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IMDbPro

June Havoc(1912-2010)

  • Actress
  • Soundtrack
IMDbProStarmeterSee rank
June Havoc circa 1950s
Musical theater devotees will undoubtedly know that the song "Let Me Entertain You" was from the classic musical "Gypsy", the born-in-a-trunk story of resilient kid troopers Gypsy Rose Lee and June Havoc who were mercilessly pushed into vaudeville careers by an unbearably headstrong mother. While the lesser-talented Gypsy, of course, became the legendary ecdysiast who turned stripping into an art form, sister June survived her "Baby June" vaudeville child days of old and the tougher road of Depression-era dance marathons to become a reputable actress of stage, screen and TV, among other things. While June may have immortalized in "Gypsy," based on her older sister's memoirs, it was a bittersweet notoriety as she felt it was a very unjust, hurtful and highly inaccurate portrait of her. It also caused a deep rift between the sisters that lasted for well over a decade.

The Canadian-born actress (she was born in Vancouver, not Seattle) entered the world in 1912 (some sources insist 1913 or 1916, but Havoc confirmed her true birth date in 2006), the younger daughter of audacious "stage mother" Rose Thompson Hovick and her husband, John Olaf Hovick, a cub reporter for a Seattle newspaper. Baby June was primed for stardom by Rose by age 2 and was soon dancing with the great ballerina Anna Pavlova and appearing in Hal Roach film shorts (1918-1924) with Harold Lloyd. A flexible, high-kicking vaudeville sensation at 5, she was featured front-and-center in an act completely built around her ("Dainty June and Her Newsboys"). Earning around $1,500 a week at her peak, the delightful child star had audiences eating out of the palm of her little hand while sharing the stage with the likes of "Red-Hot Mama" Sophie Tucker and "Baby Snooks" Fanny Brice. The unrelenting pressures and suffocating dominance of her mother, however, led to a capricious elopement at age 13 with a young boy from the act (Bobby Reed, who inspired the dancing character of Tulsa in "Gypsy"). They married in North Platte, Nebraska with each lying about their age. By the time the Depression hit, however, vaudeville, the nation's economy and her marriage had all collapsed.

Now a mother of a young daughter, April (born out of wedlock in 1930, April Kent acted briefly in the 1950s and died of a heart attack in 1998), June made ends meet by modeling, posing and toiling in dance marathons. The blonde, blue-eyed stunner also found work in stock musicals and on the Borscht Belt circuit. She made her Broadway debut in the musical "Forbidden Melody in 1936". Years passed before she earned her big break as Gladys in Rodgers and Hart's classic musical "Pal Joey" opposite Van Johnson and Gene Kelly in 1940. As a result of their scene-stealing work, the trio earned movie contracts - the two men heading off to the MGM studio and June to RKO.

Unlike her male counterparts, June found herself inextricably caught up in "B" level material. Her film debut in the war-era Four Jacks and a Jill (1942) was followed by the equally ho-hum Powder Town (1942) and Sing Your Worries Away (1942), neither requiring much in the line of acting. Her personality was big for the screen due to her broad vaudeville background, but she nevertheless could show some true grit and talent on occasion, particularly with her support role in My Sister Eileen (1942).

For the next few years she experienced both highs and lows. Her Broadway shows were either hits, such as the musical "Mexican Hayride" (1944) (for which she won the Donaldson Award), and the dramatic "The Ryan Girl" (1945), or complete misses, which included a musical version of the Sadie Thompson saga Rain. June's film acting continued to be a stumbling block, scoring best when asked to play brassy, cynical dames. While she fared well as the femme fatale in Intrigue (1947), the racist secretary in Gentleman's Agreement (1947), and the gun moll The Story of Molly X (1949), more often than not, she was handed second-rate fodder to flounder in such as The Iron Curtain (1948), Once a Thief (1950) and Follow the Sun (1951). She appeared on TV in the early 50s, and she received her own short-lived vehicles as a lawyer in Willy (1954) and as host of her own show The June Havoc Show (1964).

After completing her last film Three for Jamie Dawn (1956), June refocused on stage and TV - particularly the former. She earned some of her best reviews both here and abroad in later years: Titania in "A Midsummer Night's Dream," Mistress Sullen in "The Beaux' Stratagem," Sabina in "The Skin of Our Teeth," Millicent in "Dinner at Eight," Jenny in "The Threepenny Opera," Mrs. Swabb in "Habeas Corpus," and Mrs. Lovett in "Sweeney Todd". In 1982 she pulled out all the stops on Broadway and gave a real Rose's Turn as a Miss Hannigan replacement in "Annie".

June expanded her talents to include both playwriting and directing. In addition to "I Said the Fly," she wrote "Marathon '33" (based on her Depression-era struggles) and received a 1964 Tony nomination for directing the play. June became the artistic director of the New Orleans Repertory Theatre in 1970, and later went on tour with her own one-woman show "An Evening with June Havoc". On stage and broaching age 80, the never-say-die actress appeared 8in a production of "Love Letters" and "An Old Lady's Guide to Survival".

June's mid-career biography "Early Havoc" was published in 1959. Married three times (her last husband, producer/director/writer William Spier died in 1973), June was long estranged from her sister, none too happy with Gypsy's portrayal of her in the best-selling memoir, "Gypsy" and equally dismayed of her Baby June character in the smash musical hit. The girls, noted for their trademark elongated faces and shapely gams, were estranged as children as well, but eventually patched things up for a time as adults. The sisters didn't truly grow close until Gypsy told June that she was dying of lung cancer in 1970. June elaborated more about her relationship with her sister in her second autobiography, "More Havoc" in 1980.

Ms. Havoc died peacefully on March 28, 2010, at her home in Stamford, Connecticut of natural causes. She was 97 years young.
BornNovember 8, 1912
DiedMarch 28, 2010(97)
BornNovember 8, 1912
DiedMarch 28, 2010(97)
IMDbProStarmeterSee rank
  • Awards
    • 2 wins

Photos37

Ward Bond, Laird Cregar, Alice Faye, June Havoc, Jack Oakie, Frank Orth, and John Payne in Hello Frisco, Hello (1943)
June Havoc in The Story of Molly X (1949)
June Havoc and John Russell in The Story of Molly X (1949)
June Havoc in The Story of Molly X (1949)
Dorothy Hart and June Havoc in The Story of Molly X (1949)
June Havoc in The Story of Molly X (1949)
June Havoc in The Story of Molly X (1949)
June Havoc in The Story of Molly X (1949)
June Havoc in The Story of Molly X (1949)
June Havoc and Frances E. Neal in Powder Town (1942)
Richard Arlen, June Havoc, and Mary Beth Hughes in Timber Queen (1944)
June Havoc, Adolphe Menjou, Pola Negri, and Martha Scott in Hi Diddle Diddle (1943)

Known for

Gregory Peck, John Garfield, and Dorothy McGuire in Gentleman's Agreement (1947)
Gentleman's Agreement
7.2
  • Elaine Wales
  • 1947
The Iron Curtain (1948)
The Iron Curtain
6.3
  • Nina Karanova
  • 1948
Dennis O'Keefe and Martha Scott in Hi Diddle Diddle (1943)
Hi Diddle Diddle
6.7
  • Leslie Quayle
  • 1943
Brad Pitt, Til Schweiger, Mélanie Laurent, Eli Roth, Christoph Waltz, and Diane Kruger in Inglourious Basterds (2009)
Inglourious Basterds
8.3
  • Soundtrack("The Man with the Big Sombrero")
  • 2009

Credits

Edit
IMDbPro

Actress

  • Angela Lansbury in Murder, She Wrote (1984)
    Murder, She Wrote
    • Lady Abigail Austin
    • Thelma Vantay
    • TV Series
    • 1987–1989
  • A Return to Salem's Lot (1987)
    A Return to Salem's Lot
    • Aunt Clara
    • 1987
  • Jane Krakowski, Matthew Ashford, Domini Blythe, Colleen Dion, Terri Eoff, David Forsyth, Louan Gideon, Lee Godart, Marcia McCabe, Jeffrey Meek, Jacqueline Schultz, and Mary Stuart in Search for Tomorrow (1951)
    Search for Tomorrow
    • Zophie
    • Zophie (1986)
    • TV Series
    • 1986
  • Steve Guttenberg, Alex Briley, David Hodo, Glenn Hughes, Caitlyn Jenner, Randy Jones, Valerie Perrine, Felipe Rose, Ray Simpson, and The Village People in Can't Stop the Music (1980)
    Can't Stop the Music
    • Helen Morell
    • 1980
  • The Paper Chase (1973)
    The Paper Chase
    • Mrs. Margaret Peters
    • TV Series
    • 1979
  • The Private Files of J. Edgar Hoover (1977)
    The Private Files of J. Edgar Hoover
    • Hoover's Mother
    • 1977
  • Nightside
    • Vantura Davis
    • TV Movie
    • 1973
  • Rock Hudson and Susan Saint James in McMillan & Wife (1971)
    McMillan & Wife
    • Francesca Fairborn
    • TV Series
    • 1971
  • The Magical World of Disney (1954)
    The Magical World of Disney
    • Molly Jeffrys
    • TV Series
    • 1970
  • The Boy Who Stole the Elephant (1970)
    The Boy Who Stole the Elephant
    • Molly Jeffrys
    • TV Movie
    • 1970
  • The Outer Limits (1963)
    The Outer Limits
    • Karen Thorne
    • TV Series
    • 1964
  • Gene Barry in Burke's Law (1963)
    Burke's Law
    • Miranda Forsythe
    • TV Series
    • 1964
  • Maurice Benard, Ingo Rademacher, Julie Berman, Steve Burton, Tyler Christopher, Nancy Lee Grahn, Rebecca Herbst, Kelly Monaco, Kirsten Storms, Laura Wright, Dominic Zamprogna, and Chad Duell in General Hospital (1963)
    General Hospital
    • Madeline Markham
    • TV Series
    • 1963
  • Abel Fernandez, Nicholas Georgiade, Paul Picerni, and Robert Stack in The Untouchables (1959)
    The Untouchables
    • Sally Kansas
    • TV Series
    • 1960
  • Kraft Theatre (1947)
    The United States Steel Hour
    • Lil Anders
    • TV Series
    • 1959

Soundtrack

  • Brad Pitt, Til Schweiger, Mélanie Laurent, Eli Roth, Christoph Waltz, and Diane Kruger in Inglourious Basterds (2009)
    Inglourious Basterds
    • Soundtrack ("The Man with the Big Sombrero")
    • 2009
  • Joe E. Brown in Casanova in Burlesque (1944)
    Casanova in Burlesque
    • performer: "Who Took Me Home Last Night?"
    • 1944
  • Dennis O'Keefe and Martha Scott in Hi Diddle Diddle (1943)
    Hi Diddle Diddle
    • performer: "I LOVED YOU TOO LITTLE, TOO LATE", "THE MAN WITH THE BIG SOMBRERO"
    • 1943
  • Alice Faye, June Havoc, Jack Oakie, and John Payne in Hello Frisco, Hello (1943)
    Hello Frisco, Hello
    • performer: "Hello, Frisco!", "By the Watermelon Vine (Lindy Lou)", "The Dance of the Grizzly Bear", "Gee, But It's Great to Meet a Friend from Your Home Town", "Strike Up the Band (Here Comes a Sailor)", "I've Got a Gal in Every Port" ("By the Watermelon Vine (Lindy Lou)", uncredited)
    • 1943
  • Buddy Ebsen, June Havoc, Patsy Kelly, Bert Lahr, Sam Levene, Dorothy Lovett, and Alvino Rey in Sing Your Worries Away (1942)
    Sing Your Worries Away
    • performer: "Cindy Lou McWilliams" (1942)
    • 1942
  • Desi Arnaz, Ray Bolger, Jack Durant, Fritz Feld, Eddie Foy Jr., June Havoc, and Anne Shirley in Four Jacks and a Jill (1942)
    Four Jacks and a Jill
    • performer: "I Haven't a Thing to Wear" ("Boogie Woogie Conga", uncredited)
    • 1942

Personal details

Edit
  • Alternative names
    • June Hovick
  • Height
    • 5′ 6″ (1.68 m)
  • Born
    • November 8, 1912
    • Vancouver, British Columbia, Canada
  • Died
    • March 28, 2010
    • Stamford, Connecticut, USA(natural causes)
  • Spouses
      William SpierFebruary 22, 1949 - May 30, 1973 (his death)
  • Children
    • April Kent
  • Relatives
      Gypsy Rose Lee(Sibling)
  • Other works
    Active on Broadway in the following productions:
  • Publicity listings
    • 2 Print Biographies
    • 2 Portrayals
    • 3 Articles
    • 1 Pictorial

Did you know

Edit
  • Trivia
    "Baby" June Havoc was very unhappy over the content of her sister Gypsy Rose Lee's musical memoir "Gypsy," which became a monstrous hit on Broadway in the 1950s. The estrangement between the two lasted over a decade and only ended when Gypsy told June she was dying of cancer and wanted to make amends.
  • Quotes
    I admire education so much. Intelligence, erudition. But this is just where I want to be. I have respect for skill, for craft, the way the vaudevillians did. I adored Liberace. He and my sister drew attention to themselves with sequins and rhinestones, which I love in the right role. But it is a very small club, the people I want to be associated with. The life I want is not special in any sense of the word. The approval I've worked for is in very small print. I drive a Honda, I don't wear jewelry. I guess, in that way, I'm like my mother.

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