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IMDbPro

Stanislav Govorukhin(1936-2018)

  • Director
  • Writer
  • Actor
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Stanislav Govorukhin
Young Soviet Army recruits are stuck in the bloody war in Afghanistan, that was started by politicians.
Play trailer3:13
9th Company (2005)
1 Video
5 Photos
Stanislav Govorukhin was born on 29 March 1936 in Berezniki, Russian SFSR, USSR [now Perm Krai, Russia]. He was a director and writer, known for The End of a Beautiful Epoch (2015), The Rifleman of the Voroshilov Regiment (1999) and Weekend [Uik-end] (2013). He was previously married to Galina Govorukhina and Yunona Kareva. He died on 14 June 2018 in Barvikha, Moskovskaya oblast, Russia.
BornMarch 29, 1936
DiedJune 14, 2018(82)
BornMarch 29, 1936
DiedJune 14, 2018(82)
IMDbProStarmeter
See rank
  • Awards

Photos

Sergei Bugayev, Tatyana Drubich, and Stanislav Govorukhin in Assa (1987)
Sergei Bugayev, Tatyana Drubich, and Stanislav Govorukhin in Assa (1987)
Olga Budina, Stanislav Govorukhin, and Aleksey Vesyolkin in Radosti i pechali malenkogo lorda (2003)
Stanislav Govorukhin and Aleksey Vesyolkin in Radosti i pechali malenkogo lorda (2003)

Known for

The End of a Beautiful Epoch (2015)
The End of a Beautiful Epoch
6.5
  • Director(directed by)
  • 2015
Mikhail Ulyanov in The Rifleman of the Voroshilov Regiment (1999)
The Rifleman of the Voroshilov Regiment
7.4
  • Director
  • 1999
Maksim Matveev in Weekend [Uik-end] (2013)
Weekend [Uik-end]
5.9
  • Director
  • 2013
Svetlana Khodchenkova in Bless the Woman (2003)
Bless the Woman
6.5
  • Director
  • 2003

Credits

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IMDbPro

Director

  • The End of a Beautiful Epoch (2015)
    The End of a Beautiful Epoch
    • (directed by)
  • Maksim Matveev in Weekend [Uik-end] (2013)
    Weekend [Uik-end]
  • V stile jazz (2010)
    V stile jazz
  • Anna Gorshkova and Aleksey Koryakov in Passazhirka (2008)
    Passazhirka
  • Artistka (2007)
    Artistka
    • (directed by)
  • Ne khlebom edinym (2005)
    Ne khlebom edinym
  • Svetlana Khodchenkova in Bless the Woman (2003)
    Bless the Woman
  • Vladislav Galkin and Fyodor Stukov in Mark Twain's Tom Sawyer (2001)
    Mark Twain's Tom Sawyer
    • (as Stan Govorkin)
  • Mikhail Ulyanov in The Rifleman of the Voroshilov Regiment (1999)
    The Rifleman of the Voroshilov Regiment
  • Velikaya kriminal'naya revolyutsiya (1994)
    Velikaya kriminal'naya revolyutsiya
  • Aleksandr Solzhenitsyn in Aleksandr Solzhenitsyn (1992)
    Aleksandr Solzhenitsyn
    • (directed by)
  • Rossiya, kotoruyu my poteryali (1992)
    Rossiya, kotoruyu my poteryali
  • Tak zhit nelzya (1990)
    Tak zhit nelzya
  • Sprays of Champagne (1989)
    Sprays of Champagne
    • (directed by)
  • Ten Little Indians (1987)
    Ten Little Indians
    • (directed by)

Writer

  • Fyodor Dobronravov, Renata Litvinova, Dmitriy Pevtsov, Alina Lanina, and Kirill Zaytsev in Na Parizh! (2019)
    Na Parizh!
  • The End of a Beautiful Epoch (2015)
    The End of a Beautiful Epoch
  • Maksim Matveev in Weekend [Uik-end] (2013)
    Weekend [Uik-end]
  • V stile jazz (2010)
    V stile jazz
  • Russkiy bunt (2000)
    Russkiy bunt
  • Mikhail Ulyanov in The Rifleman of the Voroshilov Regiment (1999)
    The Rifleman of the Voroshilov Regiment
  • Chyornaya vual (1995)
    Chyornaya vual
  • Velikaya kriminal'naya revolyutsiya (1994)
    Velikaya kriminal'naya revolyutsiya
  • Katya Ismailova (1994)
    Katya Ismailova
  • Tak zhit nelzya (1990)
    Tak zhit nelzya
  • Sprays of Champagne (1989)
    Sprays of Champagne
    • (as S. Govorukhin)
  • Ten Little Indians (1987)
    Ten Little Indians
  • Tayny madam Vong (1986)
    Tayny madam Vong
  • V poiskakh kapitana Granta (1986)
    V poiskakh kapitana Granta
  • Vladislav Galkin and Fyodor Stukov in Priklyucheniya Toma Soyera i Geklberri Finna (1982)
    Priklyucheniya Toma Soyera i Geklberri Finna

Actor

  • Godunov (2018)
    Godunov
  • Liya Akhedzhakova, Gosha Kutsenko, Vladimir Menshov, Kristina Orbakaite, Denis Paramonov, and Alina Bulynko in Love-Carrot 3 (2011)
    Love-Carrot 3
  • Reportery (2008)
    Reportery
  • Anna Gorshkova and Aleksey Koryakov in Passazhirka (2008)
    Passazhirka
  • 9th Company (2005)
    9th Company
  • Zhenskaya logika-4 (2004)
    Zhenskaya logika-4
  • Zhenskaya logika 3 (2004)
    Zhenskaya logika 3
  • Svetlana Khodchenkova in Bless the Woman (2003)
    Bless the Woman
    • (as S. Govorukhin)
  • Radosti i pechali malenkogo lorda (2003)
    Radosti i pechali malenkogo lorda
  • Zhenskaya logika 2 (2003)
    Zhenskaya logika 2
  • Zhenskaya logika 1 (2002)
    Zhenskaya logika 1
  • Milyy drug davno zabytykh let... (1996)
    Milyy drug davno zabytykh let...
  • Oleg Basilashvili, Polina Kutepova, Kirill Pirogov, and Leonid Yarmolnik in Heads and Tails (1995)
    Heads and Tails
  • Ka-ka-du (1993)
    Ka-ka-du
  • Encore, Once More Encore! (1992)
    Encore, Once More Encore!

Videos1

The 9th Company
Trailer 3:13
The 9th Company

Personal details

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    • March 29, 1936
    • Berezniki, Russian SFSR, USSR [now Perm Krai, Russia]
    • June 14, 2018
    • Barvikha, Moskovskaya oblast, Russia(undisclosed)
    • Galina Govorukhina1966 - June 14, 2018 (his death)

Did you know

Edit
  • Trivia
    Govorukhin died on June 14, 2018 at 10:37 am in the sanatorium Barvikha following a long illness at the age 83. Farewell took place on June 16, 2018 in the Cathedral of Christ the Savior and on the same day he was buried at the Novodevichy Cemetery.
  • Quotes
    I remember how they criticized the film when it was released 20 years ago. During all that year 'The Literary Gazette' would come with articles where the 'Pirates' was cited as an utterly tasteless film. Critics had never ever mentioned a single favorable word about my films. Nevertheless, I have won a reputation of a popular director. They even call me a classic. Though the reviews in newspapers and magazines, both bigger and minor ones, would run like: '...not professional, not artistic...' 'it's anything but art...' But time's the best judge of all. Twenty years have passed. Why did they criticize 'The Pirates of the 20th Century'? [It's] just a romantic story, an adventure, where we've a hero, somebody to be emulated, because he is a real man. And what is a real man? It's not a Schwarzenegger** with biceps. It's rather a man who can prove he's worth his salt, who can defend a child, a woman, a motherland... Such was our hero. Also our film was released long before 'Rambo' ['First Blood' (1982)], it was like the one of its kind in our country [Russia]. And look how the critics took it. Firstly, they threw a wet blanket onto that genre, a genre of romantic adventure. That obnoxious criticism disheartened the film director Durov for many years to follow. And other film directors would chime in: 'Why should we need this. For this little money - this no end of disgrace.' But time made its own corrections. Twenty years have passed, the film being watched by ever new generations of children. And, against the retail film ventures of our time, this film is so pure and humane, it arouses noble feelings. It can even inspire you to a good deed, to an exploit** even. It's very important to recollect now and analyze how the public took the picture. It was a hit with those for whom it was meant, that is boys, who would watch it for a dozen times. The film was a box-office hit. But the elite of cinematography, who had to promote everything new and worthwhile and interesting, their reaction to 'The Pirates' was not logical. It is very symptomatic. And we should keep it in mind. Because the uppers are always jerks and they're always here, like when they criticized the 'Pirates'. That was not the first film I had written a screenplay for. Usually they [Soviet government officials] would cut it [my scripts for different films] to odds and ends. But that time the script was untouched [the script for 'The Pirates of the 20th Century']. The director approached the script very earnestly. I felt that it would be a very good picture and very popular, too. But even I couldn't imagine it would be this popular. So kids watch it and grown-up guys watch it trying to see why this film appealed to them so when they were kids. Thus the audience of this film has even increased.

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