The filmmaker – who’s impossible to pigeonhole – is shooting his tenth movie in various locations, continuing the trilogy project that he began three years ago with El vientre de Europa. On 16 November last year, the shoot for El corazón de Europa (lit. “The Heart of Europe”), feature number ten for Vigo-born director Juan Pinzás (Wedding Day), began in and around Madrid. This feature follows in the same free-spirited, independent, dreamlike, experimental and highly personal footsteps as his previous works – in particular, the other movie that (so far) forms part of his intended European trilogy: El vientre de Europa (2017). Filming will now carry on in other locations, while respecting the health-and-safety measures that are compulsory owing to the pandemic. “Now all that’s left to do is to film a few scenes...
Spanish films made more at the international box office than domestically, according to a report released at the annual Madrid de Cine.
Pedro Pérez, president of Spanish producers association Fape, said it was the fourth consecutive year that Spanish films had collected more box office takings outside of the country’s borders.
International takings were $200m in 2012 compared with $157m in Spain.
The data was collected by Fapae, Rentrak and the European Audiovisual Observatory.
The number of Spanish films exhibited internationally rose to 28.2% and the amount of prints distributed grew by 57.7%.
Italy screened the most Spanish films (37) while the biggest box office takings were in Mexico, which generated $23.6m from Spanish movies.
The Fapae-Rentrak award for the most successful Spanish film abroad went to the producers of tsunami drama The Impossible: Enrique Lavigne and Belén Atienza for Apaches Entertainment and Ghislain Barrois and Alvaro Agustín for TeleCinco.
English-language co-productions proved lucrative for the Spanish film industry...
Pedro Pérez, president of Spanish producers association Fape, said it was the fourth consecutive year that Spanish films had collected more box office takings outside of the country’s borders.
International takings were $200m in 2012 compared with $157m in Spain.
The data was collected by Fapae, Rentrak and the European Audiovisual Observatory.
The number of Spanish films exhibited internationally rose to 28.2% and the amount of prints distributed grew by 57.7%.
Italy screened the most Spanish films (37) while the biggest box office takings were in Mexico, which generated $23.6m from Spanish movies.
The Fapae-Rentrak award for the most successful Spanish film abroad went to the producers of tsunami drama The Impossible: Enrique Lavigne and Belén Atienza for Apaches Entertainment and Ghislain Barrois and Alvaro Agustín for TeleCinco.
English-language co-productions proved lucrative for the Spanish film industry...
- 6/19/2013
- by jsardafr@hotmail.com (Juan Sarda)
- ScreenDaily
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