David Mitchell Poster


Jump to: Overview (3)  | Mini Bio (1)  | Spouse (1)  | Trivia (5)  | Personal Quotes (15)

Overview (3)

Born in Salisbury, Wiltshire, England, UK
Birth NameDavid James Stuart Mitchell
Height 5' 10" (1.78 m)

Mini Bio (1)

David Mitchell was born on 14th July 1974 in Salisbury, England. His parents, Ian and Kathy Mitchell, worked as hotel managers in Salisbury. David also has a brother. In 1977 the family moved to Oxford, where his parents taught a course in hotel management at Oxford Brookes University. David was educated at Abingdon School in Oxfordshire. He has been writing comedy material since his schooldays when he used to write comedy sketches with his friends. A year before he went to college, David worked for a while as a proofreader for the Oxford University Press. He studied History at Peterhouse College, Cambridge. Whilst he was studying at Cambridge University he joined the Cambridge Footlights, where he met his comedy partner,Robert Webb. David became President of the Cambridge Footlights and after graduation he and Robert staged a two man show at the Edinburgh Fringe Festival.

Early in his career David worked as a freelance writer on comedy sketch shows including 'Armstrong and Miller' and 'Big Train'. He also appeared as Owen, the IT specialist, in 'Think the Unthinkable', a BBC Radio 4 situation comedy about a firm of management consultants. David made a guest appearance as Owen in one episode for the first series. This episode was broadcast on 6th November 2001. His character proved to be so popular that Owen was co-opted as a full member of Unthinkable Solutions and David appeared in all six episodes of Series 2 of 'Think the Unthinkable'. These episodes were broadcast on BBC Radio 4 from 7th November 2002 to 12th December 2002. In 2001 David and Robert co-wrote a six part comedy sketch show 'The Mitchell and Webb Situation', which was broadcast on Play UK. The series was directed by David Kerr, who would later work with David and Robert on their BBC2 sketch show, That Mitchell and Webb Look (2006), and several sketches featured the actress Olivia Colman. Also in 2001, David bought his first home, a small flat in the Kilburn district of London.

In 2003 David was cast as Mark Corrigan in the Channel 4 situation comedy, Peep Show (2003). This series follows the lives of Mark and his friend Jeremy, played by Robert Webb, who share a flat in Apollo House, a London apartment block. Mark works for a company called JLB Credit. His work colleagues include Sophie Chapman, played by Olivia Colman. The show has a distinctive look because of its extensive use of subjective camera angles, as viewers are shown events from Mark and Jeremy's point of view. The series also makes use of voice overs in which Mark and Jeremy reveal their innermost thoughts. The first series was broadcast in six episodes between 19th September 2003 and 24th October 2003. Peep Show (2003) was an instant success. The show was nominated for the BAFTA television award for best situation comedy in 2004, and a second series was quickly commissioned. This was broadcast in six episodes on Channel 4 between 12th November 2004 and 17th December 2004. As a result of David's filming commitments for the second series of Peep Show (2003), he was only available to record some of the episodes for the third series of the Radio 4 sitcom, 'Think the Unthinkable', which was broadcast in six parts between 13th July 2004 and 17th August 2004. To explain his absence, the writers devised a storyline in which David's character Owen went into hiding, and a new IT consultant, Jed, played by Robin Ince, was drafted in to cover for him.

The first series of 'That Mitchell and Webb Sound', a comedy sketch show, was broadcast on BBC Radio 4 between 28th August and 2nd October 2003. All of the characters in the radio show were played by David, Robert, Olivia Colman and James Bachman. It was in Episode 5 of Series One, broadcast on 25th September 2003, that a character called Sir Digby Caesar Salad made his first appearance. Sir Digby was played by Robert and David took the role of his trusty sidekick Ginger. These characters would later feature prominently in the sketch show when it transferred to BBC2 in 2006. After the success of the first run of six episodes, 'That Mitchell and Webb Sound' was commissioned for a second series, which was broadcast in six parts between 10th February and 17th March 2005. Episode 5 of the second series, which went out on 24th February 2005, included a sketch about a game show called Numberwang. David returned to play Owen in the fourth and final series of 'Think the Unthinkable'. This consisted of four episodes broadcast on BBC Radio 4 between 28th September and 19th October 2005. David ended 2005 by starring in the third series of Peep Show (2003). This was shown in six parts by Channel 4 between 11th November 2005 and 16th December 2005 and went on to win the best TV comedy award at the 2006 British Comedy awards. In the third series, Alan Johnson, an executive at Mark's firm JLB Credit played by Paterson Joseph, memorably explained his attitude to personnel issues by saying that in his opinion illness is weakness.

The format of the Mitchell and Webb radio series was used for a television sketch show, That Mitchell and Webb Look (2006), the first series of which was broadcast on BBC2 in six episodes between 14th September 2006 and 19th October 2006. The television series featured a number of sketches first used in the radio show such as the surprising adventures of Sir Digby Caesar Salad, now renamed Sir Digby Chicken Caesar. The Numberwang game show also featured in every episode of the first TV series. Usually Robert played the game show host, but in one episode David hosted a German language version of Numberwang. In 2006 David and Robert went on a tour of Great Britain with their stage show, 'The Two Faces of Mitchell and Webb'. This opened at the Pleasance Theatre in London on 12th October 2006 and ended at the Assembly Hall Theatre in Tunbridge Wells on 10th December 2006. In December 2006 David was the best man at Robert's wedding to Abigail Burdess.

In 2006 David hosted a pilot episode for a comedy panel game called 'The Unbelievable Truth'. In the game, the contestants each deliver a lecture on a given subject. Their talks consist almost entirely of lies, but the lectures always contain a few items of genuine factual information. The other contestants have to identify the items of true information, and points are won by correctly identifying true facts, and also for successfully smuggling truths past the other contestants. The pilot episode was broadcast by BBC Radio 4 on Thursday 19th October 2006, and it led to a full series of six episodes which ran from 29th April to 3rd June 2007. The writers of Peep Show (2003), Jesse Armstrong and Sam Bain, wrote the screenplay for 'Magicians', a comedy feature film starring David and Robert as rival stage musicians. This film went on general release in Great Britain on 18th May 2007. Peep Show (2003) returned in the spring of 2007 for its fourth season after a slightly longer break than usual. As usual David and Robert collaborated on the scripts with Jesse Armstrong and Sam Bain by providing additional material. The series was shown on Channel 4 in six episodes between 13th April and 18th May 2007. David was nominated for the best TV comedy performance award at the 2008 Television BAFTAs for his portrayal of Mark in the fourth season of Peep Show (2003). The show itself won the award for best TV comedy at the 2007 the British comedy awards, and the best sitcom award at the 2008 Television BAFTAs. Just after Peep Show (2003) had completed its run on Channel 4, David co-wrote and starred in the third series of 'That Mitchell and Webb Sound', which was broadcast in six episodes on BBC Radio 4 between 24th May and 28th June 2007. The highlights included 'Celebrity Fame Zeppelin', a sketch which parodied reality television shows like 'Big Brother'. Also in 2007 David was one of the team captains in the first series of 'Would I lie to you?' This was a comedy panel game shown on BBC1 television in six parts between 16th June and 28th July 2007.

The first series of That Mitchell and Webb Look (2006) won a BAFTA award, and the sketch show was commissioned for a second series. This was broadcast on BBC2 in six episodes between 21st February 2008 and 27th March 2008. Later in 2008 David hosted the second series of 'The Unbelievable Truth', which went out on BBC Radio 4 between 5th May and 9th June 2008. There was also an 'Unbelievable Truth' Christmas special, which was broadcast by BBC Radio 4 on Monday 15th December 2008. In the late spring of 2008, Peep Show (2003) returned for its fifth season, which was broadcast in six episodes by Channel 4 between 2nd May and 6th June 2008. The fifth series featured a new character called Dobby played by Isy Suttie, who was nominated for the award for best female comedy newcomer at the 2008 British Comedy awards. Also at the 2008 British comedy awards, David was nominated for best television comedy actor, and Olivia Colman was nominated for best television comedy actress for her performance as Sophie Chapman. Unfortunately, none of the three Peep Show (2003) nominees won on the night, but David's role as Mark was recognized at the 2009 Television BAFTAs when he won the award for best comedy performance. In his acceptance speech at the awards ceremony which took place at London's South Bank on Sunday 26th April 2009, David said that the award should really have been shared with his comedy partner and co-star in the sitcom, Robert Webb.

David returned as one of the team captains in the second series of BBC1's 'Would I lie to you?' This was shown in nine episodes between 11th July and 19th September 2008. The ninth episode of the second season was a compilation of highlights and previously unseen material. In the spring of 2009, David hosted the third season of 'The Unbelievable Truth'. This was broadcast in six parts by BBC Radio 4 between 23rd March and 27th April 2009. One of the guests in the third season was Graeme Garden, who had originally helped to devise the format of the game show. David made a guest appearance in two episodes of the BBC Radio 4 topical debate show, 'Heresy'. The episodes in question went out on 5th and 19th May 2009. The third season of That Mitchell and Webb Look (2006) started on BBC2 on Thursday 11th June 2009.

- IMDb Mini Biography By: Andrew Bede

Spouse (1)

Victoria Coren Mitchell (17 November 2012 - present) ( 1 child)

Trivia (5)

Was a member of Cambridge Footlights, a contemporary of Robert Webb, Matthew Holness and Richard Ayoade.
Studied History at Peterhouse, Cambridge University.
Son-in-law of Alan Coren'.
Father, with Victoria Coren Mitchell, of daughter Barbara Elizabeth June Mitchell, born on May 22, 2015.
Brother-in-law of Giles Coren and Alexander Armstrong.

Personal Quotes (15)

I've only ever bought one album for myself and it was "But Seriously" by Phil Collins, and if there's a better reason never to buy another album then I'd like to hear it.
[on bankers] I think there's a lot of anger at them because I think basically not only have they cost us a lot of money but they've shown very little remorse. I've not heard bankers say sorry. I've heard a lot of bankers say it's time we stopped saying sorry but I've not heard them say sorry.
[on Doctor Who (2005)] It's a children's programme; it's not for me, and I was a fool to think my opinion of it mattered. Though not as much of a fool as I would have been if I was an adult thinking that about the original series, which was proudly and unambiguously a children's show - whereas now, for some reason, we're all encouraged to weigh in. My parents never watched Doctor Who (1963) - it wouldn't have occurred to them to do so. They might have been fond of it, they might have said 'Oh yes, I used to watch that as a child'. What they wouldn't go on to say was '...and I still do now'. Whereas these days, a huge amount of stuff seems to be aimed at children, but with the assumption that adults - and not just parents - will consume it too. No-one in the 1920s surely, was reading Winnie the Pooh unless they had a child to read it to.
[on Downton Abbey (2010)] I think it's terribly written but still enjoy watching it and I don't know why. I'll watch and think: 'No one would say that, why's that happening?' Maybe the enjoyment of the sets and costumes is enough to sustain it.
I've never gone in for one of the Personality Tests, but largely because I think I'm too feeble-minded and I'd probably become a Scientologist. I'd probably go in all "Oh, this is going to be absolute nonsense" and then they'd say something and I'd go "Ah!" So I'm afraid of them, basically.
I read the Hobbit, I thought that was alright. Then I tried to read the Lord of the Rings Trilogy and I sort of, at the age of about 11, and I sort of petered out halfway through the Two Towers you know, having, and God knows how many books I will never have read because of time it took me to crawl halfway through that book. And I felt filled with self-loathing that this apparently great thing, I wasn't getting what was great about it. And then later on you react to that saying, "No it's not that I wasn't getting what was great about it. It's boring, it's meaningless and its fans take it absurdly seriously."
The trouble is that some children are timorous and some children are reckless, and in order to save the lives of reckless children, warnings are calibrated for their safety, the result of which is that the timorous live in a state of perpetual terror. What I needed to be told is, 'you know what? Most days, you won't die. It's fine.' I wasn't ever going to tear across a three-lane motorway. The very existence of a three-lane motorway in the same post code as me made me not want to leave the house.
So we surrender to stupidity, do we? Freedom of speech is sacrificed at the altar of manufactured rage.
There's something fishy about Google's motto, "Don't Be Evil." I'm not saying it's controversial but it makes you think, "Why bring that up? Why have you suddenly put the subject of being evil on the agenda?" It's suspicious in the same way as Ukip constantly pointing out how racist they're not
There's got to be a nasty or dangerous side to anything enjoyable or there's something wrong, something suspicious and hidden. If everything seems perfect, it means you're one of the Eloi and a Morlock is watching you with a napkin tucked under its chin.
The Research Excellence Framework is starting to ask what sorts of curiosity our culture can afford, and that scares me even more than the demise of the silly survey because it strikes at the heart of what it means to be civilised, to have instincts other than survival. If academic endeavour had always been vetted in advance for practicality, we wouldn't have the aeroplane or the iPhone, just a better mammoth trap.
As a nation we spent decades sharing a laugh at the inadequacies of British Rail with its lateness, dirtiness, rudeness and terrible sandwiches. The failings in our rail network were a shared collective reflection on our failings as a community. British Rail was crap because everything was crap, because we were also, individually and collectively, a bit crap - laughable and decrepit and doomed, like all humans have always been. But somehow redeemed by our capacity to self-mock.
It's as if they actually think that what other people think of them somehow doesn't matter. I mean, I know we're all supposed to believe that, but obviously, none of us actually do. And nor should we, because it does! It does matter! And the people who genuinely believe it doesn't tend to be the very people who ought to care most what other people think of them, because what the other people are thinking is, 'No, actually, I don't think the Chinese are "up to something,"' or, 'You should use mouthwash,' or, 'Your mania for the collective socialization of agriculture will surely cause the deaths of millions,' or, 'Forty cats is too many cats."
This society doesn't work without booze - our parties aren't good enough, our conversations aren't sufficiently interesting, nor is our self-confidence high enough to sustain our interactions without alcohol. It's everywhere, lubricating everything."
Those were the terms in which my parents, keen for me to grow up well grounded in cynicism, explained things to me. Sweets, chocolates and crisps were all very well, but to buy them by the checkout, on an impulse, was falling into a trap. Instead, I was taught the pleasure of watching other people fall into it and feeling smug. The fact that the sensation of smugness was more pleasurable to me than that of salt or sugar tells you all you need to know about the kind of monster who comes to prominence in modern Britain.

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