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Anne Bauchens (1882–1967)

Anne Bauchens was a pioneering film editor who had a long-standing partnership with director Cecil B. DeMille. In fact, she first edited a DeMille film in 1915 and then edited all of his films for 38 years, beginning with We Can't Have Everything (1918) and ending with The Ten Commandments (1956). She was nominated for four Oscars and won one, for ... See full bio »

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Won 1 Oscar. Another 3 nominations. See more awards »

Known For



Hide Hide Show Show Editor (63 credits)
 1950 History Brought to Life (Documentary short) (uncredited)
 1947 Unconquered
 1945 Love Letters
 1940 North West Mounted Police (edited by)
 1939 Union Pacific (edited by)
 1938 Hunted Men
 1938 The Buccaneer
 1936 The Plainsman (edited by)
 1935 The Crusades (uncredited)
 1934/I Menace (uncredited)
 1934 Cleopatra (uncredited)
 1934 Four Frightened People (uncredited)
 1933 Cradle Song
 1933 This Day and Age (uncredited)
 1932 The Sign of the Cross (uncredited)
 1932 The Wet Parade (film editor)
 1932 The Beast of the City (film editor)
 1931 The Squaw Man (film editor)
 1931 Guilty Hands
 1930 Madam Satan (film editor)
 1930 Lord Byron of Broadway (film editor)
 1929 Dynamite (film editor)
 1928 Craig's Wife
 1927 Chicago
 1927 The King of Kings (uncredited)
 1924 Feet of Clay
 1924 Triumph
 1923 The Ten Commandments (cutter)
 1923 Adam's Rib
 1922 Manslaughter
 1921 Affairs of Anatole, The (uncredited)
 1920 Why Change Your Wife? (uncredited)
 1919 Male and Female (uncredited)
 1918 The Squaw Man (uncredited)
 1915/I Carmen
Show Show Actress (1 credit)
Show Show Script and Continuity Department (1 credit)
Show Show Self (2 credits)
Show Show Archive footage (2 credits)

Personal Details

Publicity Listings:

1 Article | See more »

Alternate Names:

Ann Bauchens

Did You Know?

Personal Quote:

Some directors stop work on a picture after the last scene has been shot. Then the producer takes the responsibility and does all the editing with the cutter or editor in the projection room. Other directors work very closely with the cutter and follow the film through until after the preview. A few insist on cutting their own pictures. But they are very scarce. See more »


She and DeMille received Academy Award nominations (Best Picture and Best Film Editing) for their final collaboration, The Ten Commandments (1956). See more »

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