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IMDbPro

Charles Lamont(1895-1993)

  • Director
  • Writer
  • Producer
IMDbProStarmeterSee rank
One of the more prolific American directors, Charles Lamont entered films as an actor in 1919 and became a director in 1922. He churned out numerous one- and two-reel comedies for various producers, including Mack Sennett and Al Christie, and began directing features in the mid-'30s. Lamont was a staple of such independent studios as Chesterfield and Republic, for whom he turned out many action, western and comedy films, but he found his niche at Universal in the late 1930s, and directed several comedies for Universal's top comedy team of Bud Abbott and Lou Costello, including one of their best, Hit the Ice (1943). Lamont also handled a number of Universal's Yvonne De Carlo Technicolor adventure extravaganzas, and helmed many entries in the studio's successful "Ma and Pa Kettle" series.
BornMay 5, 1895
DiedSeptember 12, 1993(98)
BornMay 5, 1895
DiedSeptember 12, 1993(98)
IMDbProStarmeterSee rank
Add photos, demo reels

Photos

Charles Lamont and Stephanie Bachelor in Her Primitive Man (1944)
Charles Lamont and Baby Sandy in Unexpected Father (1939)
Director Charles Lamont talking to Shirley Temple, George Smith and unknown on the set of "Pie Covered Wagon"

Known for:

Leon Ames and Joan Woodbury in Cipher Bureau (1938)
Cipher Bureau
5.5
  • Director
  • 1938
Yvonne De Carlo, Broderick Crawford, George Brent, and Andy Devine in Slave Girl (1947)
Slave Girl
5.3
  • Director
  • 1947
Hugh Herbert, Baby Sandy, Richard Carlson, and Florence Rice in Little Accident (1939)
Little Accident
6.0
  • Director
  • 1939
Leon Ames, Adrienne Ames, and Charlotte Wynters in Panama Patrol (1939)
Panama Patrol
5.0
  • Director
  • 1939

Credits

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IMDbPro

Director

  • DTV: Pop & Rock (1984)
    DTV: Pop & Rock
    • Director (original material)
    • Video
    • 1984
  • Comedy Cavalcade
    • Director (segment Allez Oop!)
    • 1973
  • Zorro (1957)
    Zorro
    • Director
    • TV Series
    • 1958–1959
  • The Mickey Mouse Club (1955)
    The Mickey Mouse Club
    • Director
    • TV Series
    • 1958
  • Annette Funicello in Annette (1958)
    Annette
    • Director
    • TV Series
    • 1958
  • Francis in the Haunted House (1956)
    Francis in the Haunted House
    • Director
    • 1956
  • Arthur Hunnicutt, Marjorie Main, and Una Merkel in The Kettles in the Ozarks (1956)
    The Kettles in the Ozarks
    • Director
    • 1956
  • Judy Canova in Lay That Rifle Down (1955)
    Lay That Rifle Down
    • Director
    • 1955
  • Bud Abbott, Lou Costello, Eddie Parker, and Marie Windsor in Abbott and Costello Meet the Mummy (1955)
    Abbott and Costello Meet the Mummy
    • Director
    • 1955
  • Bud Abbott, Lynn Bari, Fred Clark, and Lou Costello in Abbott and Costello Meet the Keystone Kops (1955)
    Abbott and Costello Meet the Keystone Kops
    • Director
    • 1955
  • Judy Canova in Carolina Cannonball (1955)
    Carolina Cannonball
    • Director
    • 1955
  • Alfonso Bedoya, Pedro Gonzalez Gonzalez, Ruth Hampton, Marjorie Main, Rudy Vallee, and Chill Wills in Ricochet Romance (1954)
    Ricochet Romance
    • Director
    • 1954
  • Untamed Heiress (1954)
    Untamed Heiress
    • Director
    • 1954
  • Brett Halsey, Alice Kelley, Percy Kilbride, and Marjorie Main in Ma and Pa Kettle at Home (1954)
    Ma and Pa Kettle at Home
    • Director
    • 1954
  • Boris Karloff, Bud Abbott, Lou Costello, and Helen Westcott in Abbott and Costello Meet Dr. Jekyll and Mr. Hyde (1953)
    Abbott and Costello Meet Dr. Jekyll and Mr. Hyde
    • Director
    • 1953

Writer

  • Buster Keaton in Grand Slam Opera (1936)
    Grand Slam Opera
    • story
    • Short
    • 1936
  • Choose Your Partners
    • Writer
    • Short
    • 1935
  • Jack Duffy in Knockout Drops (1935)
    Knockout Drops
    • story
    • Short
    • 1935
  • Buster Keaton and Dorothea Kent in The E-Flat Man (1935)
    The E-Flat Man
    • story
    • Short
    • 1935
  • His Last Fling
    • story
    • Short
    • 1935
  • Buster Keaton in Tars and Stripes (1935)
    Tars and Stripes
    • story
    • Short
    • 1935
  • Buster Keaton and Dorothea Kent in Hayseed Romance (1935)
    Hayseed Romance
    • story
    • Short
    • 1935
  • Two Lame Ducks
    • story
    • Short
    • 1934
  • Educating Papa
    • adaptation
    • Short
    • 1934
  • Git Along Little Wifie
    • story
    • Short
    • 1933
  • Lloyd Ingraham in Merrily Yours (1933)
    Merrily Yours
    • story
    • Short
    • 1933
  • Danny Boone Jr. in Kid 'in' Africa (1933)
    Kid 'in' Africa
    • Writer
    • Short
    • 1933
  • Polly Tix in Washington (1933)
    Polly Tix in Washington
    • writer
    • Short
    • 1933
  • Shirley Temple in Kid in Hollywood (1933)
    Kid in Hollywood
    • writer
    • Short
    • 1933
  • Sightseeing in New York
    • scenario
    • Short
    • 1931

Producer

  • Hugh Herbert, Baby Sandy, Richard Carlson, and Florence Rice in Little Accident (1939)
    Little Accident
    • producer
    • 1939
  • Leon Ames, Adrienne Ames, and Charlotte Wynters in Panama Patrol (1939)
    Panama Patrol
    • associate producer
    • 1939
  • C. Henry Gordon, Marsha Hunt, and Gordon Jones in Long Shot (1939)
    Long Shot
    • associate producer
    • 1939
  • Leon Ames and Joan Woodbury in Cipher Bureau (1938)
    Cipher Bureau
    • associate producer
    • 1938
  • James Dunn, Robert Barrat, Lynda Grey, and Ralph Morgan in Shadows Over Shanghai (1938)
    Shadows Over Shanghai
    • associate producer
    • 1938

Personal details

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  • Height
    • 5′ 5″ (1.65 m)
  • Born
    • May 5, 1895
    • St. Petersburg, Russia
  • Died
    • September 12, 1993
    • Woodland Hills, Los Angeles, California, USA(pneumonia)
  • Spouses
      Estelle Bradley1925 - 1990 (her death)
  • Publicity listings
    • 5 Articles

Did you know

Edit
  • Trivia
    Lamont is generally credited with starting Shirley Temple's career. He discovered her while visiting a dance studio in search of children for a one-reel comedy short he was directing. He was so impressed with her talent (she was about five years old) that instead of putting her in the background with the rest of the children, he featured her in her own dance number and gave her a few lines. Her career took off from there.

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