Bruno Delbonnel
- Cinematographer
- Camera and Electrical Department
- Director
Bruno Delbonnel was born in 1957 in Nancy, Meurthe-et-Moselle, France. He is a cinematographer and director, known for The Tragedy of Macbeth (2021), A Very Long Engagement (2004) and Inside Llewyn Davis (2013).
- Nominated for 6 Oscars
- 22 wins & 97 nominations total
Known for
Credits
Cinematographer
- The Tragedy of Macbeth
- director of photography
- 2021
- The Woman in the Window
- director of photography
- 2020
- The Ballad of Buster Scruggs
- director of photography
- 2018
- Darkest Hour
- director of photography
- 2017
- 2016
- Miss Peregrine's Home for Peculiar Children
- director of photography
- 2016
- Francofonia
- Cinematographer
- 2015
- Big Eyes
- Cinematographer
- 2014
- Inside Llewyn Davis
- director of photography
- 2013
- Dark Shadows
- director of photography
- 2012
- Faust
- director of photography
- 2011
- Harry Potter and the Half-Blood Prince
- director of photography
- 2009
- Across the Universe
- director of photography
- 2007
- Infamous
- Cinematographer
- 2006
- Paris, je t'aime
- Cinematographer (segment Tuileries)
- 2006
Camera and Electrical Department
- Inside Llewyn Davis
- camera operator
- 2013
- Un coeur qui bat
- assistant camera
- 1991
- Les secrets professionnels du Docteur Apfelgluck
- first assistant camera
- 1991
- The Loner
- assistant camera
- 1987
- Kamikaze
- second assistant camera
- 1986
- Betty Blue
- second assistant camera (as Bruno Delbonnel)
- 1986
- 1984
- 1993
Director
- 2006
- The Grand Circus
- Director
- 1989
Personal details
Did you know
- TriviaHis work on Harry Potter and the Half-Blood Prince (2009) earned the film a nomination for the Best Cinematography accolade at the Academy Awards. It was the only film in the series to be nominated for such an award.
- Quotes[on Darkest Hour (2017)] There were in fact two things which were really interesting. The first one was Churchill's personality. He's just like a guy who has a lot of doubt, and on the other hand he's a bully. So, it was the first thing. How can we show something like that? Showing with light and composition, you see. And then the second thing was the actual spring of 1940 which was the sunniest in a decade in Europe. So, it was playing with those elements... Almost like a black and white movie. That's kind of how we started and then [we] pushed it a bit further. [2018]
- TrademarksOften uses stylized color palettes featuring prominent warm tones (such as yellow and green) which tint the whole image.
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