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Julia Phillips (I) (1944–2002)

Julia Phillips made history in Hollywood by becoming the first woman to win the Best Picture Oscar for producing the classic The Sting (1973), along with husband and producing partner Michael Phillips and Tony Bill. From there, she went on the produce other hits such as Scorsese's Taxi Driver (1976) and Spielberg's Close Encounters of the Third ... See full bio »

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Won 1 Oscar. Another 1 win & 1 nomination. See more awards »

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Known For

The Sting Producer
(1973)
Taxi Driver Producer
(1976)

Filmography

Hide Hide Show Show Producer (8 credits)
 1988 The Boost (executive producer - uncredited)
 1987 The Beat (producer)
 1976 The Big Bus (executive producer)
 1976 Taxi Driver (producer - produced by)
 1973 The Sting (producer - produced by)
 1973 Steelyard Blues (producer)
Hide Hide Show Show Actress (2 credits)
 1977 Close Encounters of the Third Kind
UFO watcher at Crescendo Summit (uncredited)
 1977 New York, New York
Woman Flirting with Jimmy (uncredited)
Hide Hide Show Show Self (4 credits)
 1999 E! True Hollywood Story (TV Series documentary)
Self
- Julia Phillips (1999) ... Self
 1999 Unzipped (TV Series documentary)
Self
- Hollywood (1999) ... Self
 1996 Lauren Hutton and... (TV Series)
Self
- Julie Phillips (1996) ... Self
 1974 The 46th Annual Academy Awards (TV Special)
Self - Winner
Hide Hide Show Show Archive footage (2 credits)
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Personal Details

Other Works:

Spoken word recording: Driving under the Affluence - Harper Audio, ISBN 0-69451-573-6, 3 hours, c1995. See more »

Publicity Listings:

2 Print Biographies | 1 Article | See more »
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Did You Know?

Personal Quote:

[on her book "You'll Never Eat Lunch in This Town Again" in People magazine] I'm just being honest. I didn't write the book to get back in the business. I had to accept the fact that I wasn't in the business before I wrote the book.

Trivia:

Unsucessfully tried to make a film adaptation of Erica Jong's best selling novel "Fear of Flying", which would be her directorial debut. Several meetings between her and studio bosses were conducted but she always heard that they weren't interested in making it (she blamed on the male establishment in Hollywood's lack of interest and not audiences interest). As for a possible film version in the ... See more »

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