Eileen Brennan Poster


Jump to: Overview (4)  | Mini Bio (1)  | Family (4)  | Trade Mark (1)  | Trivia (18)  | Personal Quotes (4)

Overview (4)

Born in Los Angeles, California, USA
Died in Burbank, California, USA  (bladder cancer)
Birth NameVerla Eileen Regina Brennen
Height 5' 6" (1.68 m)

Mini Bio (1)

A supremely gifted, versatile player who could reach dramatic depths, as exemplified in her weary-eyed, good-hearted waitress in The Last Picture Show (1971), or comedy heights, as in her sadistic drill captain in Private Benjamin (1980), Eileen Brennan managed to transition from lovely Broadway singing ingénue to respected film and television character actress within a decade's time. Her Hollywood career was hustling and bustling at the time of her near-fatal car accident in 1982. With courage and spirit, she recovered from her extensive facial and leg injuries, and returned to performing... slower but wiser. On top of all this, the indomitable Eileen survived a bout of alcoholism and became recognized as a breast cancer survivor, having had a mastectomy in 1990. On camera, she still tosses out those trademark barbs to the delight of all her fans, as demonstrated by her more-recent recurring roles as the prying Mrs. Bink on 7th Heaven (1996) and as Zandra, the disparaging acting coach, on Will & Grace (1998).

She was born with the highly unlikely marquee name of Verla Eileen Regina Brennan in Los Angeles, California, the child of Irish-Catholic parents Regina ("Jeanne") Manahan (or Menehan), a minor silent film player, and John Gerald Brennan, a doctor. Following grade school education, she attended Georgetown University in Washington, D.C. and appeared in plays with the Mask and Bauble Society during that time. She then went on to study at the American Academy of Dramatic Arts in New York. Her lovely soprano coupled with a flair for comedy was the winning combination that earned her the break of her budding career as the not-so-dainty title role in the off-Broadway, tongue-in-cheek operetta "Little Mary Sunshine". For this 1959 endeavor, Eileen not only won an Obie Award, but was among an esteemed group of eight other thespians who won the Theatre World Award that year for "Promising New Personality", including Warren Beatty, Jane Fonda, Carol Burnett and a very young Patty Duke.

Unwilling to be pigeonholed as a singing comedienne, Eileen took on one of the most arduous and demanding legit roles a young actress could ask for when she portrayed Annie Sullivan role in a major touring production of "The Miracle Worker" in 1961. After proving her dramatic mettle, she returned willingly to the musical theatre fold and made a very beguiling Anna in a production of "The King and I" (1963). She took her first Broadway bow in another comic operetta, "The Student Gypsy" (1963). In the musical, which was an unofficial sequel to her "Mary Sunshine" hit, she played a similarly-styled Merry May Glockenspiel, but the show lasted only a couple of weeks. Infinitely more successful was her deft playing of Irene Malloy alongside Carol Channing's Dolly Levi Gallagher in the original Broadway production of "Hello, Dolly!" (1964). Eileen stayed with the role for about two years.

By this time, Hollywood beckoned and Eileen never looked back... or returned to sing on Broadway. After a support role in the film comedy Divorce American Style (1967) starring Debbie Reynolds and Dick Van Dyke, Eileen's talents were selected to be showcased on the irreverent variety show Rowan & Martin's Laugh-In (1967). But what seemed to be an ideal forum to show off her abilities didn't. Overshadowed by the wackier talents of Goldie Hawn, Ruth Buzzi and Jo Anne Worley, who became television comedy stars from this, Eileen seemed out of sync with the knockabout slapstick element. She left the cast before the show barely got off the ground. "Laugh-In" (1968-1973) went on to become a huge cult hit.

In retrospect, this disappointment proved to be a boon to Eileen's dramatic film career. Set in a dusty, barren town, she played up her hard looks and earned terrific reviews for her downbeat role of Genevieve, the careworn waitress, in Peter Bogdanovich's The Last Picture Show (1971). As part of a superb ensemble cast, her hard-knocks vulnerability and earthy sensuality added authenticity to the dreary Texas surroundings. Following this, she scored great marks for her brothel madam/confidante in George Roy Hill's ragtime-era Oscar winner The Sting (1973). Bogdanovich himself became a fan and used Eileen again and again in his subsequent films -- the ambitious but lackluster Daisy Miller (1974) and At Long Last Love (1975). At least, the latter movie allowed her to show off her singing voice. Her comedic instincts were on full display too in the all-star mystery spoofs Murder by Death (1976) and The Cheap Detective (1978) where she fared quite well playing take-it-on-the-chin dames.

Eileen hit the apex of her comic fame playing the spiky and spiteful drill captain who mercilessly taunts and torments tenderfoot Goldie Hawn in the huge box-office hit Private Benjamin (1980). She deservedly earned a "best supporting actress" Oscar nomination for her scene-stealing contribution and was given the chance to reprise the role on the television series that followed. Starring Lorna Patterson in the Hawn role, Private Benjamin (1981) was less successful in its adaptation to the smaller screen but Eileen was better than great and earned both Emmy and Golden Globe Awards in the process.

During the show's run in 1982, Brennan had dinner one evening with good friend Goldie Hawn at a Los Angeles restaurant. They had already parted ways when Brennan was hit and critically injured by a car while crossing a street. Replaced in the television series (by "Alice" co-star Polly Holliday), her recovery and rehabilitation lasted three years, which included an addiction to painkillers. She returned to the screen in another amusing all-star comedy whodunit, Clue (1985), in which she played one of the popular game board suspects, Mrs. Peacock. While looking weaker and less mobile, she showed she had lost none of the disarming causticity that made her a character star.

Forging ahead, Eileen went on to recreate her tough luck waitress character in Texasville (1990), the sequel to The Last Picture Show (1971), and also appeared with Bette Midler in the overly mawkish Stella (1990). However, for the most part, she lent herself to playing eccentric crab apples in such lightweight fare as Rented Lips (1987), Sticky Fingers (1988), Changing Habits (1997), Pants on Fire (1998), Jeepers Creepers (2001), Miss Congeniality 2: Armed & Fabulous (2005) and Naked Run (2011). She has also provided crotchety animated voices for series cartoons.

Eileen Brennan died at age 80 on July 28, 2013 at her Burbank, California home after a battle with bladder cancer. She is survived by her two sons, Patrick (formerly a basketball player, now an actor) and Sam (a singer), from her first and only marriage in the late 1960s to mid-1970s.

- IMDb Mini Biography By: Gary Brumburgh / gr-home@pacbell.net

Family (4)

Spouse David John Lampson (28 December 1969 - May 1974)  (divorced)  (2 children)
Children Patrick Brennan
Sam Lampson
Parents John Gerald Brennan
Regina Manahan
Relatives Liam Brennan (grandchild)
Maggie Brennan (grandchild)

Trade Mark (1)

Deep smoky voice

Trivia (18)

Daughter of John Gerald Brennan and Regina "Jeanne" Menehan.
In 1982, she was seriously injured in a car crash by a drunk driver.
Has two sons: actor Patrick Brennan (born on Christmas Day, 1972), a former college basketball player; and singer Sam Lampson.
While studying at the Academy of Dramatic Arts in New York, Eileen shared an apartment with The Golden Girls (1985) star, Rue McClanahan.
Recovering member of Alcoholics Anonymous since 1976.
While playing Miss Hannigan in a production of Annie in 1989, she broke her leg after falling from the stage into the orchestra pit.
Mother-in-law of Jessica Moresco.
Has appeared with Cybill Shepherd in four films: The Last Picture Show (1971), Daisy Miller (1974), At Long Last Love (1975) and Texasville (1990).
Best known for her role as the spiteful Captain Doreen Lewis in the comedy film Private Benjamin (1980) and the situation comedy Private Benjamin (1981).
Prior to Hello, Dolly!, she created the title role in the long-running Off-Broadway musical Little Mary Sunshine, which opened in 1959.
Two featured characters in Norman Lear's "All That Glitters" television series were Eileen Brennan as Ma Packer and her lazy son, Sonny Packer, played by Tim Thomerson. Sonny's (Thomerson's) role idol and wannabe impersonation of an Elvis Presley character, always strumming his guitar, practicing swinging hips and rock movements was diligently encouraged by his Ma (Eileen Brennan) Packer. Their principal abode was a run down farm shack. In preparation for the first introduction of the outlandish pair, director Herb Kenwith and Eileen requested the littered straw and dirt studio set floor be inhabited with a small pot bellied pig and a dozen chickens. The first day to video-tape Ma and Sonny Packer's introduction in the series, Eileen picked up one of the hens, holding the chicken in her arms like a pet cat, petting and soothing the clucking hen while performing her character's motherly role. The entire week of staged scenes, Eileen carried the same hen in her arms, with the chickens pecking seeds from the straw on the ramshackle shack floor. The following week, the "All That Glitters" staff of women producers decided to cancel Eileen's on-set chicken wrangler and his livestock. Arriving early on the ramshackle set for rehearsal, Eileen and Herb confronted the dull witted lady producers. Where were the Chickens? Canceled to save money on a chicken wrangler and his flock of hens! The cast and crew waited for one hour while the wrangler and his flock of hens could arrive. Thereafter, Eileen, her chicken-hen co-star, with the floor flock of hens were featured until Ma moved uptown, with Sonny becoming a full fledged rock star on a local television station talent show, landing a gig at a local Western bar and stardom! Ma Packer, now a sexy glamorous theatrical agent, became a music-rock group phenomena.
Acting mentor and friend of Lorna Patterson.
She made her Hollywood film debut in the comedy Divorce American Style (1967) starring Dick Van Dyke, Debbie Reynolds and Jason Robards.
It was in her role as the growling Captain Doreen Lewis in the film "Private Benjamin," who oversaw the unlikely Army enlistee played by Goldie Hawn, that Brennan found her biggest success. The actress was the epitome of the "gruff but lovable" type, often bringing comedic sparkle to workaday frustrations while playing figures worn weary by their lives but still able to laugh off the worst. The film was a box-office hit and earned three Oscar nominations, including one for Brennan as best supporting actress. She won an EMMY for her part in the television spin-off. Brennan was nominated seven times for EMMY Awards, including for appearances on "Taxi," "Thirtysomething," "Newhart" and "Will & Grace".
In 1973 Eileen Brennan had supporting acting parts in "The Sting" with Robert Redford and Paul Newman and "Scarecrow" with Al Pacino and Gene Hackman. Brennan often excelled in roles as a wisecracking hard-bitten sidekick, such as the madam in "The Sting" and her turns in the Neil Simon scripted 1976 "Murder By Death" and 1978 "The Cheap Detective." As Eileen Brennan was launching the 1979 television comedy "13 Queens Boulevard," Brennan noted how often she was cast as comedic characters on the fringe when she said, "I've just about exhausted the market for madams. I love to pay them and I hope I have given each of the ladies a certain amount of individuality. But it's always a challenge to develop new types".
She originated the role of Irene Malloy in the original Broadway production of Hello, Dolly! in 1964.
She has appeared in two films that have been selected for the National Film Registry by the Library of Congress as being "culturally, historically or aesthetically" significant: The Last Picture Show (1971) and The Sting (1973).
Alumna of the AADA (American Academy of Dramatic Arts), Class of 1956.

Personal Quotes (4)

Actors are crazy or we wouldn't be doing this.
[on alcohol/drug medication addiction] It's so horrible and it can be so disastrous, yet there's something about the sensitivity of the human being that has to face it. We're very sensitive people with a lot of introspection, and you get saved or you don't get saved.
Everyone hits bottom their own way. Mine came through my accident, which led to my pill addiction, which led to my birth. I say birth rather than rebirth because I feel born new. I reestablished a spiritual connection that is lost when you are taking any kind of drug. Strangely enough, I wouldn't have missed my accident. It just knocks me out to say that, but I mean it.
[1988] I love meanies, and this goes back to Captain Lewis in Private Benjamin (1980). You know why? Because they have no sense of humor. People who are mean or unkind or rigid - think about it - cannot laugh at themselves. If we can't laugh at ourselves and the human condition, we're going to be mean.

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