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‘John Wick: Chapter 3’ Tones Down the Blood and Gore to Keep Look ‘Totally Real’

  • Variety
‘John Wick: Chapter 3’ Tones Down the Blood and Gore to Keep Look ‘Totally Real’
When Jeff Campbell, a visual effects supervisor with VFX studio Spin, initially set to work on the first “John Wick,” the 2014 action thriller from director Chad Stahelski and writer Derek Kolstad, he started with an industry-standard test: Establish a single, simple kill effect meant to get a sense of the look of the violence the filmmakers were after. “We did different levels of blood and gore,” Campbell remembers. “Everything up to the look of ‘300’ (2006), where it’s slo-mo blood flying everywhere.”

What Campbell found was surprising: Stahelski and Kolstad, both former stuntmen, asked for the violence to be stripped down, understated and “totally real.” “They wanted us to dial it all back, [using] just a little blood mist and muzzle flashes,” he says. “These are stunt guys, right? They claim they have seen all these effects before. They’ve witnessed broken limbs, gunshots. They’d sometimes catch us and say: ‘That
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Avatar tops 8th Annual Ves Awards Nominations

No surprise there.  It goes without saying that James Cameron's sci-fi spectacle Avatar has the potential to clean house at the 8th Annual Ves Awards for its breath taking visuals by the acclaimed Weta Digital. Cameron will also be picking up a well-deserved Lifetime Achievement Award.  In the outstanding animated feature category, the nominees include Up, 9, Coraline, Cloudy with a Chance of Meatballs and Ice Age: Dawn of the Dinosaurs

The official press release is as followed:

3-D Films Dominate With Most Noms as Avatar grabs 11, Coraline 4, and Visual Effects Company Weta Digital Snags Most Company Noms with 9

Los Angeles, January 19, 2010 - The Visual Effects Society (Ves) today announced the nominees for the 8th Annual Ves Awards ceremony recognizing outstanding visual effects artistry in over twenty categories of film, animation, television, commercials and video games.  Nominees were chosen Saturday, January 16, 2010, by numerous blue ribbon panels of Ves members who
See full article at Screen Anarchy »

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