Juraj Herz(1934-2018)
- Director
- Actor
- Writer
Juraj Herz was born on 4 September 1934 in Kezmarok, Czechoslovakia [now Slovakia]. He was a director and actor, known for Habermann (2010), The Cremator (1969) and Beauty and the Beast (1978). He was previously married to Therese Herz. He died on 8 April 2018 in Prague, Czech Republic.
- Awards
- 15 wins & 12 nominations
Known for
Credits
Director
- Slovensko 2.0
- Director
- 2014
- Habermann
- Director
- 2010
- T.M.A.
- Director
- 2009
- 2009
- 2005
- 2004
- 2004
- 2001
- 2001
- Politik a herecka
- Director
- 2001
- 1999
- 1998
- Pasáz
- Director
- 1997
- 1995–1996
- Císarovy nové saty
- Director
- 1994
Actor
- Journey to Rome
- Antikvár
- 2015
- 2014
- 2003
- Císarovy nové saty
- Plafond
- 1994
- Die dumme Augustine
- Magician
- 1993
- 1988
- Galose stastia
- Secretary
- 1986
- Zastihla me noc
- Film director (voice)
- 1986
- Ferat Vampire
- Dracula in silent film
- 1982
- Buldoci a tresne
- Dirigent
- 1981
- 1980
- The Ninth Heart
- New Astrologer
- 1979
- How About a Plate of Spinach?
- vedoucí kosmetického salónu Netusil
- 1977
- 1976
- Holka na zabití
- Host (uncredited)
- 1976
Writer
- Slovensko 2.0
- co-writer
- 2014
- Habermann
- Writer
- 2010
- T.M.A.
- screenplay
- 2009
- 2008
- 2004
- 1999
- Pasáz
- Writer
- 1997
- Die dumme Augustine
- screenplay
- 1993
- 1988
- Galose stastia
- screenplay
- 1986
- Zastihla me noc
- screenplay
- 1986
- Straka v hrsti
- screenplay
- 1983
- Ferat Vampire
- Writer
- 1982
- Buldoci a tresne
- writer
- 1981
- Krehké vztahy
- screenplay
- 1980
Personal details
- Alternative name
- Georg Herz
- Born
- Died
- April 8, 2018
- Prague, Czech Republic(undisclosed)
- Spouse
- Therese Herz1989 - ? (1 child)
- Other worksUnproduced screenplay "Nadsamec" ("Supermale") co-authored with Milos Macourek, based on novel by Alfred Jarry.
Did you know
- TriviaFather of Michal Herz and Annelie Herz.
- Quotes[on Morgiana (1972)] the head dramaturg Ludvík Toman said that it was a sadomasochist film and it had to be banned. Then he also told me that he thought I would make a romantic film, so I tried to explain to him that it is romantic, but he couldn't understand that because he thought that I made it too scary. He couldn't catch that in romanticism the writers also used lots of scary, eerie moments. I was forbidden to make films for the next two years.
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