Lisa Gerrard Poster


Jump to: Overview (2)  | Mini Bio (1)  | Family (1)  | Trade Mark (4)  | Trivia (4)  | Personal Quotes (6)

Overview (2)

Born in Melbourne, Victoria, Australia
Height 5' 7½" (1.71 m)

Mini Bio (1)

With a vision and vocal style that is as unique as it is precise and all-embracing, Lisa Gerrard has established herself as one of the world's most highly acclaimed film composers, winning a Golden Globe for her work on the score for 'Gladiator' with Hans Zimmer.

Lisa also received an Oscar nomination for 'Gladiator' along with two further Golden Globe Award nominations for her scores to 'Ali' and 'The Insider'. Lisa's film work also includes 'Whale Rider', a feature which received an Academy Award nomination and garnered Lisa an international award for the score.

Her musical journey began in the early 1980s when she and fellow Australian Brendan Perry formed duo 'Dead Can Dance'. In 2012 the band reunited for a sell-out world tour. With nine albums released between 1984 and 1995, the duo's musical canvas expanded with each release to take in a timeless mix of world-music influences, medieval chants, folk ballads, baroque stylings, Celtic flavours, electronics, samples and anything else that took their fancy. Several solo and collaborative albums were well received and Lisa made a natural progression to composing for films.

In 2009 Lisa scored the highly acclaimed feature 'Balibo' for which she won the 2009 Screen Music Award for Best Feature Film Score, an Aria Award and 3 further nominations. In 2010 Lisa finished her score for 'Oranges and Sunshine' and the controversial film 'Tears of Gaza'. In 2011 she completed the score for 'Burning Man' which won her Best Music Score at the 2011 Film Critics Circle of Australia Awards.

In 2013 Lisa performed the principal vocal role in leading European film composer Zbigniew Preisner's poignant concert piece 'Diaries of Hope', inspired by diaries and poems of Polish children who were victims of the Holocaust. This was premiered both in Wroclaw, Poland and at the Barbican in London. Lisa's vocal performances continue to be heard across the world, with a number planned for 2018, including a performance of 'Gladiator Live' at The Royal Albert Hall in London.

In 2016 Lisa collaborated with James Orr on the score for Paul Currie's thriller '2:22'. She also collaborated with Marcello De Francisci on the score for the feature 'Jane Got a Gun' directed by Gavin O'Connor and starring Natalie Portman and Ewan McGregor. Most recently she completed the score with James Orr to 'West of Sunshine', which premiered at the Venice International Film Festival.

Most recently, Lisa collaborated with The Mystery of the Bulgaria Voices on their up-coming album, due for release by Prophecy Records on 25th May 2018. The first single from the album 'Pora Sotunda' was released in November 2017 and Lisa plans to perform with the choir throughout Europe during 2018.

- IMDb Mini Biography By: Air-Edel

Family (1)

Spouse Jacek Tuschewski (? - ?)  (2 children)

Trade Mark (4)

Powerful, sonorous Contralto voice.
Singing in Idioglossia (made up language).
Enigmatic stage performance.
Commonly on soundtracks of movies Directed by Ridley and Tony Scott and Michael Mann, or in movies starring Russell Crowe.

Trivia (4)

Formed the duo group Dead Can Dance with Brendan Perry.
Vocal range spans from contralto to dramatic mezzo-soprano on, "The Host of Seraphim", "Elegy", "Space Weaver", "Come This Way" and "One Perfect Sunrise". Performs in the dramatic contralto range on the other songs, "Sanvean", "Sacrifice", "Largo", "Lament" and "Not Yet".
Vocal range is A2-F#5, 3.7 Octaves.
Was born on April 12, 1961, the same day that Yuri Gagarin became the first human in space.

Personal Quotes (6)

I have never dared to face the disappointments that my true vocal range may bring. I have many fundamentals in my voice that give the appearance of it being very deep or very high, when in fact I believe it's quite narrow and limited.
I sing in the language of the Heart, Its an invented language that I've had for a very long time. I believe I started singing in it when I was about 12. Roughly that time. And I believed that I was speaking to God when I sang in that language.
Music is a Place to take Refuge. It's a Sanctuary from Mediocrity and Boredom. It's Innocent and it's a Place you can loose yourself in Thoughts, Memories and Intricacies.
I know that I'll be singing for the rest of my life. For as long as I live, I will sing, because I believe it's a God-given gift to share with others.
Dead Can Dance has nothing to do with spirituality, it's about unlocking the soul tissue. Soul and spirit are so different. And that's the thing, music comes from the soul whereas spirituality doesn't need music.
I never liked film scores and considered them music written for people who don't like music. But the thing is, my understanding is far better now and I've become fascinated by doing films and really enjoy it.

See also

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