William H. Daniels - News Poster


The Prize

Already eclipsed by James Bond and sexier European films, Paul Newman does his best to energize this derivative but lively spy-chase thriller set during Nobel season, in a Stockholm populated by the glamorous Elke Sommer, Diane Baker, Micheline Presle and Jacqueline Beer. Toss several Hitchcock pictures into a blender, and what comes out is reasonably engaging… and more than a little dated.

The Prize


Warner Archive Collection

1963 / Color / 2:35 widescreen / 134 min. / Street Date January 15, 2019 / available through the WBshop / 21.99

Starring: Paul Newman, Edward G. Robinson, Elke Sommer, Diane Baker, Micheline Presle, Gérard Oury, Sergio Fantoni, Kevin McCarthy, Leo G. Carroll, Sacha Pitoëff, Jacqueline Beer, John Wengraf, Don Dubbin, Virginia Christine, Rudolph Anders, Martine Bartlett, Karl Swenson, John Qualen, John Banner, Teru Shimada, Albert Carrier, Jerry Dunphy, Britt Ekland, Gergory Gaye, Anna Lee, Gregg Palmer, Gene Roth, Ivan Triesault.

Cinematography: William H. Daniels

Film Editor: Adrienne Fazan

Original Music: Jerry Goldsmith
See full article at Trailers from Hell »

Night Passage — Die Uhr ist abgelaufen

It’s the great Anthony Mann-James Stewart western that Mann didn’t direct: Stewart goes it alone, over-filling a good western idea with ‘cute’ scenes and conservative messages Mann had no use for. But it’s an exciting picture, and one of co-star Audie Murphy’s best — and it’s the first feature in the splendid oversized format known as Technirama.

Night Passage


Explosive Media (De)

1957 / color / 2:35 widescreen / 90 min. / available at Amazon.de / Die Uhr ist abgelaufen /Street Date August 10, 2017 / Eur 17,99

Starring: James Stewart, Audie Murphy, Dan Duryea, Dianne Foster, Elaine Stewart, Brandon De Wilde, Jay C. Flippen, Herbert Anderson, Robert J. Wilke, Hugh Beaumont, Jack Elam, Olive Carey, Ellen Corby, Chuck Roberson.

Cinematography: William Daniels

Film Editor: Sherman Todd

Original Music: Dimitri Tiomkin

Written by Borden Chase

Produced by Aaron Rosenberg

Directed by James Neilson

Universal-International didn’t spare the production values for their big-screen western Night Passage.
See full article at Trailers from Hell »

Witness the Evolution of Cinematography with Compilation of Oscar Winners

This past weekend, the American Society of Cinematographers awarded Greig Fraser for his contribution to Lion as last year’s greatest accomplishment in the field. Of course, his achievement was just a small sampling of the fantastic work from directors of photography, but it did give us a stronger hint at what may be the winner on Oscar night. Ahead of the ceremony, we have a new video compilation that honors all the past winners in the category at the Academy Awards

Created by Burger Fiction, it spans the stunning silent landmark Sunrise: A Song of Two Humans all the way up to the end of Emmanuel Lubezki‘s three-peat win for The Revenant. Aside from the advancements in color and aspect ration, it’s a thrill to see some of cinema’s most iconic shots side-by-side. However, the best way to experience the evolution of the craft is by
See full article at The Film Stage »

Strategic Air Command

The biggest, most lavish hook-up between Hollywood and the Pentagon was this Anthony Mann-James Stewart collaboration, a morale & recruiting cheer for America's intercontinental bombing air force, the service that kept the peace by holding up our side of the balance of fear. Strategic Air Command Blu-ray Olive Films 1955 / Color / 1:66 widescreen (VistaVision) / 112 min. / Street Date October 16, 2016 / available through the Olive Films website / 29.98 Starring James Stewart, June Allyson, Frank Lovejoy, Barry Sullivan, Alex Nicol, Bruce Bennett, Jay C. Flippen, James Millican, James Bell, Rosemary DeCamp, Harry Morgan, William Hudson, Strother Martin, House Peters Jr. Cinematography William Daniels Film Editor Eda Warren Original Music Victor Young Written by Valentine Davies, Beirne Lay, Jr. Produced by Samuel J. Briskin Directed by Anthony Mann

Reviewed by Glenn Erickson

In the 1950s America was spending its enormous military budget on a fantastic array of advanced weapons technology, the most expensive of which was
See full article at Trailers from Hell »

Valley of the Dolls

High camp or just plain trash? A cultural-cinematic swamp in perfectly rotten taste, this adaptation of Jacqueline Susann's supermarket 'dirty book' seeks out tawdry sleaze like no American movie had before. Junk beyond belief, and great entertainment if you're in a sick frame of mind. Valley of the Dolls Blu-ray The Criterion Collection 835 1967 / Color / 2:40 widescreen / 123 min. / available through The Criterion Collection / Street Date September 27, 2016 / 39.95 Starring Barbara Parkins, Patty Duke, Paul Burke, Sharon Tate, Susan Hayward, Tony Scotti, Martin Milner, Charles Drake, Alexander Davion, Lee Grant, Naomi Stevens, Robert H. Harris, Jacqueline Susann, Robert Viharo, Joey Bishop, George Jessel, Dionne Warwick, Sherry Alberoni, Margaret Whiting, Richard Angarola, Richard Dreyfuss, Marvin Hamlisch, Judith Lowry. Cinematography William H. Daniels Film Editor Dorothy Spencer Conductor / Music Adaptor John Williams Written by Helen Deutsch, Dorothy Kingsley Jacqueline Susann Produced by Mark Robson, David Weisbart Directed by Mark Robson

Reviewed by Glenn Erickson

See full article at Trailers from Hell »

Remembering the First and Only Arab World Movie Star Known Around the Globe

Omar Sharif in 'Doctor Zhivago.' Egyptian star Omar Sharif, 'The Karate Kid' producer Jerry Weintraub: Brief career recaps A little late in the game – and following the longish Theodore Bikel article posted yesterday – below are brief career recaps of a couple of film veterans who died in July 2015: actor Omar Sharif and producer Jerry Weintraub. A follow-up post will offer an overview of the career of peplum (sword-and-sandal movie) actor Jacques Sernas, whose passing earlier this month has been all but ignored by the myopic English-language media. Omar Sharif: Film career beginnings in North Africa The death of Egyptian film actor Omar Sharif at age 83 following a heart attack on July 10 would have been ignored by the English-language media (especially in the U.S.) as well had Sharif remained a star within the Arabic-speaking world. After all, an "international" star is only worth remembering
See full article at Alt Film Guide »

Both Sides Now: The Duality of Sinatra, Small Towns, and "Some Came Running"

  • MUBI
This year's Tribeca Film Festival is paying a special tribute to Frank Sinatra, with Sinatra at 100: Film & Music, a centennial celebration honoring his film career. As part of the event, there will be an April 21 screening of On The Town (1949) with High Society (1956) and Some Came Running (1958) being shown April 24. Among the three films, the 1958 feature, one of the greatest of all American movies, is of particular interest, especially when it comes to the dual nature of Sinatra the man, the actor, the screen persona, and the very films that frequently drew his talent. As a remake of The Philadelphia Story (1940), High Society depicts the humorous romantic frivolity of upper crust socialites. Some Came Running is something entirely different. This is “low society.” In Some Came Running, those on the margins, those who make up society's lower rungs, those are the more earnest, the more recognizable, and the more interesting.
See full article at MUBI »

New on Video: ‘A Hole in the Head’

A Hole in the Head

Written by Arnold Schulman

Directed by Frank Capra

USA, 1959

As the opening credits soar across the sky, shown as flapping aerial announcements pulled along by the Goodyear blimp, the talent behind A Hole in the Head is clear. The major players in this Frank Capra film include Frank Sinatra, Edward G. Robinson, Eleanor Parker, Carolyn Jones, Thelma Ritter, and Keenan Wynn. Behind the scenes, shown in a more typical credit scrawl, there is renowned cinematographer William H. Daniels and the equally legendary costumer designer Edith Head. To say A Hole in the Head has much in its favor is quite the understatement. Yet while it may not live up to the expectations one associates with such individuals, the picture is nonetheless thoroughly enjoyable, even if it feels something like an effortless throwaway from these key contributors.

Written by Arnold Schulman, based on his own play,
See full article at SoundOnSight »

Win Brute force on Blu-ray

  • HeyUGuys
To mark the release of Brute Force on 15th September, we’ve been given 3 copies to give away on Blu-ray.

Before making the French crime classic Rififi, Jules Dassin was arguably the greatest of film noir directors, responsible for a string of gems including The Naked City, Thieves’ Highway and Night and the City. Brute Force kickstarted that run of pictures and never did a film live up to its name more. Burt Lancaster is Joe Collins, one of a number of convicts squeezed into cell R17 intent on staging a prison break. Not only does he need to return to the side of his cancer-ridden wife (Ann Blyth), he also wants to escape the clutches of sadistic warden Captain Munsey (an unforgettable performance from Hume Cronyn) who enjoys a reign of terror over the inmates.

Beautifully shot by the great William H. Daniels, tautly written by Richard Brooks (Blackboard Jungle,
See full article at HeyUGuys »

Seek This Out - Some Came Running (1958)

In a new regular column, Flickering Myth's writing team pick out those hidden gems you might have missed; first up is Jackson Ball with...

Some Came Running, 1958.

Directed by Vincente Minnelli.

Starring Frank Sinatra, Dean Martin, Shirley MacLaine, Martha Hyer, Arthur Kennedy, Nancy Gates, Leora Dana and Betty Lou Keim.


An alcoholic war veteran and former writer returns to his sleepy hometown in Indiana, where his way of life is turned upside down by acquaintances old and new.

Some Came Running is the 1958 romantic drama adapted from the James Jones novel of the same name. By the some of its parts, it may just look like any another feature from the genre and period, with its big-name stars and slow-burning plot. Perhaps that is why it has been all but forgotten in the annals of cinema history, unjustly robbed of any status as a ‘classic’. However, it’s not until you watch it,
See full article at Flickeringmyth »

Lethal Weapon Remake Moving Forward at Warner Bros.

Lethal Weapon Remake Moving Forward at Warner Bros.
Warner Bros. is ramping up development on its remake slate with such titles as Lethal Weapon, The Wild Bunch, Westworld, The Dirty Dozen, Tarzan and Oh, God!.

The studio's new priority on remakes comes after the departure of Warner executive Jessica Goodman at the end of 2010. Warner Bros. is now reorganizing her portfolio of projects, which will be getting new leases on life.

The Lethal Weapon remake is the first project to move forward, with the studio hiring Will Beall to write the remake script. Beall is a former Lapd detective who garnered attention for his writing with the script Tales from the Gangster Squad. Beall's pitch maintained the buddy-cop theme with a hard-r edge that the studio was looking for.

The Dirty Dozen and Tarzan remakes have been in development for many years. We reported back in 2008 that Stephen Sommers was directing the Tarzan remake, although a deal was never made.
See full article at MovieWeb »

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