Dan Mindel

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Dan Mindel was born on May 27, 1958 in Johannesburg, South Africa as Ivor Daniel Mindel. He is known for his work on Star Trek (2009), The Bourne Identity (2002) and John Carter (2012). He has been married to Lisa Fallon since 1992. They have four children. He was previously married to Paula Hamilton. See full bio »

Born:

May 27, 1958 in Johannesburg, South Africa

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Mission: Impossible III

Wed, Dec 02 9:00 AM PST on FXX (089)

Mission: Impossible III

Thu, Dec 03 5:00 AM PST on FXX (089)

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Photos

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Known For

Star Trek Cinematographer

(2009)

The Bourne Identity Camera and Electrical Department

(2002)

John Carter Cinematographer

(2012)

Star Trek Into Darkness Cinematographer

(2013)

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Filmography

Jump to: Cinematographer | Camera and Electrical Department | Actor | Thanks | Self

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Cinematographer (25 credits)

2019 Star Wars: Episode IX - The Rise of Skywalker (director of photography)

2018 Pacific Rim: Uprising (director of photography)

2018 The Cloverfield Paradox (director of photography)

2016 Zoolander 2 (director of photography)

2015 Star Wars: Episode VII - The Force Awakens (director of photography)

2014 The Amazing Spider-Man 2 (director of photography)

2013 Star Trek Into Darkness (director of photography)

2012 Savages (director of photography)

2012 John Carter (director of photography)

2009 Star Trek (director of photography)

2007 Cutlass (Short) (director of photography)

2006 Mission: Impossible III (director of photography)

2005 Domino (director of photography)

2005 The Skeleton Key (director of photography)

2004 Tooth Fairy (Short) (director of photography)

2003 Stuck on You (director of photography)

2001 Spy Game (director of photography)

2000 Killer Pink (Short) (as Daniel Mindel)

2000 Sand (as Dan Mindell, photographed by)

2000 Shanghai Noon (director of photography)

1998 Enemy of the State (director of photography)

1996 Snakeland (Short) (director of photography)

1996 Dangerous Minds (TV Series) (1 episode)

- Pilot (1996) ... (as Daniel Mindel)

1996 Recon (Short) (director of photography)

1992 Red Shoe Diaries (TV Series) (director of photography - 3 episodes)

- Jake's Story (1992) ... (director of photography - as Daniel Mindel)

- Auto Erotica (1992) ... (director of photography - as Daniel Mindel)

- Another Woman's Lipstick (1992) ... (director of photography - as Daniel Mindel)

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Camera and Electrical Department (11 credits)

2007 Lions for Lambs (director of photography: additional photography)

2002 The Bourne Identity (additional photographer)

1997 G.I. Jane (director of photography: second unit, California - as Daniel Mindel)

1996 The Fan (additional photographer - uncredited)

1996 White Squall (additional photographer - uncredited)

1995 Crimson Tide (additional photographer - uncredited)

1992 Red Shoe Diaries (TV Series) (camera operator - 1 episode)

- Safe Sex (1992) ... (camera operator: "b" camera - as Daniel Mindel)

1991 Thelma & Louise (first assistant camera)

1990/I Revenge (first assistant camera - as Danny Mindel)

1985 The Emerald Forest (assistant camera - uncredited)

1983 The Hunger (assistant camera: reshoots - uncredited)

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Actor (1 credit)

2006 Mission: Impossible III
Doctor (uncredited)

Show

Thanks (1 credit)

2019 Into Infinity (Short) (thanks)

Show

Self (5 credits)

2019 Hollywood Insider (TV Series)
Self

- Come Behind the Scenes of 'Star Wars: The Rise of Skywalker' (2019) ... Self

2019 Things Are Not As They Appear: The Making of 'The Cloverfield Paradox' (Video documentary short)
Self

2018 Cinematic Self-Portraits (Documentary short)
Self

2016 Secrets of the Force Awakens: A Cinematic Journey (Documentary)
Self

2006 Bounty Hunting on Acid: Tony Scott's Visual Style (Video documentary short)
Self - Director of Photography

Personal Details

Other Works:

Director of photography for Allstate TV commercial "Girls Day Out II" (2006). See more »

Alternate Names:

Daniel Mindel | Danny Mindel | Dan Mindell

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Did You Know?

Personal Quote:

I'm in the position now of working on some really great films. And I try very hard to persuade whomever I'm working with to allow me to shoot on film, and to shoot anamorphically. That's all I'm really interested in as a medium. I realize there are so many different ways of making movies. I want to focus on just one way and really learn how to do it inside and out. I am still in that process. ... See more »