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Tom Ortenberg

Tom Ortenberg served as CEO at Open Road Films, a theatrical distribution company founded in 2011 by AMC Entertainment and Regal Entertainment Group, the two largest exhibition companies in the United States. Born and raised in Briarcliff Manor, New York, he graduated from Penn State University in 1982. It was while at Penn State that Tom ... See full bio »

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2 wins & 1 nomination. See more awards »


Known For

Spotlight Producer
Snowden Producer


Hide Hide Show Show Producer (34 credits)
  Black Flies (executive producer) (pre-production)
 2021 Cop Shop (executive producer) (post-production)
 2021/I Separation (executive producer)
 2021 The Marksman (executive producer)
 2020 Honest Thief (executive producer)
 2018 A-X-L (executive producer)
 2018 Show Dogs (executive producer)
 2017 Marshall (executive producer)
 2017/III Sleepless (executive producer)
 2016 Snowden (executive producer)
 2016 Triple 9 (executive producer)
 2015 Rock the Kasbah (executive producer)
 2015/I Spotlight (executive producer)
 2011 Foodfight! (executive producer)
 2008/I W. (executive producer)
 2008 Witless Protection (executive producer)
 2008 The Eye (executive producer)
 2007 The Lucky Ones (executive producer)
 2007 Delta Farce (executive producer)
 2007/I Trade (executive producer)
 2006 Happily N'Ever After (executive producer)
 2006 The U.S. vs. John Lennon (Documentary) (executive producer)
 2006 Deliver Us from Evil (Documentary) (executive producer)
 2006 Akeelah and the Bee (executive producer)
 2005/I Cake (executive producer)
 2005 Grizzly Man (Documentary) (executive producer)
 2005 Happy Endings (executive producer)
 2003 Wonderland (executive producer)
 2003 Girl with a Pearl Earring (executive producer)
 2003 Shattered Glass (executive producer)
 2002 The Rules of Attraction (executive producer)
 2002/I Max (executive producer)
 2001 Frailty (executive producer)
 2001 The Wash (executive producer)
Show Show Additional Crew (6 credits)
Show Show Thanks (9 credits)

Did You Know?

Personal Quote:

In general, female markets have been under-served, and the over-25 female audience is one that's dramatically under-served in the market-place. I don't know why that is. You could speculate that it's because Hollywood is a male-driven world, with people green-lighting the movies they feel most close to.

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