It’s well documented that in the Godfather movies, an orange is a symbolic portent of death. Don Corleone even makes some fake teeth out of orange peel to amuse his grandson, foreshadowing his heart attack. I suspect Michael Crompton had this in mind when scripting two-part police thriller Code Of A Killer, which opens with a close-up of a Feu Orange traffic-light air freshener dangling from a rear-view mirror. Its “delightful fragrance” was enough to turn your Ford Fiesta Mk II into a Terry’s Chocolate Orange on wheels. Dare we assume this one belongs to a harbinger of death?
A very specific caption tells us that we’re in Narborough, Leicestershire on 21 November 1983, 7.30pm. It’s the true story of the rape and murder of two teenage girls,