Zhangke Jia

53 wins & 57 nominations. See more awards »

Known For

A Touch of Sin Director

(2013)

Mountains May Depart Director

(2015)

Still Life Director

(2006)

Xiao Wu Director

(1997)

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Filmography

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Director (24 credits)

2018 Jiang hu er nv

2017 Where Has the Time Gone? (segment "Revive")

2016 The Hedonists (Short)

2015 Mountains May Depart

2015 Smog Journeys (Short)

2013 Venice 70: Future Reloaded (Documentary)

2013 A Touch of Sin

2011 Yulu (Documentary)

2010 I Wish I Knew (Documentary)

2009 Shi nian (Video short)

2008 Stories on Human Rights (segment "Black breakfast")

2008 Heshang aiqing (Short)

2008 Er shi si cheng ji

2007 Women de shi nian (Short)

2007 Wuyong (Documentary)

2006 Still Life

2006 Dong (Documentary)

2004 Shijie

2002 Ren xiao yao (as ZhangKe Jia)

2001 Gou de zhuangkuang (Documentary short)

2001 Gong gong chang suo (Short)

2000 Zhantai

1997 Xiao Wu

1995 Xiaoshan huijia

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Producer (19 credits)

2019 Number One (supervising producer)

2018 Dead Pigs (executive producer)

2017/I Stillborn (Short) (producer)

2016 Zhi fan ye mao (executive producer)

2015 Mountains May Depart (producer)

2015/II K (executive producer) / (producer)

2015 Smog Journeys (Short) (producer)

2014 Da shu (Short) (executive producer)

2013 A Touch of Sin (executive producer)

2013 Mo sheng (producer)

2012 Fidaï (Documentary) (producer)

2011 Yulu (Documentary) (producer)

2011 Hello! Shu xian sheng (executive producer) / (producer)

2008 Dang kou (producer)

2008 Er shi si cheng ji (producer)

2006 Still Life (co-producer)

2006 Lai xiao zi (producer)

2003 Mingri tianya (associate producer)

1997 Xiao Wu (producer)

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Writer (19 credits)

2018 Jiang hu er nv

2017 Where Has the Time Gone? (segment "Revive")

2016 The Hedonists (Short)

2015 Mountains May Depart (screenplay)

2015 Smog Journeys (Short)

2013 A Touch of Sin (screenplay)

2010 I Wish I Knew (Documentary)

2009 Shi nian (Video short)

2008 Heshang aiqing (Short)

2008 Er shi si cheng ji (writer)

2007 Women de shi nian (Short)

2006 Still Life (screenplay)

2006 Dong (Documentary)

2004 Shijie

2002 Ren xiao yao

2001 Gong gong chang suo (Short)

2000 Zhantai

1997 Xiao Wu (writer)

1995 Xiaoshan huijia

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Actor (5 credits)

2016 The Hedonists (Short)

2014 Hou hui wu qi
Su Mi's Uncle

2013 A Touch of Sin (uncredited)

2006 Xue zhan dao di

2002 Ren xiao yao
Man singing in street (uncredited)

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Cinematographer (3 credits)

2007 Wuyong (Documentary)

2006 Dong (Documentary)

2001 Gong gong chang suo (Short)

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Editor (2 credits)

2001 Gong gong chang suo (Short)

1995 Xiaoshan huijia

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Thanks (3 credits)

2017 Shen mi jia zu (thanks)

2014 Bai ri yan huo (thanks)

2013 Bai niao chao feng (thanks)

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Self (9 credits)

2016-2018 Días de cine (TV Series)
Himself - Interviewee

- Episode dated 17 May 2018 (2018) ... Himself - Interviewee

- Episode dated 19 May 2016 (2016) ... Himself - Interviewee

2016 Festival de cine de San Sebastián 2016 - Gala de clausura (TV Special)
Himself - Presenter: Best Director

2008-2016 Cinema 3 (TV Series)
Himself - Interviewee

- Episode dated 21 May 2016 (2016) ... Himself - Interviewee

- Episode dated 30 May 2015 (2015) ... Himself - Interviewee

- Episode dated 23 May 2013 (2013) ... Himself - Interviewee

- Episode dated 31 March 2012 (2012) ... Himself - Interviewee

- Episode dated 24 May 2008 (2008) ... Himself - Interviewee

2014 Jia Zhang-ke by Walter Salles (Documentary)
Himself

2014 Flowers of Taipei: Taiwan New Cinema (Documentary)
Himself

2013 Mo ngai: To Kei Fung dik din ying sai gaai (Documentary)
Himself

2011 Portable Occupation (Documentary)

2007 Xiao Jia Hui Jia (Xiao Jia Going Home) (Documentary)

2005/II Made in China (Documentary) (as Zhang Ke Jia)

Personal Details

Other Works:

Member of the jury of BigScreen Italia Film Festival, Kunming, Yunnan, China

Publicity Listings:

1 Interview | 4 Articles | See more »

Official Sites:

Official Site [China]

Alternate Names:

Zhang Ke Jia | ZhangKe Jia

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Did You Know?

Personal Quote:

Those who strictly follow professional principles and exhaustively describe the marketing ability they possess have long lost their power of thought. They pay too much attention to wheter the film is good enough to reflect their professional competencies. For example, the picture should be as delicate as an oil-painting, or the mise-en-scené is supposed to match that of Antonioni's films; even ... See more »