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[on coming up with the sonic palette for a film] That's a slow process that happens over time, really, and I guess a lot of it is determined when I see the first images. With Sicario
(2015), I read the script before they started filming, and I visited the set to get a feel for the environment, to get a feel for the desert and the locations, and I think that was an inspiration as well. But things ...
Preferred to be called a composer who also scores movies, rather than movie composer.