Enrica Antonioni was born as Enrica Fico. She is an assistant director and actress, known for Identification of a Woman (1982), Al di là delle nuvole (1995) and Eros (2004). She was previously married to Michelangelo Antonioni. See full bio »

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Known For

Al di là delle nuvole
Al di là delle nuvole Boutique Manager
(1995)
Eros
Eros Guest at the Restaurant (segment "The Dangerous Thread of Things")
(2004)
Professione: reporter
Professione: reporter Second Unit Director or Assistant Director
(1975)

Filmography

Hide Hide Show Show Second Unit Director or Assistant Director (4 credits)
 2004 Michelangelo Eye to Eye (Documentary short) (assistant director)
 1992 Noto, mandorli, Vulcano, Stromboli, carnevale (Documentary short) (assistant director)
 1975 Professione: reporter (assistant director - as Enrica Fico)
 1972 Chung Kuo - Cina (Documentary) (assistant director - as Enrica Fico)
Hide Hide Show Show Actress (3 credits)
 2004 Eros
Guest at the Restaurant (segment "The Dangerous Thread of Things")
 1995 Al di là delle nuvole
Boutique Manager
 1982 Identification of a Woman
Nadia (as Enrica Fico)
Hide Hide Show Show Director (2 credits)
 2005 Con Michelangelo (Documentary)
 1995 To Make a Film Is to Be Alive (Documentary)
Hide Hide Show Show Miscellaneous Crew (2 credits)
 2004 Eros (executive consultant - segment "The Dangerous Thread of Things")
 1995 Al di là delle nuvole (executive consultant)
Hide Hide Show Show Writer (1 credit)
 2004 Michelangelo Eye to Eye (Documentary short) (collaboration)
Hide Hide Show Show Composer (1 credit)
 2004 Eros (segment "The Dangerous Thread of Things")
Hide Hide Show Show Producer (1 credit)
 1997 Sicilia (Short) (producer)
Hide Hide Show Show Self (6 credits)
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Personal Details

Alternate Names:

Enrica Fico Antonioni | Enrica Fico
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Did You Know?

Personal Quote:

[on Michelangelo Antonioni] He was a man you could never quite reach, because he was always a bit over and above everything, even over and above himself. He was unknown, even to himself. In fact, the constant theme of his films was this desire to change identity. It was really a personal theme, something that came in his personality: not recognising his very self, his very feelings, not knowing ... See more »

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