As Disney quietly disappears huge swathes of film history into its vaults, I'm going to spend 2020 celebrating Twentieth Century Fox and the Fox Film Corporation's films, what one might call their output if only someone were putting it out. The great movie factories were so prolific, none of them have succeeded in making anything like all their major works available on the repertory circuit, home video, television, or streaming, but Fox now seems particularly indifferent to providing any access to their catalog, so focusing on them seems fair. I hope to illuminate the movies Fox ought to be proud of, and a few you couldn't blame them for wanting to hide under a rock.Oh, and we're doing it chronologically, so first up is a crummy kids' film from 1917.Aladdin and the Wonderful Lamp is directed by workhorses Sidney and Chester M. Franklin, perhaps best remembered for the Dorothy Gish...
- 1/22/2020
- MUBI
Ricardo Cortez in 'Ten Cents a Dance,' with Barbara Stanwyck. No matter how unthankful the role, whether hero or heel – or, not infrequently, a combination of both – Cortez left his bedroom-eyed, mellifluous-voiced imprint in his pre-Production Code talkies. Besides Barbara Stanwyck, during the 1920s and 1930s Cortez made love to and/or life difficult for, a whole array of leading ladies of that era, including Bebe Daniels, Gloria Swanson, Betty Compson, Betty Bronson, Greta Garbo, Florence Vidor, Claudette Colbert, Mary Astor, Kay Francis, Joan Crawford, Irene Dunne, Joan Blondell, and Loretta Young*. (See previous post: “Ricardo Cortez Q&A: From Latin Lover to Multiethnic Heel.”) Not long after the coming of sound, Ricardo Cortez was mostly relegated to playing subordinate roles to his leading ladies – e.g., Kay Francis, Irene Dunne, Claudette Colbert – or leads in “bottom half of the double bill” programmers at Warner Bros. or on loan to other studios. Would...
- 7/7/2017
- by Andre Soares
- Alt Film Guide
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