Ángela Molina - News Poster


Film Review: ‘The Last Suit’

  • Variety
A Polish-born Holocaust survivor decides to travel from Buenos Aires to Lodz to fulfill a promise he made nearly 70 years earlier in Argentine writer-director Pablo Solarz’s touching, albeit occasionally heavy-handed, drama “The Last Suit.” Thankfully, this late-life road movie also boasts plenty of poignant and humorous moments that will play well with older viewers and those seeking Jewish-interest content. After reaping numerous audience awards on the festival circuit, the film begins a U.S. theatrical run in New York on Sept. 21, before expanding to Los Angeles on Sept. 28 and later the hinterlands via small but enterprising distribution outfit Outsider Pictures.

Despite a bum right leg that he nicknames “tzuris” because of the aggravation it gives him, stubborn, 88-year-old retired tailor Abraham Bursztein still has plenty of fight and flair left in him. Unfortunately, his family refuses to recognize it. Bursztein, like some latter-day King Lear, has already foolishly divided his property among his daughters,
See full article at Variety »

Blu-ray Review – 1492: Conquest of Paradise (1992)

1492: Conquest of Paradise, 1992.

Directed by Ridley Scott.

Starring Gérard Depardieu, Armand Assante, Sigourney Weaver, Loren Dean, and Angela Molina.


1492: Conquest of Paradise arrives on Blu-ray in North America in a release that features some deleted scenes and a commentary track by a pair of film historians. If you’re a fan of this film, you might wish for more bonus features, but given its place in cinema history, you probably won’t get much more than this for a while.

Sometimes Ridley Scott captures lightning in a bottle, and sometimes he ends up holding shards of glass, his face covered in soot and his hair standing straight up, cartoon-like. 1492: Conquest of Paradise was one of his latter efforts, a movie that is beautiful to look at but which doesn’t quite come together. Perhaps it didn’t blow up in his hand so much as simply fizzle out.
See full article at Flickeringmyth »

Latido racks up key sales on in-demand Efm slate

Exclusive: Chavela Vargas documentary sells to Us and France.

Madrid-based sales agent Latido has scored key territory deals on Chavela, the documentary by Catherine Gund and Daresha Kyi which premiered at this week’s Berlin Film Festival in the Panorama strand.

The documentary about iconic Mexican singer Chavela Vargas has gone to Bodega Films in France and The Film Collaborative in the Us. A deal has been closed with Portugal (Leopardo Filmes), and Latido is reporting interest from Israel and Germany.

A bidding war is underway between two companies in Spain, which comes as no surprise considering the popularity of Chavela Vargas’ music in the country. Her songs are closely related to Pedro Almodóvar’s films and the director had personal involvement in the singer’s revival in the later years of her career.

Further titles on Latido’s line-up to have inked deals include Spanish war film Rescue Under Fire, which is set
See full article at ScreenDaily »

Qt’s AFI Commencement Speech, Almodóvar’s Inspirations, Nyaff 2016 Trailer & More

Dailies is a round-up of essential film writing, news bits, videos, and other highlights from across the Internet. If you’d like to submit a piece for consideration, get in touch with us in the comments below or on Twitter at @TheFilmStage.

Watch a clip from Quentin Tarantino‘s commencement speech at AFI this year:

Catherine Deneuve will receive the 2016 Lumière Award and Alejandro Jodorowsky will get the Locarno Film Festival’s Leopard of Honor.

At BFI, Pedro Almodóvar on 13 great Spanish films that inspired him, and watch a video on his use of circles:

Blancanieves is one of the peaks in recent Spanish cinema, but had the bad luck to be released a year after The Artist (2011), a silent film that triumphed the world over. Pablo Berger had in fact decided years earlier to film his personal take on the Brothers Grimm fairytale as a black-and-white silent; the result is heartrendingly beautiful.
See full article at The Film Stage »

Emma Suarez on the Inspirations Behind ‘Julieta’ and Being Part of Pedro Almodóvar’s World

Marking his return to the female-centric dramas with which the director made his name, Pedro Almodóvar stopped by Cannes Film Festival with Julieta. Adapted from a series of short stories of Canadian Nobel prize-winning author Alice Munro, the story follows a woman who recalls the pivotal moments of her adult life. We said in our positive review from the festival, “It’s charmingly self-aware in its use of kitsch and melodrama — almost to the point of self-parody — and, while small in scope, it’s also one of his lusher and leaner offerings.”

While at the festival, we got the opportunity to speak with Emma Suarez, who plays the older version of Julieta. We discussed shooting chronologically, only meeting her co-star once on set, the wide range of inspirations for the film, what the film means to her, and much more. Check out the conversation below and our interview with Adriana Ugarte here.
See full article at The Film Stage »

Media Luna, International Sales Agent in Guadalajara

Media Luna's lineup of predominantly women-centric and Spanish language films is very attractive for Ficg's upcoming market this March 6 - 16th.

"Flocking" by Beata Gårdeler won the Crystal Bear for Best Feature at Berlinale 2015

Synopsis: The small village community is convinced that the young Jennifer is lying, when she claims to have been raped by classmate Alexander. Evidence and court decisions mean nothing, where grown-up people lay down their own rules and laws to stick with the flock.

(Sweden 2015; Drama/Thriller) Based on true stories.

"Two Women" by Vera Glagoleva. Starring Ralph Fiennes ("The Grand Budapest Hotel," "The English Patient") and Sylvie Testud ("La Vie en Rose," "Lourdes")

Synopsis: Natalya is married to a land baron. Her feelings for her son’s attractive new tutor will confront her with her own daughter and turn her devoted life into a complex web of unappreciated love, lust and jealousy. (Russia, France, Latvia 2014; Drama)

"3 Beauties"(3 Bellezas) by Carlos Caridad-Montero (Venezuela 2014; Comedy) Miss Venezuela. When obsession for beauty and cosmetic surgery is taken too far.

Synopsis:Perla is obsessed with having a beauty queen in the family and she is willing to do whatever it takes to make her dream come true. Including destroying her own family.

"No Thank You" by Samuli Valkama (Finland 2014; Comedy) - Based on the Anna-Leena Härkönen bestseller, “Ei Kiitos”, published by Otava, the novel now exceeds 110.000 printed exemplars and "No Thank You" became a Box Office hit in Finland!

Synopsis: Heli’s husband is not in the mood. After many years of marriage a shoulder massage is the highest form of intimacy for him. When subtle hints, nice words and fetching clothes won’t help, Heli turns to increasingly direct action — in vain! Then she meets the attractive Jarno, a stunning young man. Soon she will discover what she wants, and what she doesn’t want in life.

"The Mud Woman" (La Mujer de Barro) by Sergio Castro San Martín (Chile & Argentina 2015; Drama) Starring Catalina Saavedra (Best actress at Sundace Film Festival for “The Maid”) World Premiere at Berlinale Forum 2015.

Synopsis: Maria and her daughter Teresa leave near the border between Chile and Argentina. Ten years have passed, since she last worked in the vineyard's harvest season. Now Maria has to earn some extra money and decides to return at the plantation… not knowing she will have to face her unsolved past.

"Baby Steps" by Barney Cheng (USA, Taiwan 2015; Comedy/Drama) From Oscar-winning producer of "Crouching Tiger, Hidden Dragon," "Eat Drink Man Woman" and "The Wedding Banquet" by Ang Lee. Starring the award-winning actress Ah-Leh Gua ("The Wedding Banquet" and" Eat Drink Man Woman").

Synopsis: Danny and his boyfriend long to have a baby. The complex world of international surrogacy is further complicated by Danny's well-meaning but extremely meddlesome Mother who wants to control every aspect of the process all the way from Taipei.

"Internet Junkie" by Alexander Katzowicz (Argentina, Mexico & Israel 2015; Dark Comedy/Erotic) Starring Antonio Birabent ("Wild Tango"), Angela Molina ("That Obscure Object of Desire," "The Things of Love") and special appearance of Arturo Ripstein (Director of "No One Writes to the Colonel," "The Queen of the Night")

Synopsis: Inside the virtual world... A soldier looking for lovers, a teenager searching for porn, a mother in need of friends, a graduated looking for a job, women waiting to find the love of their life and the best –or any- lover in the area... outside the virtual world no one is what they seem.

"Get Married If You Can" (Casese Quien Pueda) by Marco Polo Constandse (Mexico 2014; Comedy) Box Office hit in Mexico! - Third highest-grossing film of all time – Starring Martha Higadera ("Street Kings," "Amar te duele"), Luis Gerardo Méndez ("Cantinflas") and Michel Brown ("Pasión de Gavilanes" – TV)

Synopsis: Ana is obsessed with her big dream wedding. Daniela is focused on her career, no time for marriage. When Ana finds out her fiancé is cheating on her and Daniela falls in love with her best friend they discover that the only true path to marriage is love.

"Sweet Girls" by Jean-Paul Cardinaux & Xavier Ruiz (Switzerland 2015; Dark Comedy) Generational clash, when a hopeless young generation meet an aged population.

Synopsis: Elodie and Marie are two teenagers that face the lack of opportunities offered by the housing crisis. They come up to an extreme solution: empty the apartments unjustly occupied by “the old people” who, at her eyes, are responsible of the current social imbalance. In this journey, they will discover that there are human beings, just as lost and forgotten by society as they are.

"Perfect Obedience" (Obediencia Perfecta) by Luis Urquiza (Mexico 2014; Drama) Based on a true story, the scandal related to the priest Marcial Maciel, the Head of "The Legion of Christ” (Los Legionarios de Cristo). Montreal (Best Film), Cine Ceará (Best Director, Best Actor)

Synopsis: A young seminarian will endure a hard spiritual journey to reach Perfect Obedience. His mentor, captivated by his fragility and innocence, will guide him to complete psychological and physical surrender.

"Buzzard" by Joel Potrykus (USA 2014; Dark Comedy, Drama) Joel Potrykus won Best Emerging Director and Special Mention for Best First Feature at Locarno 2012 for his film “Ape”. At this year’s Locarno, he won Special Mention from the Independent Juries and Prices in 2014 for his new feature “Buzzard”.

Synopsis: Marty is a small-time con artist drifting from one scam to the next. When his latest ruse goes awry, mounting paranoia forces him to leave his lousy temp job and hide out in his co-worker's basement. Until eventually he flees to Detroit with nothing but a pocket full of bogus checks, his Power Glove, and a bad temper.

"Unlucky Plaza" by Ken Kwek (Singapore 2014; Thriller, Dark Comedy) Ken Kwek’s previous compilation of shortfilms “Sex.Violence.FamilyValues - three dirrty stories from the world's cleanest city-“ was banned by the Singapore and Malaysia government in 2012. World Premiere Toronto 2014.

Synopsis: Sky has a debt to the mafia and hopes to convince his wife to sell her parent’s flat. Looking for a way out, she rents the flat to an evicted single father, while unintentionally setting into motion a series of unfortunate events.

For more information http://www.medialuna.biz/
See full article at SydneysBuzz »

A Surrealist Red Herring: Luis Buñuel’s "That Obscure Object of Desire"

  • MUBI
That Obscure Object Of Desire screens tonight at Bam as part of their Buñuel retrospective, July 11 - August 14).

Pauline Kael may have dubbed David Lynch “the first popular surrealist,” but the honor is more accurately bestowed upon Spanish maestro Luis Buñuel. Though his Salvador Dalí collaboration, Un chien andalou (1929), is regarded as a touchstone of the movement, it was not until later in his career that Buñuel would exploit the very meaning of the surreal, brashly straying from his contemporaries’ aesthetically driven impulses. With the respectively never-ending and never-beginning dinner parties of his elliptical masterpieces The Exterminating Angel (1962) and The Discreet Charm of the Bourgeoisie (1972), Buñuel’s breed of Surrealism drew itself so close to the upper middle-class quotidian, it became far more subversive than any old melting clock. The conceptual hysteria of his films is in turn grounded by a simplified mise-en-scène; the surroundings are such that any outlandish yarn appears rooted in reality.
See full article at MUBI »

Guadalajara Ff FICG29: Special Guest Quebec

The Guadalajara International Film Festival (also known as FICG29 or Festival International of Cine in Guadalajara) is on my regular beat, but this year my work with the Talents will include an introduction to the book I am writing on Iberoamerican Film Financing.

The festival's inception occurred in 1986 during Mexican cinema's worst crisis in terms of production (only 12 features were made that year), and it was held with the help of the University of Guadalajara. This small showcase was curated by filmmaker Jaime Humberto Hermosillo and researcher/professor Emilio García Riera. It consisted of 5 features, 7 shorts, 2 documentaries, and a selection of Jaime Humberto Hermosillo's work. During this edition a young Guillermo del Toro stood out as one of the most outstanding volunteers.

A few years after in 1992, the festival premiered Alfonso Cuaron's Love in the Time of Hysteria (Solo con tu pareja), the film that launched his Hollywood career, this year he won the Academy Award as Best Director for his film Gravity. The next year, Guillermo del Toro presented his feature debut Cronos, which would go on to be selected for the Critic's Week at the Cannes Film Festival. From the beginning this film showcase became a required stop for Mexican filmmakers and programmers from various international film festivals.

In 1999 a selection of Iberoamerican films was added to the program and a section highlighting Canadian cinema was included, from the 7-selection 3 were from Quebec (Streetheart by Charles Binamé; The Red Violin by François Girard and 2 Seconds by Manon Briand). During the 23rd edition of the festival a selection of 7 features and 7 shorts was presented. Added to this Patrick Bouchard held a workshop on animation at the University of Guadalajara. This year the festival will have the pleasure to present the latest works from Léa Pool, Anaïs Barbeau-Lavalette, and of course, Patrick Bouchard.The results of the 2008 workshop are visible in the constant production of animation in Guadalajara.

Starting in its 15th edition, in 2000,  the showcase became a competitive contest for Mexican films. Two years after all iberoamerican films began taking part in the competition. From that year on, the impact of the Guadalajara program reached the entire iberoamerican region and became the premier meeting point for the region's cinema. In 2003 the initiative know as Iberoamerican Market (Mercano Iberoamericano) was launched bringing together over 170 industry professionals dedicated to selling, buying, and distributing films internationally.

In 2005 the showcase became the Guadalajara International Film Festival (Ficg) with the clear goal of having a space for Mexican and Latin American films, as well as a to expose the public and the industry professionals to international works. In 2013 the festival screened 254 films, 102 of which were in competition. The festival received over 800 journalist, and 817 companies in the industry section. Throughout the years the festival has honored artists such as Pedro Almodóvar, the Taviani brothers, Patricio Guzmán, Theo Angelopoulos, Álex de la Iglesia, Agnès Varda, and more recently Werner Herzog and Mike Leigh, among many other great filmmakers. In terms of actors John Malkovich, Marisa Paredes, Andy Garcia and Ángela Molina have also been recognized at the Ficg.

The festival is divided in 3 competitive sections: Iberoamerican Dramatic Features, Iberoamerican Documentaries, and Iberoamerican Shorts. In total Ficg hands out 16 Official Awards and 5 parallel others though different sections.

Among the array of awards the one dedicated to the Best Mexican Film stands out -The Mezcal Award (Premio Mezcal)

This year the third edition of the Maguey Award (Read more Here) will take place. It brings together, promotes, and recognizes cinema focused on sexual diversity around the world

In total there are more than 200 works programmed and there will be over 500 screenings in Guadalajara and the surroundings areas. Throughout the last 29 years Mexican cinema has changed deeply. From the crisis it suffered in 1986 to its current state there is a notable contrast. From 12 films a year, the average number of films produced currently a year is 120. During the 20 years the Mexican Cinema Showcase and the Ficg have been protagonists in the promotion of Mexican cinema, specially in the last decade.

It is also revelatory to see how influential has Mexican cinema been in the emergence of other film industries in the region such as in Guatemala, Costa Rica, Paraguay, as well as the great period that the cinema of of Chile, Colombia, and Uruguay are experiencing.

Withing the Ficg there are also other sections dedicated to international cinema, which are not competitive, but allow for the festival to be a meeting point for many cinematic voices.

Industry and Market

In order to encourage a productive agenda for filmmakers, producers, distributors, and sales agents during the festival, the Market oriented department will hold the following events:

IX  Iberoamerican Conference of Iberoamerican Co-productions

the 7ª edition of the "Guadalajara Builds" program

Bilateral Conference: Quebec-Mexico

Over 800 film-related companies will be in attendance


During the last edition of the Ficg, the different events taking place at the festival were the product of strenuous labors by the organizers. They included the 5th edition of Talents Guadalajara, an experience in which 70 filmmakers from Mexico, Central America and the Caribbean participated, as well as the the 5th edition of the Doculab where several Iberoamerican documentaries in post-production were evaluated. Aiming to take advantage of the important figures present, the festival also hosted the 9th Creators Conference on Writing with Light.

Relationships with International Festivals

Throughout its development the Ficg has formed working relationships of support with many of the most important festival in the world. With the Marché du Film at Cannes the two festivals have developed the Guadalajara Film Market Producers Network, which is a window for the exchange of knowledge and ideas among professionals interested in the Iberoamerican cinematic spectrum. Talents Guadalajara is organized with the collaboration of the Berlinale Talents from the Berlin Film Festival, which supports filmmakers from the region. In addition with the help of the San Sebastian Film Festival, Ficg presents the program known as New European Trends : San Sebastian-Guadalajara, allowing for the discovery of new European directors. It is important to mention that Ficg has a close relationship with the Montreal World Film Festival, which allows for films of the region to screen at the Canadian event.

Special Guest

Since 2001 the festival hascdesignated a country or region to be the guest of honor

Germany, 16, 2001

Switzerland, 17, 2002

Chile, 18, 2003

Italy, 19, 2004

Greece, 20, 2005

Spain, 21, 2006

Brazil, 22, 2007

Argentina, 23, 2008

Colombia, 24, 2009

France, 25, 2010

Israel, 26, 2011

U.K., 27, 2012

Scandinavia : Finland, Iceland, Sweden, Norway, Denmark, 28. 2013

Besides screening a selection of films from the selected nation, the Ficg always tries to have some of their most notable filmmakers present at the festival. After a decade of its inception the Special Guest section has become one of the most anticipated ones. It allows attendees the opportunity to see the most recent works from that national cinema as well as to have a direct conversation with the filmmakers, actors, and other representatives of that country's film industry.

Quebec 2014

The selection of films was made possible thanks to the support of the Quebecois Delegation in Mexico, the Sodec, the International Documentary Conference in Montreal, the Onf, among other institutions, companies, and filmmakers. This offers the possibility to be confronted with visions that explore the world and its conflicts, it's cinema without borders.On the other hand this can also be a very intimate cinema that captures the multicultural richness of contemporary Quebec with its diverse contradictions. This selection also represents the audiovisual expression of several generations, there are films from filmmakers with a careers that expand over 4 decades who interact with directors who have just finished their debut features.

The selection of films is divided into 4 sections

Narrative Features

Conformed of 16 features completed between 2012 and 2013. Each one of these films has had acclaimed international exposure and have played at festivals such as Cannes, Berlin, Venice, San Sebastian, among others. Together these films have received more than 23 international awards and 30 awards in Canada.

Ridm - Documentaries

Counting with 15 years of experience the Montreal International Documentary Festival (Ridm) is one of the most important events for documentary filmmaking. The rigorous selection process of this festival gives validation to the 5 films that will be shown at the Ficg, which will definitely be a center piece within the Quebecois program in Guadalajara. The Ficg will also have a special screening of a very important work in the history of film, For Those Who Will Follow (Pour la suite du monde) by Michel Brault, who past away last year.

Denis Côté

Denis Côté's career as a filmmaker began in 2005. Since then, he has created a short film, 3 documentaries, and 5 narrative features. Via his intense working rhythm this artist has demonstrated his abilities, rigor, and creativity. A look  into his work will easily confirm that he has a profoundly original vision that takes storytelling to its radical limits.

The Short Films

Quebecois short films show an incredible imaginative freedom. Given the fact that in recent years several shorts, including animation, have been produced in Guadalajara, this will be an enriching exchange of perspectives.

Women in Film and TV Quebec-Mexico

Finally, aiming to strengthen the friendship that exists between the associations for Women in Film and TV both in Quebec and Mexico, the Ficg will host a second panel, which will be paired with a selection of documentaries that deal with the contemporary female experience.

David K. Ross

David K. Ross (1966, Canada) works in various mediums including film, video, photography, and art installations. Ross' formal training in architecture and great experience in photography of large scale and film have resulted in a great variety of projects in which he investigates the history of optical technology and geodesic practices, as well as many urban structures. His work has been exhibited in the most important institutions in the Americas and Europe, they also form part of many public and private collections, including the  National Gallery of Canada, the Contemporary Art Museum of Montreal and the Canadian Center for Architecture. The artist will be present at the Ficg screening his work to expose the audience to his particular style.

Quebecois Presence in the Different Juries 

Prominent members of the Quebecois film industry will be part of the diverse juries which will evaluate the films in competition. 

Narrative Feature: Denise Robert's experience as a producer expands over 51 projects including narrative features, documentaries, shorts, and television.

Documentary: Roxanne Sayegh, who has worked with Ambulante, the most ambitious project to promote documentary distribution in Mexico. She is currently the Executive Director of the Ridm.

Short Films: Danièle Cauchard, Executive Director of the Montreal World Film Festival.

Maguey Award to Support Sexual Diversity in Film: Katharine Setzer, in charge of programming at the Image+Nation festival, which is in its 26th edition.

Fipresci: Montreal based critic Jorge Gutman

Mezcal Award for Best Mexican Film: Alisi Telengut, a student from Concordia University, whose film Tears of Inge was honored at the World Film Festival.

For more information on Ficg 29 and its different sections visit Here
See full article at SydneysBuzz »

Leeds International Film Festival 2013 Review - Lasting (2013)

Lasting, 2013.

Written and Directed by Jacek Borcuch.

Starring Jakub Gierszal, Magdalena Berus, Angela Molina, Juan Jose Ballesta, Joanna Kulig and Andrzej Chyra.


Polish students Michal and Karina are falling in love and enjoying a carefree summer in idyllic rural Spain until an unexpected nightmare throws their lives into chaos.

In a roundabout sense, Jacek Borcuch’s Polish romance Lasting does what Gus van Sant’s Paranoid Park did back in 2007: take an adolescent lead wracked with guilt over his involvement in a tragic incident and interwine the character’s story with a look at – nay, an immersion in – the young adult experience. That’s ‘young adult’, not ‘Young Adult’, the movie phenomenon currently presenting a corporate dream of youth to audiences, a fantasy safe in the glow of lowbrow escapism. Lasting, despite its lead’s unusual dilemma, is the reality.

Beginning in rural Spain, the romance between students
See full article at Flickeringmyth »

Competition: Win 'Blancanieves' *closed*

  • CineVue
Starring Maribel Verdú, Daniel Giménez Cacho and Ángela Molina, Pablo Berger's Blancanieves (2012) is a stark and beautiful visualisation of the classic fairytale of Snow White, set in 1920's Spain. This silent fantasy has certainly been making waves, earning fantastic critical acclaim for its excellent performances and impressive cinematography. To celebrate the DVD release of Blancanieves this Monday (5 August), we've kindly been provided with Three copies of the film to give away, thanks to StudioCanal. This is an exclusive competition for our Facebook and Twitter fans, so if you haven't already, 'Like' us at facebook.com/CineVueUK or follow us @CineVue before answering the question below.

In Blancanieves, our young heroine Carmen (Macarena García) escapes her malevolent stepmother (Verdú) to join a travelling troupe of bullfighting dwarves and rises to fame in the corrida. The combination of a much loved fairytale and a female bullfighter crossed with Goya visuals ensures
See full article at CineVue »

Amaro Amore (Bitter Love) Movie Review

  • ShockYa
Amaro Amore (Bitter Love) Movie Review
Title: Amaro Amore (Bitter Love) Director: Francesco Henderson Pepe Starring: Aylin, Prandi, Malik Zidi, Francesco Casisa, Yorgo Voyagis, Ángela Molina, Lavinia Longhi. Did you know that the French word for dustbin is poubelle? Well if the 50s and 60s were the times of the ‘New Wave,’ the Nouvelle Vague, it seems like Francesco Henderson Pepe’s first feature film ‘Amaro Amore’ will begin the era of the “Poubelle Vague,” i.e. Franco-Italian trash-films! The enticing Eolian location becomes the perfect stage for the existential drama. Two French siblings André and Camille go to the Sicilian islands in search for their identities, where they will meet Santino, a local guy from Salina and [ Read More ]

The post Amaro Amore (Bitter Love) Movie Review appeared first on Shockya.com.
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That Obscure Object Of Desire Blu-ray Review

Reading the description of a film--and I’m not just talking the marketing spin, but even an honest informative blurb--oftentimes results in false preconceptions about a movie. That Obscure Object of Desire is just such a film. “Consumed by his obsessive desire to possess her, his feelings progressively change from overflowing passion to a self-destructive hatred,” inspires visions in tone (if not in content) along the lines of Fatal Attraction. Not so. That having been said, such preconceptions did not destroy my enjoyment of the film at all. Luis Buñuel’s final film stars Fernando Rey as Mathieu Faber, a wealthy older gentleman on a train ride from Seville to Paris. Just as the train is about to leave, a woman, Conchita (at the moment, Carole Bouquet...but also alternately Angela Molina) appears on the platform. Mathieu dumps a pail of water over her. Mathieu then embarks on a tale
See full article at Collider.com »

Filmmaker Who Discovered Penelope Cruz Dies At 67

Filmmaker Who Discovered Penelope Cruz Dies At 67
Madrid — Spaniard Josep Joan Bigas Luna was lauded as a brilliant and "truly special" filmmaker a day after his death, with some of the highest praise coming from actors Javier Bardem and Penelope Cruz, two stars whose film careers he launched.

Bigas Luna, 67, died Saturday in northeast Spain after a long battle with cancer.

The filmmaker was regarded as having had an excellent eye for spotting talent and a knack for stimulating on-screen chemistry between actors. His 1992 film "Jamon, Jamon" received unanimous praise as "a classic" in the Spanish press on Sunday,

The director discovered Cruz and Bardem, who married in 2010, as well as a giving early boosts to a host of other now well-known film muses, including Leonor Watling, Angela Molina, Francesca Neri and Valeria Marini.

Many of the roles in his films were explosively steamy, even erotic. Yet they often explored with great insight aspects of modern Spain's quirkiness.
See full article at Huffington Post »

Film Review: ‘Blancanieves’ Contributes to Silent Film Art

Chicago – The silent film, which was revived by the 2011 Best Picture Oscar winner “The Artist,” is honored again in the new film “Blancanieves.” This artful re-imagining of the Snow White story – set in Spanish bullfighting rings – cherishes the feel of silent film, and features clever composition.

Rating: 3.5/5.0

The story in “Blancanieves” is not as strong as “The Artist,” and the Snow White reworking is heavy handed, but director Pablo Berger adds his own outrageous camera work and point-of-view, imbibing the film with both a smart aleck “wink” at the camera and an example of silent film if Orson Welles had been directing back in those days. “Blancanieves” is a passionate night at the movies, unfolding in the clean lines of old time aspect ratio (square rather than rectangular) and mood music that approximates emotions in a varied and expressive way. This is a must see for admirers of the silent film era,
See full article at HollywoodChicago.com »

Someting for Everyone: From Kardashian to Kubrick, from Stephenie Fans to Snow White Aficionados

K for Kardashian and for Kubrick (!), in addition to one more Snow White and one more Meyer cinematic entry There'll be something for everyone this coming weekend on North American screens, whether your palate (or brain) goes the Kardashian or the Kubrick way. Kim Kardashian, best known for the TV trash hit Keeping Up with the Kardashians and for her quick-as-lightning marriage to basketball player Kris Humphries, is featured in Tyler Perry's Temptation. Distributed by Lionsgate this drama about infidelity also stars Jurnee Smollett-Bell, Lance Gross, Vanessa Williams, Robbie Jones. (photo: a colorfully garbed Vanessa Williams and a very tightly garbed Kk) However, the probable box-office winner this weekend will be Channing Tatum. The Magic Mike and The Vow star is featured alongside Dwayne Johnson and Bruce Willis in Jon M. Chu's G.I. Joe: The Rise of Cobra sequel: G.I. Joe: Retaliation. The eagerly awaited (by 11-year-olds) action flick
See full article at Alt Film Guide »

Blancanieves Movie Review

  • ShockYa
Blancanieves Movie Review
Title: Blancanieves The Cohen Group Director: Pablo Berger Screenwriter: Pablo Berger Cast: Maribel Verdú, Daniel Giménez Cacho, Inma Cuesta, Ángela Molina, Pere Ponce, Macarena García, Sofía Oria, José Maria Pou, Ramón Barea, Emilio Gavira Screened at: Crosby St. Hotel, NYC, 3/26/13 Opens: March 29, 2013 How do you punish a wicked stepmother? Why, give her the silent treatment of course. To put everyone on an equal footing, however, director Pablo Berger, whose “Torremolinos 73” deals with an encyclopedia salesman and his wife who make an adult movie, gives everyone the silent treatment. Perhaps this is because “Blancanieves” is a silent film, paying homage to the 1920s silent pics in Europe, [ Read More ]

The post Blancanieves Movie Review appeared first on Shockya.com.
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Cohen Media's Blancanieves Directed by Pablo Berger Opens March 29

Not only is this great film Blancanieves, written and directed by Pablo Berger (Torremolinos), international sales agent 6 Sales' Marina Fuentes♀, opening theatrically in the U.S. on March 29 thanks to Cohen Media, it is the film we the jury at the 2013 Palm Springs International Film Festival awarded the Cine Latino Award And it has swept the Goyas (the Academy Award equivalent) in Spain. This film which I previously blogged about, is the film which took so long to make that The Artist, took its place in our own Academy Awards last year. Had this one only come first ... this is the real winner. It is a fairytale and much more; it depicts Spain and Seville in the time of fascism and leaves a tear upon the place.

**Winner of the Special Jury Prize at the 2012 San Sebastian Film Festival**

**Winner of Best Actress in a Narrative Feature at the 2012 San Sebastian Film Festival**

**Winner of the Cine Latino Award at the 2013 Palm Springs International Film Festival**

**Official Selection of the 2012 Toronto International Film Festival**

**Official Selection of the 2012 Warsaw International Film Festival**

Blancanieves, a re-working of the Brothers Grimm classic fairy tale "Snow White," is a breathtakingly beautiful film and a uniquely spirited homage to the black-and-white Golden Age of Europe's silent cinema. Set in a romanticized 1920s Seville, Berger's Snow White is Carmen (Macarena García), the daughter of a famous bull fighter, who lives under the tyrannical rule of her monstrous, evil stepmother, Encarna (Maribel Verdú). She escapes and joins a troupe of bullfighting dwarves, where her beauty and natural talent in the ring attract notices from the press. But soon the news reaches Encarna, who at last she knows where to find Carmen, and she prepares for the final showdown.

Written and Directed by: Pablo Berger

Starring: Maribel Verdú, Daniel Giménez Cacho, Ángela Molina, Pere Ponce, and introducing, Macarena García

Language: Spanish (w/English subtitles)

Running Time: 104 minutes

Rating: Not yet rated

Blancanieves sweeps the Goyas becoming best Picture 2013
See full article at SydneysBuzz »

‘Blancanieves’, a must see for any fan of silent cinema and Snow White


Directed by Pablo Berger

Written by Pablo Berger

2012, Spain

The German tale of Snow White was published by Grimm brothers Jacob and Wilhelm in their Hausmärchen collection in 1812. Considered to be the most famous fairy tale worldwide, Snow White has been adapted to the big screen numerous times by the likes of Walt Disney, Michael Cohn and most recently Tarsem Singh and Rupert Sanders. Every adaptation has featured, respectively, their own variation of the literary source material. Now Spanish filmmaker Pablo Berger has channeled all those energies, and through his own artistic sensibility, he artfully crafts a love letter to Hispanic culture and it’s history. Blancanieves is a beautifully executed vision of the Grimm fairy tale; with the key elements of Snow White all present and accounted for (the poisoned apple, the glass coffin, and the seven dwarfs). Only Berger takes it a step further, adding nods to Sleeping Beauty,
See full article at SoundOnSight »

2013 Sundance Film Festival Award Winners

2013 Sundance Film Festival Award Winners
Sundance Institute this evening announced the Jury, Audience, Next and other special awards of the 2013 Sundance Film Festival at the feature film Awards Ceremony, hosted by Joseph Gordon-Levitt in Park City, Utah. An archived video of the ceremony in its entirety is available at Sundance.org/Festival.

Here's what John Cooper, Director of the Sundance Film Festival, had to say about this year's festival. "

"The films at our Festival this year truly reflect the unbridled passion, immense talent and diverse stories coming from the independent filmmaking community. I am confident that the awards presented this evening will fuel those films with special promise and that audiences will continue to champion the films they have discovered here."

Keri Putnam, Executive Director of the Sundance Institute, also released a statement.

"The lively dialogue and genuine excitement sparked by the films over the past 10 days is sure to resonate as they further reach
See full article at MovieWeb »

Sundance 2013: 'Fruitvale' takes two major festival prizes

Sundance 2013: 'Fruitvale' takes two major festival prizes
Fruitvale became the first Sundance film to win the Grand Jury Prize and the Audience Award for U.S. Dramatic film since Precious in 2009. First-time director Ryan Coogler was inspired to write the film after 22-year-old Oscar Grant was shot in the back and killed by Oakland transit police on New Year’s Day morning 2009. Fruitvale tells the story of Grant’s last 24 hours alive, as he attempts to become a better father, a better boyfriend, and a better son and friend. “It’s about human beings and how we treat each other,” said Coogler, “how we treat people that
See full article at EW.com - Inside Movies »
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