Krzysztof Penderecki(1933-2020)
- Composer
- Music Department
- Writer
Krzysztof Penderecki was a Polish composer and conductor, whose music was often used in film. He seldom composed original film scores. Among the most notable films to use Penderecki's music are "The Exorcist" (1973), "The Shining" (1980), "Wild at Heart" (1990), "Fearless" (1993), "Inland Empire" (2006), "Children of Men" (2006), and "Shutter Island" (2010),
Penderecki was born in the town of Debica, in the historic province of Lesser Poland. His parents were the lawyer Tadeusz Penderecki and his wife Zofia. Tadeusz was an amateur violinist and pianist. Penderecki was a grandson of bank director Robert Berger, who had a side-career as a painter. Robert's father was Johann Berger, a German Protestant from Breslau (modern Wroclaw), who converted to Catholicism in order to marry a Catholic girl. Penderecki's grandmother Stefania was an Armenian from the town of Stanislau in Austria-Hungary (modern Ivano-Frankivsk in Western Ukraine).
Penderecki was 6-years-old when World War II begun. The Penderecki family had to move out of their apartment, as it was confiscated for use by the Ministry of Food. Penderecki's education was disrupted by the War. He started attending grammar school in 1946, at the age of 13. He graduated in 1951.
Penderecki started studying violin during his school years. His first teacher was military bandmaster Stanislaw Darlak, who also led a local orchestra in Debica. In 1951, Penderecki enrolled at the Jagiellonian University in Kraków, where he continued his music studies. Stanislaw Tawroszewicz trained him as a violinist, while Franciszek Skolyszewski taught him music theory.
In 1954, Penderecki enrolled at the Academy of Music in Kraków. Having mostly completed his violin lessons, his education was focused entirely on the composition of new music. His original mentor was composer Artur Malawski, who was primarily known for choral and orchestral works. Malawski died in 1957, before Penderecki completed his lessons. His new mentor was composer Stanislaw Wiechowicz (1893-1963), who often drew inspiration from Polish folk music.
Penderecki graduated from the Academy of Music in 1958, and was immediately offered a teaching position there. He took the offer. He started publishing his original compositions, which were mostly influenced by the works of Pierre Boulez, Igor Stravinsky, and Anton Webern. His works "Strophen", "Psalms of David", and "Emanations" premiered in 1959, and were critically well-received.
His first work to actually receive international recognition was "Threnody to the Victims of Hiroshima" (1960), written for 52 string instruments. His next notable work was the controversial "Fluorescences" (1962) written for the Donaueschingen Festival in Germany. He experimented with using percussion instruments which were unusual for classical music, such as "a Mexican güiro", typewriters, and gongs.
His experimental phase lasted through the 1960s, and he was seen as part of the avant-garde scene. By the early 1970s, Penderecki started incorporating more influences from the music of post-Romanticism, and his works were seen as more traditional. Meanwhile he had become one of Poland's most notable composers, He was awarded the Knight's Cross of the Order of Polonia Restituta in 1964, and the Commander's Cross of the Order in 1974.
In the mid-1970s Penderecki became a professor at the Yale School of Music. His music became more melodic. His "Symphony No. 2, Christmas" (1980) was "harmonically and melodically quite straightforward", and made frequent uses of the tune used in an older Christmas carol, "Silent Night" (1818) by Franz Xaver Gruber (1787-1863). He explained his renunciation of the avant-garde, as he viewed the novelty of the music as "more destructive than constructive".
In 1980, the Polish trade union "Solidarity" commissioned to compose music commemorating those killed in anti-government riots at the Gdansk shipyards. Penderecki initially composed "Lacrimosa" for the occasion. He was inspired enough to expand the work to one of his most famous compositions, "Polish Requiem". He revised it several times between 1980 and 2005.
By the 2000s, Penderecki won many international awards and his fame was well-established. He started working on a number of compositions which were never finished, in part due to poor health. His plans included an opera version of the French tragedy play "Phèdre" (1677) by Jean Racine (1639-1699), and a composition commemorating the Armenian Genocide's centennial.
In March 2020, Penderecki died in his home in Kraków, Poland, following a long illness. He was 86-years-old, and several of his compositions were regarded among the famous film music of the 20th century.
Penderecki was born in the town of Debica, in the historic province of Lesser Poland. His parents were the lawyer Tadeusz Penderecki and his wife Zofia. Tadeusz was an amateur violinist and pianist. Penderecki was a grandson of bank director Robert Berger, who had a side-career as a painter. Robert's father was Johann Berger, a German Protestant from Breslau (modern Wroclaw), who converted to Catholicism in order to marry a Catholic girl. Penderecki's grandmother Stefania was an Armenian from the town of Stanislau in Austria-Hungary (modern Ivano-Frankivsk in Western Ukraine).
Penderecki was 6-years-old when World War II begun. The Penderecki family had to move out of their apartment, as it was confiscated for use by the Ministry of Food. Penderecki's education was disrupted by the War. He started attending grammar school in 1946, at the age of 13. He graduated in 1951.
Penderecki started studying violin during his school years. His first teacher was military bandmaster Stanislaw Darlak, who also led a local orchestra in Debica. In 1951, Penderecki enrolled at the Jagiellonian University in Kraków, where he continued his music studies. Stanislaw Tawroszewicz trained him as a violinist, while Franciszek Skolyszewski taught him music theory.
In 1954, Penderecki enrolled at the Academy of Music in Kraków. Having mostly completed his violin lessons, his education was focused entirely on the composition of new music. His original mentor was composer Artur Malawski, who was primarily known for choral and orchestral works. Malawski died in 1957, before Penderecki completed his lessons. His new mentor was composer Stanislaw Wiechowicz (1893-1963), who often drew inspiration from Polish folk music.
Penderecki graduated from the Academy of Music in 1958, and was immediately offered a teaching position there. He took the offer. He started publishing his original compositions, which were mostly influenced by the works of Pierre Boulez, Igor Stravinsky, and Anton Webern. His works "Strophen", "Psalms of David", and "Emanations" premiered in 1959, and were critically well-received.
His first work to actually receive international recognition was "Threnody to the Victims of Hiroshima" (1960), written for 52 string instruments. His next notable work was the controversial "Fluorescences" (1962) written for the Donaueschingen Festival in Germany. He experimented with using percussion instruments which were unusual for classical music, such as "a Mexican güiro", typewriters, and gongs.
His experimental phase lasted through the 1960s, and he was seen as part of the avant-garde scene. By the early 1970s, Penderecki started incorporating more influences from the music of post-Romanticism, and his works were seen as more traditional. Meanwhile he had become one of Poland's most notable composers, He was awarded the Knight's Cross of the Order of Polonia Restituta in 1964, and the Commander's Cross of the Order in 1974.
In the mid-1970s Penderecki became a professor at the Yale School of Music. His music became more melodic. His "Symphony No. 2, Christmas" (1980) was "harmonically and melodically quite straightforward", and made frequent uses of the tune used in an older Christmas carol, "Silent Night" (1818) by Franz Xaver Gruber (1787-1863). He explained his renunciation of the avant-garde, as he viewed the novelty of the music as "more destructive than constructive".
In 1980, the Polish trade union "Solidarity" commissioned to compose music commemorating those killed in anti-government riots at the Gdansk shipyards. Penderecki initially composed "Lacrimosa" for the occasion. He was inspired enough to expand the work to one of his most famous compositions, "Polish Requiem". He revised it several times between 1980 and 2005.
By the 2000s, Penderecki won many international awards and his fame was well-established. He started working on a number of compositions which were never finished, in part due to poor health. His plans included an opera version of the French tragedy play "Phèdre" (1677) by Jean Racine (1639-1699), and a composition commemorating the Armenian Genocide's centennial.
In March 2020, Penderecki died in his home in Kraków, Poland, following a long illness. He was 86-years-old, and several of his compositions were regarded among the famous film music of the 20th century.
- Soundtrack("Utrenja - Ewangelia" (uncredited), "Utrenja - Kanon Paschy", "De Natura Sonoris No. 1", "De Natura Sonoris No. 2", "Polymorphia", "Kanon for 52 String Orchestra and Tape" (uncredited), "The Awakening of Jakob" (uncredited), "Utrenja - Ewangelia" (uncredited), "Utrenja - Kanon Paschy", "De Natura Sonoris No. 1", "De Natura Sonoris No. 2", "Polymorphia", "The Awakening of Jakob", uncredited)
