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Actress Monica Bellucci on Her Career, Bond Rumors and Why Now Is the Time for Women to Speak Out

Actress Monica Bellucci on Her Career, Bond Rumors and Why Now Is the Time for Women to Speak Out
Monica Bellucci flew into Rome for one night to receive the Fondazione Cinema per Roma’s Virna Lisi Award, which honors an actress who has made an impact in Italian and global cinema.

Bellucci sat down with The Hollywood Reporter to speak about her career thus far, why the age conversation around her role as a Bond girl in Spectre was so important and why she thinks it’s so important now for women to come forward about harassment and assault.

On accepting the award, Bellucci said, “It means a lot because Virna Lisi is an actress that I respect very much. She...
See full article at The Hollywood Reporter - Movie News »

Will Monica Bellucci Return as ‘Bond Girl’ Along With Daniel Craig?

Will Monica Bellucci Return as ‘Bond Girl’ Along With Daniel Craig?
Now that Daniel Craig is back as Bond, will Monica Bellucci be back as his “girl”?

Bellucci is being coy about rumors that Craig wants her to reprise her role from the last Bond outing, “Spectre,” in the new installment of the franchise. Bellucci’s agent told Variety on Wednesday that the actress is neither confirming nor denying rumors that she might appear in the 25th film to feature the suave super-spy, which is scheduled to hit theaters in 2019.

On Tuesday evening in Rome, where she was feted with the Virna Lisi lifetime achievement award, Bellucci smiled at reporters who asked her to comment on the rumors, telling them: “I can’t say anything.”

Bellucci’s appearance as one of two “Bond girls” in “Spectre” made a splash in 2015 when she was dubbed the oldest Bond girl ever at 51. Four years older than Craig, she made it clear at the time that she did not like the
See full article at Variety - Film News »

Monica Bellucci to Receive Virna Lisi Prize in Rome

Bellucci in “Mozart in the Jungle

Monica Bellucci is set to be celebrated in Rome. The Italian actress will be honored with the 2017 Virna Lisi award as part of the Cinema Foundation for Rome’s Cityfest series, The Hollywood Reporter confirms.

Launched in 2015, the award is named after Lisi, “one of the rare Italian actresses who worked frequently across Italy and Hollywood,” the source writes. “She gained fame in postwar Italian film, including starring in ‘Casanova 70’ opposite Marcello Mastroianni and later appearing with Jack Lemmon in ‘How to Murder Your Wife’ and as Catherine de Medici in ‘Queen Margot.’”

Bellucci received a César nomination, France’s equivalent to an Oscar nod, in 1997 for her supporting role in “The Apartment.” “Spectre,” “The Wonders,” the “Matrix” franchise, and “Irreversible” are among her other credits.

“I had no idea when I was 25 that at 50 I would still be working. It is a great discovery for me,” Bellucci has said. She recently appeared in “Twin Peaks” and “Mozart in the Jungle.”

Bellucci will receive the award November 8.

Monica Bellucci to Receive Virna Lisi Prize in Rome was originally published in Women and Hollywood on Medium, where people are continuing the conversation by highlighting and responding to this story.
See full article at Women and Hollywood »

Monica Bellucci to Get Virna Lisi Prize in Rome

Monica Bellucci to Get Virna Lisi Prize in Rome
Actress Monica Bellucci will be feted with the 2017 Virna Lisi award in Rome on Nov. 7 as part of the Fondazione per Roma's Cityfest series. 

The prize will be delivered by Lisi's son, Corrado Pesci, and presented by director Giuseppe Tornatore

Lisi was one of the rare Italian actresses who worked frequently across Italy and Hollywood. She gained fame in postwar Italian film, including starring in Casanova 70 opposite Marcello Mastroianni and later appearing with Jack Lemmon in How to Murder Your Wife and as Catherine de Medici in Queen Margot.

The Virna Lisi prize was started in 2015, first going to...
See full article at The Hollywood Reporter - Movie News »

‘Game of Thrones’: 8 Films to Watch If You’re Already Missing the Fantastical Series

‘Game of Thrones’: 8 Films to Watch If You’re Already Missing the Fantastical Series
Winter is indeed upon us, as “Game of Thrones” has just wrapped its truncated seventh season with a jaw-dropping finale that moves plenty of pieces (most of them terrifying, ice-cold, and dragon-aided) into place for a game-changer of a final season…that won’t come until sometime in 2018. It’s the Long Night, all over again (and, if those gently falling snowflakes during some of the finale’s last moments are any indication, fans of the HBO series aren’t the only ones headed for a chilling, unforgiving few months).

In order to keep diehard viewers sated until its last episodes hit the small screen, here are some ideas for films that might help ease the pain, from classic Westerns to underseen historical dramas, all with that special “Thrones” touch (murderous, political, bloody, and at least partially beholden to mythical beasts).

Read More:‘Game of Thrones’ Review: Finale ‘The Dragon
See full article at Indiewire »

Duel in the Sun

David O. Selznick’s absurdly over-cooked western epic is a great picture, even if much of it induces a kind of hypnotic, mouth-hanging-open disbelief. Is this monument to the sex appeal of Jennifer Jones, Kitsch in terrible taste, or have Selznick and his army of Hollywood talents found a new level of hyped melodramatic harmony? It certainly has the star-power, beginning with Gregory Peck as a cowboy rapist who learned his bedside manners from Popeye’s Bluto. It’s all hugely enjoyable.

Duel in the Sun

Blu-ray

Kl Studio Classics

1946 / Color / 1:37 flat Academy / 144 min. / Special Edition / Street Date August 15, 2017 / available through Kino Lorber / 29.95

Starring Jennifer Jones, Gregory Peck, Joseph Cotten, Lionel Barrymore, Lillian Gish, Walter Huston, Butterfly McQueen, Charles Bickford, Tilly Losch.

Cinematography Lee Garmes, Ray Rennahan and Harold Rosson

Production Designer J. McMillan Johnson

Film Editor Hal C. Kern, John Saure and William H. Ziegler

Original Music Dimitri Tiomkin

Written by Niven Busch,
See full article at Trailers from Hell »

On this day: Butch Cassidy, Catherine de Medici, the '63 Oscars, and more

On this day in history as it relates to showbiz

1519 Catherine de Medici, Queen consort, born. She's been played in movies and TV by Kerry Fox, Megan Follows, Françoise Rosay, Maria Palmer, and many more but none so brilliantly as Virna Lisi in her Cannes winning performance in the sensational French epic Queen Margot (1994)

1570 Guy Fawkes born in England. V for Vendetta's "V" wears his face as a mask.

1743 Founding Father Thomas Jefferson born in Virginia. He's been played in movies and TV by actors like Nick Nolte, Jerry O'Connell, Stephen Dillane, Sam Waterston, Ken Howard, and many more...
See full article at FilmExperience »

Best Shot: Queen Margot (1994)

Hit Me With Your Best Shot: Queen Margot (1994)

Director: Patrice Chereau. Cinematography: Phillipe Rousselot. 

Starring: Isabelle Adjani, Daniel Auteuil, Vincent Perez, Jean-Hugues Anglade, and Virna Lisi 

Awards: 2 Cannes jury prizes, 5 César Awards, 1 Oscar nomination.

They say that death always takes your lovers..."

When I was young and extremely sexually naive, let's say hypothetically in High School French class, I was startled to discover that the French phrase "La petite mort," which translates literally to 'the little death' referred to a sexual orgasm. I had no idea why these two towers of Human Obsession, Sex and Death, would be linked up like twins. But the movies, ever the personal tutor for young cinephiles, kept forcing the connections.

Which brings us to the decadent, opulent, erotic, violent and visceral 16th century French epic Queen Margot, this week's Best Shot subject. (The shot choices are after the jump due to the graphic nature of the film.
See full article at FilmExperience »

"Best Shot" Schedule for May

'Here's what's coming up the rest of this month on Best Shot if you'd like to join us. It's easy. You...

1) watch the movie

2) pick a shot, post it and say why you love it

3) let us know you did via twitter, email or comments and we link up 

May 17th Queen Margot (1994)

Madwoman Isabelle Adjani stars in this blood-soaked, erotically-charged 16th century French epic which we figured is a great fit for a Cannes heavy week (the film won two prizes in its year including Best Actress for its unforgettable supporting actress Virna Lisi). Plus the last time we did an Adjani (The Story of Adele H) the articles were hot. Please join us if you haven't seen this one! [Streaming on Netflix]

May 24th Star Wars: The Force Awakens (2015)

We pushed this back a month since it wasn't yet available to rent but it's time to revisit future jedi Rey as
See full article at FilmExperience »

Mauro Bolognini’S Commedia All’Italiana ‘Arabella’ (1967) Starring Virna Lisi; New On UK Region 2 DVD From Simply Media

  • CinemaRetro
By Howard Hughes

New to DVD in the UK is ‘Arabella’, an Italian period comedy set in that hotbed of hilarity, pre-wwii fascist Italy. Virna Lisi stars in the title role – known variously in the film as Arabella Danesi and Arabella Angeli – who determines to save her grandmother from destitution by finding ingenious ways to pay off her elderly relative’s crippling tax bill.

The film is structured rather like those 1960s Italian portmanteau comedy-dramas, such as ‘Yesterday, Today, Tomorrow’, ‘The Witches’ or ‘Woman Times Seven’. Such films were intended as vehicles for one female star, be they Sophia, Silvana or Shirley, to demonstrate their versatility in a variety of roles. But instead of separate stories, with different characters, ‘Arabella’ has one continuous story arc, with Lisi’s sexy heroine adopting various costumes, personas and wigs to seduce and blackmail her way through a string of lovers, who are then
See full article at CinemaRetro »

Interview: Gianni Bozzacchi on Cinephile-Oriented Doc “We Weren’t Just Bicycle Thieves. Neorealism”

To all cinephiles! This one is for you!

What a surprise was in store for us when we went to see “We Weren’t Just Bicycle Thieves. Neorealism” on its opening night of its qualifying run for Oscar submission in the documentary category.

The footage!

It took two and a half years to clear it all! The best scenes of Neorealistic cinema illustrate points on how Neorealism changed the lexicon and language of film in the same way that the Renaissance changed the visual language of art with linear perspective and its humanistic point of view.

The commentary!

Speaking about the influence of the Italian post-war Neorealism upon their filmmaking choices are Bertolucci, the Taviani Brothers, Scorsese, Olmi, Umberto Eco, Gabriel Garcia Marquez… the only reason Antonioni and Fellini did not speak was because they were no longer living when the movie was made. The interviews were not “talking heads”; they were conversations in which the great directors expressed their connections with Neorealism as they spoke to Carlo Lizzani.

Carlo Lizzani, the narrator and host of this documentary is an elegant 91 year old man who worked as scriptwriter, assistant director to every Neorealistic director and director in his own right. He starred in movies 1939-1954.

I loved him dancing in "Bitter Rice" (which he cowrote) with the women workers. That was the first Neorealistic movie I saw, dubbed on TV, when I was about eight. It was so puzzling to me, seeing this woman in a rice field with her skirt hiked up in a very provocative way, calling to someone with her words not matching her lips.

I really did not understand what sort of movie I was seeing… Similar to the first time I saw Chantal Akerman’s "Jane Dielman" which was rather Neorealistic too, though a product of the early ‘70s.

The production value!

The room, a fascinating “study” filled with objects of Neorealistic movies where the Lizzani seemed to belong was actually a room built from scratch by production designer Maurizio di Clemente within the walls of the oldest film school in Italy, Centro Sperimentale de Cine. When Lizzani opened windows, they looked out upon landscapes of these great Neorealistic movies. The technology of today was used in service of high art. Opening windows itself was a Neorealistic device.

The book!

You will want to read it all and show it off on your coffee table. Interviews, philosophic discussions, pictures and detailed listings of all the Neorealistic movies are splendidly displayed.

The education!

My view of cinema — both post war Italian cinema and today’s cinema shifted into an informed appreciation of how much Neorealism changed our vision of what a film could be.

Neorealism came to fruition with the rebirth of Italy after the war and lasted to 1954. Actually as Carlo Lizzani explains, it began in 1939 “with the first rumblings of an anti-fascist rebellion… as well as among many intellectuals and cineastes, increasingly unanimous in their refusal of so-called “White Telephone” cinema.”

“Before Neorealism, films were called ‘Bianchi Telefono’ after the white telephones that Hollywood movies showed in the so-called ‘White Telephone’ cinema for the way they featured Hollywood-style living rooms where that status symbol was invariably set center stage. It may have been a typical object in certain Hollywood mansions or Middle-European villa, but hardly in the average Italian home,” says Lizzani.

The interview!

Gianni Bozzacchi, the film’s director, writer and producer is a Renaissance man and his stories are funny, deeply moving and extremely interesting! This is someone you want to talk to for hours.

Watching this labor of love was an experience I will always treasure.

Rarely do we see a film about the art of film…Todd McCarthy’s "Visions of Light" comes to mind but others fade into PBS TV memories. This is a cinematic, highly technological and artistic feat. The Dp was Fabio Olmi the son of Ermanno Olmi.

After the screening, Bozzacchi stayed for a Q+A and the next day I continued to question him in the home of producer Jay Kanter where he was staying. After two and a half hours, I still wanted more. But the issue of condensing it all to a blog was weighing on me.

“Everything was planned and laid out in great detail, scripted and planned to the second so that filming 91 year old Lizanni for two hours a day took exactly 8 days to complete.”

Bozzacchi had previously made movies and in the ‘70s and ‘80s. He worked in Los Angeles with Greg Bautzer, who, for nearly 50 years, was one of the premier entertainment attorneys in Hollywood and with Kirk Kerkorian who needs no introduction. He wrote, directed and produced “I Love N.Y.” which was sold internationally by Walter Manley. It presold widely including to Australia where it played six weeks. But for the U.S. release, Manley edited it, and Bozzacchi moved away from it and took the DGA pseudonym, the credited name Alan Smithee.

Why did you leave filmmaking for so long?

I still remember that film, starring Christopher Plummer, Virna Lisi, Scott Baio, Jennifer O’Neill, but that was my last until “Neorealism”.

In 1986 I saw the industry was changing and I chose to step out in order to watch it as an outsider. What was ‘Show Business” was becoming a 'Business Show’. Marketing led to creating a show which led to creating a sales industry. “

“I decided to change direction and do only what I really wanted to do. I took ten years developing a big project ‘Oh Brave New World: The Renaissance’ for TV. It is now in pre-production. I thought of the Neorealism project and of The Enzo Ferrari story for which I now have a deal with Tribeca and Robert De Niro.

What did you do before you were a filmmaker?

I quit school at 13. From 1966 to 1974, at 20 I entered the jet set and became a photographer.

Elizabeth Taylor was shooting ‘The Comedians’ in Africa by Graham Greene. In Dahomy (today it’s Benin) they rebuilt part of Haiti. In the photo agency I worked no one wanted to go there, so I went. I knew Elizabeth Taylor’s face very well so I photographed her with light; no retouching was needed. After seeing a photo I took of her, Richard Burton said to me, ‘You want to join our family? Elizabeth needs you.’ I only spoke Roman, no English. I worked with her for 14 years and her two kids were my assistants. I also worked on 162 films as a special photographer, reading the scripts and shooting scenes for magazine layouts, working with “the making of the film” format.

It was when I stopped as a photographer in ‘75 that I began to think of producing films like the cult film “ China 9, Liberty 37” directed by Monte Hellman and starring Sam Peckinpah, Warren Oates and Fabio Testi and I wrote a book ExpoXed Memory about my life.

There is a relationship of all my projects to Neorealism, and of Neorealism to the Renaissance. All our projects are ready to go.

What are you doing in L.A.?

We have formed a new company with producer Jay Kanter and other partners who love film rather than the business of film. “We Weren’t Just Bicycle Thieves: Neorealismo” is the first to come out of the gate.

“The Listener” is the next project I will direct. It is based on the semi-autobiographical book, Operation Appia Way, by the Italian politician Giulio Andreotti. Andreotti served as Prime Minister of Italy seven terms since the restoration of democracy in 1946.

Yes he was the subject of Paolo Sorrentino’s film “Il Divo”. The book is about phone tapping, abuse of power and violations of personal privacy as is so often employed in politic, spying, etc. Andreotti had studied to be a priest but became a politician and this is about the birth of wire tapping which took place in the Roman catacombs and tapped the phones of Pope Pius Xii in conversations with Churchill, Churchill and the King of Italy, Mussolini and Hitler, Roosevelt and the Pope. The scenarios alternate between New York and Rome today and flashbacks to past times.

The production coordinator of “Neorealismo”, Julia Eleanora Rei, also has a project on Eleanora Duse and Gabriel D’Annunzio. Known as ‘Duse’, this Italian actress is known for her words of wit and wisdom, ‘The weaker partner in a marriage is the one who loves the most’ and ‘When we grow old, there can only be one regret – not to have given enough of ourselves’. She is also known for her long romantic involvement with the poet and writer, the controversial Gabriele D’Annunzio. They are now targeting a star for the film, although, says Bozzacchi, ‘Today the script is the star’.

What films are most important to you?

Those shown in this documentary, especially "Open City" where the scene of shooting down Anna Magnani still makes me feel angry.

Every week the Neorealistic filmmakers met in a café or restaurant. They did not have lots of money, had only one camera and not much film. But they created a way to tell a story very realistically, hiding the camera and shooting the people as they are.

Cary Grant pleaded De Sica to star in ‘The Bicycle Thief’, but he would have disrupted the Neorealist aspect; he was too recognizable. In the scene where three men stop the thief , other citizens joined in thinking it was real. If they saw it was Cary Grant, the scene never could have happened. The little boy in the film, played by Enzo Staiola, was scared the mob would turn on him.”

It was surprising to see Enzo Staiola in conversation during the movie. He said that ‘De Sica invented this whole story about how he made me cry. When I looked at him in surprise, he said: ‘Don’t worry, it’s just cinema…you’ll understand later’.

They also changed the way to shoot in sequence, called ‘piano sequenza’. Before a film was done in steps, with a storyboard, with cuts, three camera povs. Actors and the camera depended on the director. Now the camera follows the actor as he or she moves. This went from Rossellini to Fellini who always used the system; but Fellini, who shows a new reborn Italy, did not want direct sound. Fellini directs saying, ‘pick up drink’ or ‘turn right’ or ‘look left’ and then afterward he would add the sound. He showed Italy out of war time in ‘La Dolce Vita’.

What happened after ‘Neorealism’?

Pontecorvo was born in the time of Neorealism and he brought it to Algiers (‘Battle of Algiers’). He was going to make a doc there but then decided on fiction. He wrote notes on his hand.

Who were the French, German and U.S. adherents to Neorealism?

Truffaut and Melville, Wim Wenders with ‘American Friend’ and ‘Paris, Texas’, Coppola with ‘Apocalypse Now’. Cassavetes was a producer of Neorealism; he took it to his era. Scorsese did with ‘Taxi Driver’ and ‘Mean Streets’.

What do we see about Neorealism today?

If you really love movies, with all of today’s technology, you must bring in realism. With the new technology there will be a new wave of new realism. New filmmakers are very straight. Honesty and realism on the screen will come out. We’re at the sea floor now, coming back. Tell me a story that I can feel and see emotion…that is the legacy of Neorealism.

The final scene was great ...

There was a great sense of collaboration on this film.

What made that so related to Neorealism?

Neorealism also had the full participation of everyone. Directors heard and listened to the community. Clint Eastwood does this too. He would be great directing the Ferrari movie…depending on the script of course.

I love you story about the dog being an actor who allowed for transitions and covered discontinuities in film.

What about catering Italian style?

Take a look at the film's trailer Here.
See full article at SydneysBuzz »

Time Machine: Veterans Wallach and Coppola - Godfather 3 in Common - Are Special Oscar Honorees

Eli Wallach and Anne Jackson on the Oscars' Red Carpet Eli Wallach and Anne Jackson at the Academy Awards Eli Wallach and wife Anne Jackson are seen above arriving at the 2011 Academy Awards ceremony, held on Sunday, Feb. 27, at the Kodak Theatre in Hollywood. The 95-year-old Wallach had received an Honorary Oscar at the Governors Awards in November 2010. See also: "Doris Day Inexplicably Snubbed by Academy," "Maureen O'Hara Honorary Oscar," "Honorary Oscars: Mary Pickford, Greta Garbo Among Rare Women Recipients," and "Hayao Miyazaki Getting Honorary Oscar." Delayed film debut The Actors Studio-trained Eli Wallach was to have made his film debut in Fred Zinnemann's Academy Award-winning 1953 blockbuster From Here to Eternity. Ultimately, however, Frank Sinatra – then a has-been following a string of box office duds – was cast for a pittance, getting beaten to a pulp by a pre-stardom Ernest Borgnine. For his bloodied efforts, Sinatra went on
See full article at Alt Film Guide »

Latin Lover Movie Review

  • ShockYa
Latin Lover Movie Review
Title: Latin Lover Director: Cristina Comencini Starring: Virna Lisi, Maria Paredes, Angela Finocchiaro, Valeria Bruni Tedeschi, Candela Peña, Pihla Viitala, Nadeah Miranda, Francesco Scianna, Neri Marcorè, Claudio Gioè, Lluís Homar, Toni Bertorelli, Jordi Mollà. Marcello Mastroianni, Ugo Toganzzi, Vittorio Gassman, Gian Maria Volonté – the Italian screen-womanisers of the golden age of Italian cinema – are all united in the character of Saverio Crispo, interpreted by the actor who has become known to the wide audience for playing in Giuseppe Tornatore’s ‘Baaria’: Francesco Scianna. The story begins with Saverio Crispo who has been dead for ten years and all his women are gathered to celebrate the anniversary of his death [ Read More ]

The post Latin Lover Movie Review appeared first on Shockya.com.
See full article at ShockYa »

Oscars: Joan Rivers Left Out of In Memoriam Tribute

Oscars: Joan Rivers Left Out of In Memoriam Tribute
The Academy Awards’ “In Memoriam” segment offered an egalitarian salute to a broad range of industry figures who died during the past 12 months.

The segment presented by Meryl Streep gave equal time to Golden Age legends and below-the-line veterans. In a departure from past years, there were no clips for any of the more recognizable names but rather a series of stylized photo illustrations. Academy officials have long urged attendees to avoid giving the impression that the tribute is a popularity contest by holding applause until the end.

The segment opened with Mickey Rooney followed by director Paul Mazursky and was applause-free, as far as telecast viewers could discern, in the Dolby Theater until the final image of director Mike Nichols flashed on screen.

Joan Rivers was a notable omission from the on-air list. The comedian who died at 80 in September had a limited film resume, to be sure, but
See full article at Variety - Film News »

Oscars 2015: Live Blog

  • ScreenDaily
Oscars 2015: Live Blog
All the winners from Sunday’s 87th Academy Awards.

Show host Harris signs off with a chirpy, “Buenos noches!”

Sean Penn walks on. It’s time for the big one. Best film. Will it be Birdman or Boyhood? It’s Birdman! The movie ends the night tied with The Grand Budapest Hotel on four Oscars. Inarritu, referring to his pal Alfonso Cuaron who enjoyed success with Gravity at last year’s show, says, “Two Mexicans in a row. That’s suspicious, I guess.” Slightly more seriously, Agi also calls on his fellow Mexicans to help build a strong future for his beloved country. Wow, a good night for Birdman and a surprisingly barren one for Boyhood. Pirates indeed, Ethan Hawke, but glorious pirates.

And now Matthew McConaughey saunters on stage to announce best actress. Julianne Moore, five times a nominee at the Oscars is the favourite. Will she get it this time for Still Alice? Yes she’s got
See full article at ScreenDaily »

Rai Com Scores Sales On ‘Chlorine’ And ‘Latin Lover’ Exclusive

Rai Com Scores Sales On ‘Chlorine’ And ‘Latin Lover’ Exclusive
Italian pubcaster Rai’s sales arm Rai Com has scored its first sale on Italian first-timer Lamberto Sanfelice’s Berlin Generation drama “Chlorine” and is doing brisk biz with Cristina Comencini’s ensemble laffer “Latin Lover,” which boasts a stellar cast including late great Italian actress Virna Lisi.

Paris-based arthouse distributor Paradis Films has taken French rights to “Chlorine,” a coming-of-ager about a teenage girl whose dreams of becoming a synchronized swimming champ are sidelined by a family tragedy. Pic, produced by Ang Film and Ginevra Elkann’s Asmara Films, screened in Berlin segueing from its Sundance bow. Good Films will release in Italy.

Spain’s Wanda Distribucion Cinematografica, Australia’s Palace Films and Taiwan’s Swallow Films have picked up Cristina Comencini’s “Latin Lover,” a comedy that turns on a group of women who descend from different countries upon a Southern Italian village for the commemoration of a famous dead actor,
See full article at Variety - Film News »

Deneuve is César Award Record-Tier; Stewart Among Rare Anglophone Nominees in Last Four Decades

Catherine Deneuve: César Award Besst Actress Record-Tier (photo: Catherine Deneuve in 'In the Courtyard / Dans la cour') (See previous post: "Kristen Stewart and Catherine Deneuve Make César Award History.") Catherine Deneuve has received 12 Best Actress César nominations to date. Deneuve's nods were for the following movies (year of film's release): Pierre Salvadori's In the Courtyard / Dans la Cour (2014). Emmanuelle Bercot's On My Way / Elle s'en va (2013). François Ozon's Potiche (2010). Nicole Garcia's Place Vendôme (1998). André Téchiné's Thieves / Les voleurs (1996). André Téchiné's My Favorite Season / Ma saison préférée (1993). Régis Wargnier's Indochine (1992). François Dupeyron's Strange Place for an Encounter / Drôle d'endroit pour une rencontre (1988). Jean-Pierre Mocky's Agent trouble (1987). André Téchiné's Hotel America / Hôtel des Amériques (1981). François Truffaut's The Last Metro / Le dernier métro (1980). Jean-Paul Rappeneau's Le sauvage (1975). Additionally, Catherine Deneuve was nominated in the Best Supporting Actress category
See full article at Alt Film Guide »

Actress Virna Lisi Dead At Age 78

  • CinemaRetro
Virna Lisi, one of the most prominent European actresses to find success in Hollywood during the 1960s, has died at age 78. The exact cause of her death has not been revealed but the NY Times states that she was recently told she had an incurable disease. Lisi's stunning looks helped her find success in her native Italy before she followed the path taken by Ursula Andress, Sophia Loren, Anita Ekberg and other European beauties and moved to Hollywood. Here she made a sensational big screen impression opposite Jack Lemmon in the hit 1965 comedy "How to Murder Your Wife". Lisi never made any cinematic classics but during her years in the film industry she starred opposite such prominent leading men as Frank Sinatra, Tony Curtis, Richard Burton, George C. Scott, Marcello Mastroianni, Robert Vaughn and David Niven. She was recently widowed and said that she had gone into self-imposed retirement because
See full article at CinemaRetro »

Bag O' Links: Pitt, Cruella, Annie, Viola, Lisi, Potter, Etc...

We haven't done a link roundup in so long this one is super-duper-quadrupled size. Please to enjoy these articles or catch up with this news...

Farewell

Nyt, BBC, Variety remembers the great Italian actress Virna Lisi who has died at 78 years of age. Best known stateside for the Jack Lemmon comedy How To Murder Your Wife (1965), and maybe that iconic Esquire cover by George Lois (left) which has been homaged ever since, this baby cinephile right here writing to you first fell for her in the French film Queen Margot (1994). She was brilliant as the most ruthless of royals. She won the Cannes prize for Best Actress for her supporting role which probably didn't make Margot herself Isabelle Adjani too happy but they were at odds in the film, too.

Randomness

Guardian doesn't like the new Annie but what makes that little orphan so durable in pop culture?

Comics Alliance
See full article at FilmExperience »

Italian Actress Virna Lisi Dies At 78

Italian Actress Virna Lisi Dies At 78
Rome – Italian actress Virna Lisi who played memorable roles in European and Hollywood films including 1965 comedy classic “How To Murder Your Wife,” with Jack Lemmon, in which she famously pops out of wedding cake wearing a bikini, and also a masterfully maleficent queen in Patrice Chereau’s “La Reine Margot,” died in Rome on Thursday. She was 78.

Lisi had been recently diagnosed with an unspecified form of cancer, according to Italian press reports.

Born in Ancona 1936 as Virna Pieralisi, she began her film career as a teenager in 1953, initially thanks to her stunning looks. Her increasingly important parts in Italian postwar pics include 1957 drama “La Donna Del Giorno,” 1963 crimer “Il Delitto” Dupre, with Alain Delon, and Mario Monicelli’s 1965 Italo comedy classic “Casanova ’70’,” in which she co-starred with Marcello Mastroianni.

In 1965 Lisi was put under contract by Paramount. She debuted in Hollywood as a blue-eyed temptress opposite Jack Lemmon in
See full article at Variety - Film News »
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