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Geoffrey Portass

Geoffrey Portass is known for his work on Highlander (1986), Hellraiser (1987) and Nightbreed (1990). See full bio »

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Known For

Highlander Makeup Department
(1986)
Hellraiser Makeup Department
(1987)
Nightbreed Special Effects
(1990)
Lifeforce Makeup Department
(1985)

Filmography

Hide Hide Show Show Makeup Department (9 credits)
 2006 The Green Green Grass (TV Series) (prosthetics designer - 1 episode)
- Testing Times (2006) ... (prosthetics designer - as Geoff Portass)
 2003 Children of Dune (TV Mini-Series) (special makeup effects artist - 3 episodes)
- Episode #1.3 (2003) ... (special makeup effects artist - as Geoff Portass)
- Episode #1.2 (2003) ... (special makeup effects artist - as Geoff Portass)
- Episode #1.1 (2003) ... (special makeup effects artist - as Geoff Portass)
 2001 Messiah (TV Mini-Series) (prosthetics supervisor - 2 episodes)
- The Reckoning (2001) ... (prosthetics supervisor - as Geoff Portass)
- The First Killings (2001) ... (prosthetics supervisor - as Geoff Portass)
 2000 24 Hours in London (special makeup effects artist)
 1988 The Lair of the White Worm (special makeup effects designer - as Geoff Portass)
 1988 Hellbound: Hellraiser II (special makeup effects artist - as Geoff Portass)
 1987 Hellraiser (special makeup effects workshop supervisor - as Geoff Portass)
 1986 Highlander (makeup effects technician)
 1985 Lifeforce (prosthetic and makeup effects)
Hide Hide Show Show Special effects (2 credits)
 1990 Nightbreed (special effects)
 1988 The Unholy (creature crew: additional special effects unit - as Geoff Portass)
Hide Hide Show Show Self (3 credits)
 2017 Worm Food: The Effects of the Lair of the White Worm (Video documentary short)
Himself
 1989 The Media Show (TV Series documentary)
Himself
- Episode #4.4 (1989) ... Himself (as Geoff Portass)
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Personal Details

Other Works:

Senior lecturer in Prosthetic make-up, London College of Fashion

Alternate Names:

Geoff Portass
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Did You Know?

Trivia:

A short time after graduating from art school in 1982, Geoff left his portfolio on a London tube train, never to see the evidence of three years special effects make-up again. It took him another three years to build up a portfolio again and break into the business.

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