest of a wealthy cousin,
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The Academy Awards Are 3 Months From Today – March 2, 2014

Oscar Sunday is three months from today, March 2, 2014 and this year, it’s anyone’s game. The Academy has a history of playing up all the glamour and suspense, and this year should be no different.

As of today, Gold Derby‘s Top 5 Best Picture predictions for the 86th Academy Awards are: 12 Years A Slave, Gravity, Saving Mr. Banks, Captain Phillips and American Hustle.

Hit Fix’s Top 5 are: Gravity, 12 Years A Slave, Saving Mr. Banks, Captain Phillips and Inside Llewyn Davis.

In what’s classic TV, take a look at the opening of the 43rd Academy Awards in 1971, featuring an introduction by Academy President Daniel Taradash.

The big A-listers of the day all appeared at the Oscars – Goldie Hawn, Jeanne Moreau, Melvyn Douglas, Ryan O’Neal, Leigh Taylor-Young, George Segal, Jennifer Jones, Lee Grant, Maximilian Schell, Ginger Rogers, Jack Nicholson, Ali McGraw, Robert Evans, Quincy Jones, Sally Kellerman, Jim Brown,
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Oscar Winner Who Directed Hepburn, Caron, Finney Has Died

Bryan Forbes dies at 86: Directed Katharine Hepburn, Leslie Caron, the original The Stepford Wives Director Bryan Forbes, whose films include the then-daring The L-Shaped Room, the all-star The Madwoman of Chaillot, and the original The Stepford Wives, has died "after a long illness" at his home in Virginia Water, Surrey, England. Forbes was 86. Born John Theobald Clarke on July 22, 1926, in London, Bryan Forbes began his film career as an actor in supporting roles in British productions of the late 1940s, e.g., Michael Powell and Emeric Pressburger’s The Small Back Room / Hour of Glory and Thornton Freeland’s Dear Mr. Prohack. Another twenty or so movie roles followed in the ’50s, including those in Ronald Neame’s The Million Pound Note / Man with a Million (1954), supporting Gregory Peck, and Carol Reed’s The Key (1958), supporting Sophia Loren and William Holden. Bryan Forbes director Despite his relatively prolific output in the previous decade,
See full article at Alt Film Guide »
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