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June Mathis (1887–1927)

June Mathis was born June Beulah Hughes in 1887 in Leadville, Colorado. Her father died at a young age and her mother married William Mathis. She grew up in Salt Lake City, Utah, which she would proudly consider her hometown for the rest of her life. At the age of 13 she pursued a career in vaudeville, doing imitations and dances. She had success ... See full bio »

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Camille Writer


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 1930 Reno
 1927 The Magic Flame (continuity)
 1926 The Greater Glory (scenario)
 1926 Irene
 1925 Ben-Hur: A Tale of the Christ (adaptation)
 1925 Cobra (uncredited)
 1925 We Moderns
 1925 Classified (scenario)
 1925 Sally
 1924 The Hooded Falcon (script writer)
 1924 Greed (screen adaptation and scenario)
 1923 In the Palace of the King (adaptation)
 1923 The Day of Faith (adaptation)
 1923 The Spanish Dancer (adaptation)
 1923 Three Wise Fools (writer)
 1922 The Young Rajah (written for the screen by)
 1922 Blood and Sand (written for the screen by)
 1922 Hate (adaptation)
 1922 Kisses (adaptation) / (screenplay)
 1922 The Golden Gift (story)
 1921 The Idle Rich (adaptation)
 1921 The Hole in the Wall (adaptation)
 1921 Camille (written for the screen by)
 1921 The Man Who
 1921 The Four Horsemen of the Apocalypse (written for the screen by)
 1920 Hearts Are Trumps (scenario)
 1920 Polly with a Past (scenario)
 1920 The Saphead (scenario)
 1920 The Price of Redemption (scenario)
 1920 Old Lady 31 (scenario)
 1920 The Right of Way (scenario)
 1920 The Walk-Offs
 1919 Fair and Warmer (writer)
 1919 Lombardi, Ltd. (scenario)
 1919 The Brat (screenplay) / (titles)
 1919 The Microbe (writer)
 1919 The Man Who Stayed at Home (writer)
 1919 Some Bride (writer)
 1919/I Almost Married
 1919 The Amateur Adventuress (writer)
 1919 The Red Lantern (writer)
 1919 The Island of Intrigue (writer)
 1919 The Parisian Tigress (story)
 1919 Blind Man's Eyes (writer)
 1919 The Way of the Strong (scenario)
 1919 Satan Junior (writer)
 1919 Johnny-on-the-Spot (scenario)
 1919 Out of the Fog (writer)
 1919 The Divorcee (writer)
 1918 Eye for Eye (writer)
 1918 Sylvia on a Spree (scenario)
 1918 Five Thousand an Hour (writer)
 1918 His Bonded Wife (writer)
 1918 Secret Strings (scenario)
 1918 Kildare of Storm (scenario)
 1918 The Silent Woman (writer)
 1918 The House of Mirth (writer)
 1918 A Successful Adventure (screenplay) / (story)
 1918 To Hell with the Kaiser! (writer)
 1918 A Man's World (writer)
 1918 The House of Gold (scenario)
 1918 Social Quicksands (writer)
 1918 The Winning of Beatrice (scenario)
 1918 Toys of Fate (scenario)
 1918 The Trail to Yesterday (scenario)
 1918 With Neatness and Dispatch (scenario)
 1918 Social Hypocrites (writer)
 1918 The Claim (writer)
 1918 The Brass Check (writer)
 1918 The Legion of Death (screenplay) / (story)
 1918 The Eyes of Mystery (adaptation)
 1918 The Winding Trail (story)
 1918 Daybreak (adaptation)
 1917 Blue Jeans
 1917 The Voice of Conscience (scenario)
 1917 Draft 258
 1917 The Jury of Fate (adaptation)
 1917 Miss Robinson Crusoe (story)
 1917 The Trail of the Shadow (scenario)
 1917 Lady Barnacle (scenario)
 1917 The Beautiful Lie (scenario)
 1917 The Millionaire's Double (story)
 1917 A Magdalene of the Hills (scenario)
 1917 The Power of Decision (scenario)
 1917 His Father's Son (scenario)
 1917 The Barricade (scenario)
 1917 A Wife by Proxy (scenario - unconfirmed)
 1916 The Sunbeam (scenario)
 1916 God's Half Acre (scenario)
 1916 The Purple Lady (scenario)
 1916 Her Great Price (scenario)
 1916 The Upstart (scenario)
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Personal Details

Publicity Listings:

2 Portrayals | 30 Articles | See more »

Did You Know?

Personal Quote:

If you are vibrating on the right plane, you will inevitably come in contact with the others who can help you. It's like tuning in on your radio. If you get the right wave-length, you have your station. See more »


Did not actually edit Erich von Stroheim's masterpiece Greed (1924) from ten hours to 2-1/2. She was instructed by Metro to cut the film and left a memo about the matter to a regular editor, Joseph Farnham, who did the actual cutting. Mathis had worked with Stroheim before and admired the themes in his work. See more »


Her use of mystical themes in her scripts

Star Sign:


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