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IMDbPro

Gilbert Pratt(1892-1954)

  • Director
  • Writer
  • Actor
IMDbProStarmeterSee rank
Gilbert Pratt
Gilbert Pratt was born on 16 February 1892 in Providence, Rhode Island, USA. He was a director and writer, known for Partners in Crime (1928), Saps at Sea (1940) and The Big Killing (1928). He died on 10 December 1954 in Los Angeles, California, USA.
BornFebruary 16, 1892
DiedDecember 10, 1954(62)
BornFebruary 16, 1892
DiedDecember 10, 1954(62)
IMDbProStarmeterSee rank

Photos

Harold Lloyd, Gene Marsh, 'Snub' Pollard, and Gilbert Pratt in Luke, the Candy Cut-Up (1916)
Bill Cody, Earl Dwire, Gilbert Pratt, and William L. Thorne in Law of the North (1932)

Known for

Wallace Beery and Raymond Hatton in Partners in Crime (1928)
Partners in Crime
2.3
  • Writer
  • 1928
Oliver Hardy and Stan Laurel in Saps at Sea (1940)
Saps at Sea
7.1
  • Writer(as Gil Pratt)
  • 1940
Wallace Beery and Raymond Hatton in The Big Killing (1928)
The Big Killing
3.4
  • Writer
  • 1928
L'amour guide
  • Director
  • 1933

Credits

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IMDbPro

Director

  • Douglas Fairbanks Jr., Paulette Goddard, and Janet Gaynor in The Young in Heart (1938)
    The Young in Heart
    • Director (director of retakes, uncredited)
    • 1938
  • Boys Will Be Girls (1938)
    Boys Will Be Girls
    • Director
    • 1938
  • George Bancroft and Frances Fuller in Elmer and Elsie (1934)
    Elmer and Elsie
    • Director
    • 1934
  • L'amour guide
    • Director
    • 1933
  • Zasu Pitts and Thelma Todd in Sealskins (1932)
    Sealskins
    • Director (as Gil Pratt)
    • Short
    • 1932
  • Charley Chase, Eddie Dunn, Lillian Elliott, James Finlayson, and Gay Seabrook in Hasty Marriage (1931)
    Hasty Marriage
    • Director
    • Short
    • 1931
  • Camera Shy
    • Director
    • Short
    • 1930
  • His Baby Daze
    • Director
    • Short
    • 1929
  • Going Ga-Ga
    • Director (uncredited)
    • Short
    • 1929
  • Campus Romeos (1927)
    Campus Romeos
    • Director (as Gil Pratt)
    • Short
    • 1927
  • How High Is Up?
    • Director (as Gil Pratt)
    • Short
    • 1927
  • What Price Dough
    • Director (as Gil Pratt)
    • Short
    • 1927
  • Heavy Hikers
    • Director (as Gil Pratt)
    • Short
    • 1927
  • You're Next (1927)
    You're Next
    • Director (as Gil Prat)
    • Short
    • 1927
  • Ruth Hiatt in Smith's Surprise (1927)
    Smith's Surprise
    • Director
    • Short
    • 1927

Writer

  • Beer Barrel Polecats (1946)
    Beer Barrel Polecats
    • screenplay
    • story (as Gilbert W. Pratt)
    • Short
    • 1946
  • Back from the Front (1943)
    If a Body Meets a Body
    • story (as Gil Pratt)
    • Short
    • 1945
  • Yumpin' Yimminy!
    • screenplay
    • story (as Gill Pratt)
    • Short
    • 1941
  • Oliver Hardy and Stan Laurel in Saps at Sea (1940)
    Saps at Sea
    • original story by
    • screen play by (as Gil Pratt)
    • 1940
  • Tom Keene, J.M. Kerrigan, Sally Martin, Dickie Moore, Elizabeth Patterson, Virginia Weidler, and Eleanore Whitney in Timothy's Quest (1936)
    Timothy's Quest
    • screenplay
    • 1936
  • Tom Brown, Rosalind Keith, and Guy Standing in Annapolis Farewell (1935)
    Annapolis Farewell
    • contributor to special sequences (uncredited)
    • 1935
  • Don't Be Nervous (1929)
    Don't Be Nervous
    • story
    • Short
    • 1929
  • His Big Minute
    • writer
    • Short
    • 1929
  • Marjorie Beebe in The Farmer's Daughter (1928)
    The Farmer's Daughter
    • Writer (as Gilbert W. Pratt)
    • 1928
  • Just Married (1928)
    Just Married
    • adaptation
    • screenplay
    • 1928
  • Wallace Beery and Raymond Hatton in The Big Killing (1928)
    The Big Killing
    • writer
    • 1928
  • Wallace Beery and Raymond Hatton in Partners in Crime (1928)
    Partners in Crime
    • scenario
    • story
    • 1928
  • W.C. Fields and Chester Conklin in Two Flaming Youths (1927)
    Two Flaming Youths
    • Writer (uncredited)
    • 1927
  • Will Armstrong, Rex Lease, Sharon Lynn, and George Sidney in Clancy's Kosher Wedding (1927)
    Clancy's Kosher Wedding
    • adaptation
    • 1927
  • Pass the Dumplings (1927)
    Pass the Dumplings
    • story (as Gil Pratt)
    • Short
    • 1927

Actor

  • Bill Cody and William L. Thorne in Law of the North (1932)
    Law of the North
    • Sheriff (as Gill Pratt)
    • 1932
  • Squirrel Food
    • Prison Guard
    • Short
    • 1921
  • Bride and Gloom
    • Insurance Salesman (uncredited)
    • Short
    • 1921
  • Joseph Belmont and Harry McCoy in A Close Shave (1920)
    A Close Shave
    • (as Gil Pratt)
    • Short
    • 1920
  • Clever Cubs
    • (as Gil Pratt)
    • Short
    • 1920
  • The Chicken Hunters
    • (as Gil Pratt)
    • Short
    • 1919
  • We Never Sleep
    • Short
    • 1917
  • Clubs Are Trump (1917)
    Clubs Are Trump
    • Short
    • 1917
  • Harold Lloyd in Love, Laughs and Lather (1917)
    Love, Laughs and Lather
    • Short
    • 1917
  • Harold Lloyd in From Laramie to London (1917)
    From Laramie to London
    • Short
    • 1917
  • Harold Lloyd in Birds of a Feather (1917)
    Birds of a Feather
    • Short
    • 1917
  • Harold Lloyd and Nina Speight in Lonesome Luke Loses Patients (1917)
    Lonesome Luke Loses Patients
    • Short
    • 1917
  • Harold Lloyd and 'Snub' Pollard in Lonesome Luke's Wild Women (1917)
    Lonesome Luke's Wild Women
    • Short
    • 1917
  • Lonesome Luke, Messenger (1917)
    Lonesome Luke, Messenger
    • Short
    • 1917
  • Stop! Luke! Listen!
    • Short
    • 1917

Personal details

Edit
  • Alternative names
    • Gil Prat
  • Born
    • February 16, 1892
    • Providence, Rhode Island, USA
  • Died
    • December 10, 1954
    • Los Angeles, California, USA
  • Publicity listings
    • 1 Article

Did you know

Edit
  • Trivia
    Started as a character actor, playing both serious and comic villains on screen. Later turned to directing for Kalem and Hal Roach. During the 1920s he doubled as gag writer, in addition to directing for Al Christie at Vitagraph (1924-25) and Mack Sennett (1926). In the sound era, he worked as a scenarist on dramas, with occasional forays into comedy.

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