ITV Studios, Fremantle and Federation Studios, partnering with Apple Tree Productions, Elisa Viihde and TV 2 Norge, will go head to head with Nordic powerhouses Glassriver and Dr at next year’s Nordisk Film & TV Fond Prize which promises to underscore the large breadth of current Scandinavia scripted series.
Backed by the Göteborg Film Festival and Nordisk Film & TV Fond, the 7th edition of the Prize, awarded to series’ main writers, also looks set to shine a spotlight on high-profile and on-the-rise writing talent such as Icelandic thesp Anita Briem, who played Jean Seymour in “The Tudors,” and Finnish creator-director Matti Kinnunen, whose “Cargo” was reckoned one of the strongest contenders at the 2021 Prize.
Carrying a €20,000 cash endowment, the Prize will be presented on Feb. 1 to the winning series’ main writer at TV Drama Vision, the Göteborg Film Festival’s conference event and series market.
“Today there is a...
Backed by the Göteborg Film Festival and Nordisk Film & TV Fond, the 7th edition of the Prize, awarded to series’ main writers, also looks set to shine a spotlight on high-profile and on-the-rise writing talent such as Icelandic thesp Anita Briem, who played Jean Seymour in “The Tudors,” and Finnish creator-director Matti Kinnunen, whose “Cargo” was reckoned one of the strongest contenders at the 2021 Prize.
Carrying a €20,000 cash endowment, the Prize will be presented on Feb. 1 to the winning series’ main writer at TV Drama Vision, the Göteborg Film Festival’s conference event and series market.
“Today there is a...
- 12/16/2022
- by John Hopewell
- Variety Film + TV
The trailer-blazing hair curlers invention from Denmark that took over the world in the swinging 60s is the topic of the new event Danish TV show “Carmen Curlers”, just picked up by Dr Sales for global distribution. The distribution arm of Danish public broadcaster Dr is launching the eight-part period drama at Mipcom in Cannes.
The next event TV show from Dr Drama behind the cult titles “The Killing,” “Borgen” and more recently “Cry Wolf,” is currently filming at Dr’s own studios and in the Copenhagen area.
The strong creative team takes in writer-creator Mette Heeno (“Snow Angels”), concept director Natasha Arthy (“The Rain”) and episodic director Christian Tafdrup (“A Horrible Woman”), working alongside producer Stinna Lassen (“When the Dust Settles”).
A-list Danish actors enrolled in the multi-season period drama include Lars Ranthe, Morten Hee Andersen, Maria Rossing (“Snow Angels”), Signe Egholm and Rosalinde Mynster (“Darkness – Those Who Kill...
The next event TV show from Dr Drama behind the cult titles “The Killing,” “Borgen” and more recently “Cry Wolf,” is currently filming at Dr’s own studios and in the Copenhagen area.
The strong creative team takes in writer-creator Mette Heeno (“Snow Angels”), concept director Natasha Arthy (“The Rain”) and episodic director Christian Tafdrup (“A Horrible Woman”), working alongside producer Stinna Lassen (“When the Dust Settles”).
A-list Danish actors enrolled in the multi-season period drama include Lars Ranthe, Morten Hee Andersen, Maria Rossing (“Snow Angels”), Signe Egholm and Rosalinde Mynster (“Darkness – Those Who Kill...
- 10/5/2021
- by Annika Pham
- Variety Film + TV
Includes world premieres of Succession and The Split.
The world premiere of the 60-minute pilot episode of HBO’s Succession, written by Jesse Armstrong, the UK creator of Peep Show and Fresh Meat, and directed by Adam McKay, whose credits include The Big Short and Anchorman, will open the ninth edition of Series Mania in Lille on April 27.
Brian Cox, Hiam Abbass and Matthew Macfadyen head the ensemble cast of Succession, which follows the travails of a dysfunctional media dynasty.
Additionally, the Official Competition is comprised of 10 world premieres of original global TV series. They include BBC and Sundance TV series The Split,...
The world premiere of the 60-minute pilot episode of HBO’s Succession, written by Jesse Armstrong, the UK creator of Peep Show and Fresh Meat, and directed by Adam McKay, whose credits include The Big Short and Anchorman, will open the ninth edition of Series Mania in Lille on April 27.
Brian Cox, Hiam Abbass and Matthew Macfadyen head the ensemble cast of Succession, which follows the travails of a dysfunctional media dynasty.
Additionally, the Official Competition is comprised of 10 world premieres of original global TV series. They include BBC and Sundance TV series The Split,...
- 3/28/2018
- by Louise Tutt
- ScreenDaily
It's been quite some time since Danish helmer Natasha Arthy was last on the big screen but after a lengthy - and productive - foray into television but she's headed back to cinemas for the first time since 2007's Fighter with upcoming comedy Comeback.Comedian Thomas Vang has wrecked his career and will do anything to return to the top. Even if it is just warming up for his friend, the successful Mads Andersen, he goes all out to get his career back on track. However, when his cheeky teenage daughter, Frederikke, suddenly turns up out of the misty fog of oblivion, Thomas' life is turned upside down. She does whatever she can to sabotage his dreams, and before Thomas realizes what has hit him, he...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 6/2/2015
- Screen Anarchy
When last we heard from Danish director Natasha Arthy the occasion was her stellar 2007 martial arts coming of age story Fighter, a film that neatly balances out character drama with tightly choreographed martial arts and which was a selection of the Berlinale. Arthy's been busy since but her work has all been in television since Fighter - very high end television, too, as she did significant work on the original (and superior) version of The Killing - but she's moving back into features now with dark comedy Comeback.Comedian Thomas Vang has wrecked his career and will do anything to return to the top. Even if it is just warming up for his friend, the successful Mads Andersen, he goes all out to get his...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 2/20/2015
- Screen Anarchy
What's this? A new martial arts themed project? From Denmark? Yes, the Scandinavian country may not be the most obvious source of new fight stars - though Natasha Arthy's 2007 effort Fighter is pretty damn good and star Semra Turan absolutely deserves a return trip to the big screen - and yet it will soon bring us a new short film backed by New Danish Screen titled Echoes of A Ronin. Boasting fight choreography by Tim Man (fight coordinator on Scott Adkins star vehicle Ninja 2) with David Sakurai in the lead and Shaky Gonzalez directing the short explores aspecs of the bushido code in a contemporary story also influenced by elements of fairy tale and graphic novels.We've been promised a trailer for this one...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 12/4/2013
- Screen Anarchy
The Copenhagen Film Fund has backed its first project, the Sbs TV series Heartless directed by Natasha Arthy and produced by Fridthjof Film.
The Copenhagen Film Fund had its first board meeting Sept 3. Other discussions included BentleyProductions shooting an episode of UK TV series Midsomer Murders.
The Fund’s newly appointed CEO, Thomas Gammeltoft, said: “We’re thrilled to see the years-long effort to establish a Copenhagen film fund finally bear fruit. I look forward to the coming years’ work of attracting exciting international productions to Greater Copenhagen and to seeing Copenhagen Film Fund investments help keep Danish productions in this country.
“We are proud and delighted to be involved in the Heartless TV series, which without funding from the Copenhagen Film Fund would have had to move production to Hungary. We see Heartless as a pathbreaking fantasy youth series made on Danish turf and holding major international potential.It’s good that we can also make...
The Copenhagen Film Fund had its first board meeting Sept 3. Other discussions included BentleyProductions shooting an episode of UK TV series Midsomer Murders.
The Fund’s newly appointed CEO, Thomas Gammeltoft, said: “We’re thrilled to see the years-long effort to establish a Copenhagen film fund finally bear fruit. I look forward to the coming years’ work of attracting exciting international productions to Greater Copenhagen and to seeing Copenhagen Film Fund investments help keep Danish productions in this country.
“We are proud and delighted to be involved in the Heartless TV series, which without funding from the Copenhagen Film Fund would have had to move production to Hungary. We see Heartless as a pathbreaking fantasy youth series made on Danish turf and holding major international potential.It’s good that we can also make...
- 9/5/2013
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
Let's kick off this wonderful day with a trailer for a Danish kung fu film called Fighter. This trailer starts out pretty bad, but quickly turns into a full-fledged martial arts extravaganza that should leave every kung fu fan impressed. I'm sold purely based on this footage alone. In the film, a high school student named Aicha, played by actress Semra Turan, secretly starts training at a professional kung fu club. Eventually she discovers that the the rules of life are not as simple as the rules of kung fu. Thanks to Twitch (via SlashFilm) for debuting this trailer, otherwise I probably wouldn't have ever known about it. Look good? Watch the trailer for Natasha Arthy's Fighter: [flv:http://media2.firstshowing.net/firstshowing/fighter-natasha-arthy-med.flv http://media2.firstshowing.net/firstshowing/fighter-natasha-arthy-med.jpg 480 270] Fighter is both written and directed by Danish filmmaker Natasha Arthy, of films like Miracle and Old, New, Borrowed and Blue previously. The script was co-written by Arthy and fellow Danish...
- 12/11/2008
- by Alex Billington
- firstshowing.net
I’ve been following Natasha Arthy’s Fighter ever since the initial trailers hit, and my anticipation for the film continues to grow as it slowly travels West-ward. The Danish film is about a teenage Turkish girl who finds herself outcast from both her family and society due to conflicting pressures. Ultimately, she finds solace in martial arts. On paper it sounds like a more dramatic Karate Kid, but the trailers also hint at some great Crouching Tiger-esque choreography. By many accounts, the film is phenomenal. Now Twitch brings us the new UK trailer for the film, and while it starts off rather deceptively (you could easily imagine a dramatic Don Lafontaine reading [...]...
- 12/10/2008
- by Devindra Hardawar
- Slash Film
Let me be very clear about this. Natasha Arthy’s Fighter is a film we think very, very highly of around these parts so when I put the words ‘misleading’ and ‘awesome’ in the same sentence I don’t want you thinking that the brand new UK trailer for the picture is misleading when it comes to quality. It’s not, this film is fantastic. It’s just that this new trailer makes it look like some sort of vigilante justice film rather than the coming of age picture that it actually is.
In Fighter Arthy went out and got herself an actual, national champion martial artist - who also turned out to be one very fine actress - and built a story around her skills and the fact that being a young Turkish woman in Denmark trying to make her way in a dominantly male sport does not play...
In Fighter Arthy went out and got herself an actual, national champion martial artist - who also turned out to be one very fine actress - and built a story around her skills and the fact that being a young Turkish woman in Denmark trying to make her way in a dominantly male sport does not play...
- 12/9/2008
- by Todd Brown
- Screen Anarchy
Cologne, Germany -- Norwegian cinema cleaned up at the Nordic Film Days in Lubeck, Germany, with Stian Kristiansen's "The Man Who Loved Yngve" taking the Ndr prize for best film and Nils Gaup's historic epic "The Kautokeino Rebellion," winning the audience award.
The prize for best Nordic feature went to "Dancers" from Danish director Pernille Fischer Christensen. Kine Boman's "Herdswoman," which follows three generations of aboriginal Sami women living in Lapland, took best documentary, while Natasha Arthy's cross-cultural drama "Fighter" won the children and youth prize.
The Nordic Film Days, which celebrates cinema from Northern Europe, wrapped Saturday.
The prize for best Nordic feature went to "Dancers" from Danish director Pernille Fischer Christensen. Kine Boman's "Herdswoman," which follows three generations of aboriginal Sami women living in Lapland, took best documentary, while Natasha Arthy's cross-cultural drama "Fighter" won the children and youth prize.
The Nordic Film Days, which celebrates cinema from Northern Europe, wrapped Saturday.
- 11/3/2008
- by By Scott Roxborough
- The Hollywood Reporter - Movie News
When most folks think about Danish cinema, they think Lars Von Trier. He and his Dogma 95 cohorts dominated the scene in the 90s and into the current decade. Europa (Zentropa), Breaking The Waves and Dancer In The Dark all garnered critical acclaim and Lars Von Trier became the darlings of the international film festival circuit. Below the surface of this high-concept, somewhat cerebral identity of Danish cinema, there was also another scene developing below the radar of arthouse critics, the often overlooked world of genre film that we so wholeheartedly love here at Fantastic Fest.
Our pal Anthony Timpson from the Incredibly Strange Film Festival in New Zealand first turned us on to director Lasse Spang Olsen and screenwriter Anders Thomas Jensen's 1999 brilliant dark-comedy/action film In China They Eat Dogs. Since then, we've hungrily sought out as much Danish genre film as we could devour. Fantastic Fest programmers Blake Ethridge,...
Our pal Anthony Timpson from the Incredibly Strange Film Festival in New Zealand first turned us on to director Lasse Spang Olsen and screenwriter Anders Thomas Jensen's 1999 brilliant dark-comedy/action film In China They Eat Dogs. Since then, we've hungrily sought out as much Danish genre film as we could devour. Fantastic Fest programmers Blake Ethridge,...
- 9/11/2008
- by noreply@blogger.com (Tim League)
- FantasticFest.com
Date: Thursday, July 17, 2008
Press Release: For Immediate Release
Subject: First Wave of Fantastic Fest content announced
Where: Alamo Drafthouse Cinema South Lamar, Austin, TX
Fantastic Fest, September 18-25, 2008
Contact:
Tim League
(512) 912-0529
info@fantasticfest.com
www.fantasticfest.com
We are proud to announce the first wave of our feature film programming for the 2008 edition of Fantastic Fest in Austin, Texas. For the past 9 months, we have been scouring the globe for the strangest, the most heart-pounding and the most challenging new genre films. With over 100 films representing over 30 countries, Fantastic Fest is the largest festival of its kind in the United States. We are proud to announce our first slate of 22 confirmed feature films. Also included is information about our signature Fantastic Fest special events and parties.
Feature films:
Art of the Devil 3 (2008, Thailand, director: Ronin Team)
A prequel to one of the most graphic and visually creative horror movies in recent times,...
Press Release: For Immediate Release
Subject: First Wave of Fantastic Fest content announced
Where: Alamo Drafthouse Cinema South Lamar, Austin, TX
Fantastic Fest, September 18-25, 2008
Contact:
Tim League
(512) 912-0529
info@fantasticfest.com
www.fantasticfest.com
We are proud to announce the first wave of our feature film programming for the 2008 edition of Fantastic Fest in Austin, Texas. For the past 9 months, we have been scouring the globe for the strangest, the most heart-pounding and the most challenging new genre films. With over 100 films representing over 30 countries, Fantastic Fest is the largest festival of its kind in the United States. We are proud to announce our first slate of 22 confirmed feature films. Also included is information about our signature Fantastic Fest special events and parties.
Feature films:
Art of the Devil 3 (2008, Thailand, director: Ronin Team)
A prequel to one of the most graphic and visually creative horror movies in recent times,...
- 7/17/2008
- by Tim League
- OriginalAlamo.com
Date: Thursday, July 17, 2008
Press Release: For Immediate Release
Subject: First Wave of Fantastic Fest content announced
Where: Alamo Drafthouse Cinema South Lamar, Austin, TX
Fantastic Fest, September 18-25, 2008
Contact:
Tim League
(512) 912-0529
info@fantasticfest.com
www.fantasticfest.com
We are proud to announce the first wave of our feature film programming for the 2008 edition of Fantastic Fest in Austin, Texas. For the past 9 months, we have been scouring the globe for the strangest, the most heart-pounding and the most challenging new genre films. With over 100 films representing over 30 countries, Fantastic Fest is the largest festival of its kind in the United States. We are proud to announce our first slate of 22 confirmed feature films. Also included is information about our signature Fantastic Fest special events and parties.
Feature films:
Art of the Devil 3 (2008, Thailand, director: Ronin Team)
A prequel to one of the most graphic and visually creative horror movies in recent times,...
Press Release: For Immediate Release
Subject: First Wave of Fantastic Fest content announced
Where: Alamo Drafthouse Cinema South Lamar, Austin, TX
Fantastic Fest, September 18-25, 2008
Contact:
Tim League
(512) 912-0529
info@fantasticfest.com
www.fantasticfest.com
We are proud to announce the first wave of our feature film programming for the 2008 edition of Fantastic Fest in Austin, Texas. For the past 9 months, we have been scouring the globe for the strangest, the most heart-pounding and the most challenging new genre films. With over 100 films representing over 30 countries, Fantastic Fest is the largest festival of its kind in the United States. We are proud to announce our first slate of 22 confirmed feature films. Also included is information about our signature Fantastic Fest special events and parties.
Feature films:
Art of the Devil 3 (2008, Thailand, director: Ronin Team)
A prequel to one of the most graphic and visually creative horror movies in recent times,...
- 7/17/2008
- by noreply@blogger.com (Tim League)
- FantasticFest.com
NEW YORK -- Indie distributor Newmarket Films said Tuesday that it has acquired a trio of Scandinavian movies from international sales outfit Trust Films Sales -- Old, New, Borrowed and Blue, In Your Hands and Daybreak. Newmarket previously has rolled out such Trust films as Open Hearts, by Susanne Bier, and Lukas Moodysson's Lilja 4-ever. Natasha Arthy's Danish dogma project, Borrowed and Blue, is a bittersweet comedy about the perils of love and honesty. The film, which screened stateside at the AFI Los Angeles International Film Festival, was written by Kim Fupz Aakesen and stars Sidse Babett Knudsen, Bjorn Kjellman and Soeren Byder.
AFI Fest
The 32nd film to receive Dogme certification, "Old, New, Borrowed and Blue" is a fine example of the focus the manifesto's restrictions put on actors. A stripped-down production enhances lovely performances in this Danish pic, which opened in January on home turf and has moved onto several other Euro territories. The romantic comedy-drama is a warm, nuanced film but probably too low-key to make inroads at U.S. art houses.
The Copenhagen, Denmark-set story transpires during the 48 hours before the wedding of Katrine Sidse Babett Knudsen) and Jonas (Soren Byder). Katrine weathers the pressure of last-minute arrangements and a seating-plan-obsessed mother-in-law with good humor, but her easy smile is a mask that's about to crack. She can't bring herself to tell her older sister of the impending nuptials -- the fragile Mette (Lotte Andersen) has been in the psychiatric ward of a hospital since her boyfriend abandoned her two years earlier.
That very same boyfriend, Swedish charmer Thomsen (Bjorn Kjellman), shows up on Katrine's doorstep, back from his travels in Kenya and intent on rekindling a flirtation. They go for a drive that turns into a restless -- and imaginative -- scavenger hunt for the old, new, borrowed and blue items tradition requires, leading to a confrontation with Mette that sparks revelations for all three characters.
The script by Kim Fupz Aakeson negotiates shifts of tone with a natural touch, and helmer Natasha Arthy orchestrates the movement between hilarity, melancholy and suspense with energy and a firm trust in her cast. Arthy's inventive way of dealing with the Dogme rule about music -- that it must be played within the scene rather than added to the soundtrack -- has the band Mette listens to on her portable CD player appear to her in her room. Andersen capitalizes on these interludes to show a light side of Mette's vulnerability.
All of the actors bring recognizable characters to life. Knudsen's Katrine surrenders to the centrifugal force of her wedding as a way of keeping the uncomfortable truth at bay, while Kjellman plays Thomsen as a man who's ready to stop running.
The 32nd film to receive Dogme certification, "Old, New, Borrowed and Blue" is a fine example of the focus the manifesto's restrictions put on actors. A stripped-down production enhances lovely performances in this Danish pic, which opened in January on home turf and has moved onto several other Euro territories. The romantic comedy-drama is a warm, nuanced film but probably too low-key to make inroads at U.S. art houses.
The Copenhagen, Denmark-set story transpires during the 48 hours before the wedding of Katrine Sidse Babett Knudsen) and Jonas (Soren Byder). Katrine weathers the pressure of last-minute arrangements and a seating-plan-obsessed mother-in-law with good humor, but her easy smile is a mask that's about to crack. She can't bring herself to tell her older sister of the impending nuptials -- the fragile Mette (Lotte Andersen) has been in the psychiatric ward of a hospital since her boyfriend abandoned her two years earlier.
That very same boyfriend, Swedish charmer Thomsen (Bjorn Kjellman), shows up on Katrine's doorstep, back from his travels in Kenya and intent on rekindling a flirtation. They go for a drive that turns into a restless -- and imaginative -- scavenger hunt for the old, new, borrowed and blue items tradition requires, leading to a confrontation with Mette that sparks revelations for all three characters.
The script by Kim Fupz Aakeson negotiates shifts of tone with a natural touch, and helmer Natasha Arthy orchestrates the movement between hilarity, melancholy and suspense with energy and a firm trust in her cast. Arthy's inventive way of dealing with the Dogme rule about music -- that it must be played within the scene rather than added to the soundtrack -- has the band Mette listens to on her portable CD player appear to her in her room. Andersen capitalizes on these interludes to show a light side of Mette's vulnerability.
All of the actors bring recognizable characters to life. Knudsen's Katrine surrenders to the centrifugal force of her wedding as a way of keeping the uncomfortable truth at bay, while Kjellman plays Thomsen as a man who's ready to stop running.
AFI Fest
The 32nd film to receive Dogme certification, "Old, New, Borrowed and Blue" is a fine example of the focus the manifesto's restrictions put on actors. A stripped-down production enhances lovely performances in this Danish pic, which opened in January on home turf and has moved onto several other Euro territories. The romantic comedy-drama is a warm, nuanced film but probably too low-key to make inroads at U.S. art houses.
The Copenhagen, Denmark-set story transpires during the 48 hours before the wedding of Katrine Sidse Babett Knudsen) and Jonas (Soren Byder). Katrine weathers the pressure of last-minute arrangements and a seating-plan-obsessed mother-in-law with good humor, but her easy smile is a mask that's about to crack. She can't bring herself to tell her older sister of the impending nuptials -- the fragile Mette (Lotte Andersen) has been in the psychiatric ward of a hospital since her boyfriend abandoned her two years earlier.
That very same boyfriend, Swedish charmer Thomsen (Bjorn Kjellman), shows up on Katrine's doorstep, back from his travels in Kenya and intent on rekindling a flirtation. They go for a drive that turns into a restless -- and imaginative -- scavenger hunt for the old, new, borrowed and blue items tradition requires, leading to a confrontation with Mette that sparks revelations for all three characters.
The script by Kim Fupz Aakeson negotiates shifts of tone with a natural touch, and helmer Natasha Arthy orchestrates the movement between hilarity, melancholy and suspense with energy and a firm trust in her cast. Arthy's inventive way of dealing with the Dogme rule about music -- that it must be played within the scene rather than added to the soundtrack -- has the band Mette listens to on her portable CD player appear to her in her room. Andersen capitalizes on these interludes to show a light side of Mette's vulnerability.
All of the actors bring recognizable characters to life. Knudsen's Katrine surrenders to the centrifugal force of her wedding as a way of keeping the uncomfortable truth at bay, while Kjellman plays Thomsen as a man who's ready to stop running.
The 32nd film to receive Dogme certification, "Old, New, Borrowed and Blue" is a fine example of the focus the manifesto's restrictions put on actors. A stripped-down production enhances lovely performances in this Danish pic, which opened in January on home turf and has moved onto several other Euro territories. The romantic comedy-drama is a warm, nuanced film but probably too low-key to make inroads at U.S. art houses.
The Copenhagen, Denmark-set story transpires during the 48 hours before the wedding of Katrine Sidse Babett Knudsen) and Jonas (Soren Byder). Katrine weathers the pressure of last-minute arrangements and a seating-plan-obsessed mother-in-law with good humor, but her easy smile is a mask that's about to crack. She can't bring herself to tell her older sister of the impending nuptials -- the fragile Mette (Lotte Andersen) has been in the psychiatric ward of a hospital since her boyfriend abandoned her two years earlier.
That very same boyfriend, Swedish charmer Thomsen (Bjorn Kjellman), shows up on Katrine's doorstep, back from his travels in Kenya and intent on rekindling a flirtation. They go for a drive that turns into a restless -- and imaginative -- scavenger hunt for the old, new, borrowed and blue items tradition requires, leading to a confrontation with Mette that sparks revelations for all three characters.
The script by Kim Fupz Aakeson negotiates shifts of tone with a natural touch, and helmer Natasha Arthy orchestrates the movement between hilarity, melancholy and suspense with energy and a firm trust in her cast. Arthy's inventive way of dealing with the Dogme rule about music -- that it must be played within the scene rather than added to the soundtrack -- has the band Mette listens to on her portable CD player appear to her in her room. Andersen capitalizes on these interludes to show a light side of Mette's vulnerability.
All of the actors bring recognizable characters to life. Knudsen's Katrine surrenders to the centrifugal force of her wedding as a way of keeping the uncomfortable truth at bay, while Kjellman plays Thomsen as a man who's ready to stop running.
- 11/18/2003
- The Hollywood Reporter - Movie News
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