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The Witches (Le streghe)

The strangest Italian portmanteau picture of the sixties features glorious Silvana Mangano in dozens of costume changes, directed by big names (Visconti, De Sica, Pasolini) and paired with a woefully miscast Clint Eastwood. The other major attraction is a delightful music score by Piero Piccioni, with an assist from Ennio Morricone.

The Witches

Special Edition Blu-ray

Arrow Academy

1967 / Color / 1:85 widescreen / 120 (?) 111 105 min. / Le streghe / Street Date January 30, 2018 / 34.95

Starring: Silvana Mangano, Clint Eastwood, Annie Girardot, Francisco Rabal, Massimo Girotti, Véronique Vendell, Elsa Albani, Clara Calamai, Marilù Tolo, Nora Ricci, Dino Mele Dino Mele, Helmut Berger, Bruno Filippini, Leslie French, Alberto Sordi, Totò, Ciancicato Miao, Ninetto Davoli, Laura Betti, Luigi Leoni, Valentino Macchi, Corinne Fontaine, Armando Bottin, Gianni Gori, Paolo Gozlino, Franco Moruzzi, Angelo Santi, Pietro Torrisi.

Cinematography: Giuseppe Rotunno

Film Editors: Nino Baragli, Adriana Novelli, Mario Serandrei, Giorgio Serrallonga

Original Music: Ennio Morricone, Piero Piccioni

Written by Mauro Bolognini, Fabio Carpi,
See full article at Trailers from Hell »

The Witches (1967) – The Blu Review

Review by Roger Carpenter

In a day and age when video distribution companies are mostly concerned with the bottom dollar and release or re-release films they know are guaranteed to sell (anyone care to count the number of Us releases of The Evil Dead series or Night of the Living Dead?), one of my favorite things about Arrow Video USA is their apparent fearlessness in releasing films and box sets that are probably only going to appeal to a very small niche audience.

Along with Arrow Academy, Arrow Video USA’s arthouse imprint, the company has released a good portion of Walerian Borowcyzk’s films and is busily releasing the early works of Seijun Suzuki as well as other, relatively obscure, 50’s and 60’s Japanese films. While I applaud Arrow for releasing these films and enjoy them all immensely, I’m just not sure the typical movie fan has a
See full article at WeAreMovieGeeks.com »

The Witches (1967) Now Available on Blu-ray From Arrow Academy

The Witches (1967) is now available on Blu-ray from Arrow Academy. It can be ordered Here

In the mid-sixties, famed producer Dino De Laurentiis brought together the talents of five celebrated Italian directors for an anthology film. Their brief was simple: to direct an episode in which Silvana Mangano (Bitter Rice, Ludwig) plays a witch.

Luchino Visconti (Ossessione, Death in Venice) and screenwriter Cesare Zavattini (Bicycle Thieves) open the film with The Witch Burned Alive, about a famous actress and a drunken evening that leads to unpleasant revelations. Civic Sense is a lightly comic interlude from Mauro Bolognini (The Lady of the Camelias) with a dark conclusion, and The Earth as Seen from the Moon sees Italian comedy legend Totò team up with Pier Paolo Pasolini (Theorem) for the first time for a tale of matrimony and a red-headed father and son. Franco Rosso (The Woman in the Painting) concocts a
See full article at WeAreMovieGeeks.com »

January 9th Blu-ray & DVD Releases Include It (2017), 68 Kill, Bad Day For The Cut

  • DailyDead
Even though everyone is pretty much amped that Pennywise and the newest adaptation of It are making their home entertainment debuts this Tuesday, we also have more great Blu-rays and DVD releases to look forward to as well. It’s a big week for Troma, as not only their latest feature, Hectic Knife, comes home on Blu this week, but Troma alum Trent Haaga’s wickedly wild crime caper 68 Kill is being released by Scream Factory and IFC Midnight.

Arrow Academy has put together a Special Edition release of The Witches, and a film that I really enjoyed out of Sundance 2017—Bad Day for the Cut—gets released this week via the fine folks over at Well Go USA. Other notable releases for January 9th include Friend Request and Nails.

68 Kill (Scream Factory/IFC Midnight, Blu-ray & DVD)

Trailer-dwelling, sewage-pumping Chip (Matthew Gray Gubler, Criminal Minds) may not lead the most glamorous life,
See full article at DailyDead »

Claudia Cardinale Dances On Poster For 70th Cannes Film Festival

We’re a couple of weeks away from the organizers at Cannes unveiling their full slate, and we’re still yet to hear about the opening film, but for now they’re tiding us over with this terrific poster for the 70th edition of the festival.

Claudia Cardinale continues the recent tradition of movie icons gracing the one-sheets for the fest, with the actress dancing in this lovely promo. Cardinale has spent plenty of time on the Croisette, with Valerio Zurlini’s “Girl With A Suitcase,” Mauro Bolognini’s “La Viaccia,” Luchino Visconti‘s “The Leopard,” Federico Fellini’s “8 1/2,” Liliana Cavani’s “La Pelle,” Werner Herzog’s “Fitzcarraldo,” Marco Bellocchio’s “Henry IV,” Diane Kurys’ “A Man In Love,” and Claude Lelouch’s “And Now… Ladies And Gentlemen” all landing at Cannes.

Continue reading Claudia Cardinale Dances On Poster For 70th Cannes Film Festival at The Playlist.
See full article at The Playlist »

Mauro Bolognini’S Commedia All’Italiana ‘Arabella’ (1967) Starring Virna Lisi; New On UK Region 2 DVD From Simply Media

  • CinemaRetro
By Howard Hughes

New to DVD in the UK is ‘Arabella’, an Italian period comedy set in that hotbed of hilarity, pre-wwii fascist Italy. Virna Lisi stars in the title role – known variously in the film as Arabella Danesi and Arabella Angeli – who determines to save her grandmother from destitution by finding ingenious ways to pay off her elderly relative’s crippling tax bill.

The film is structured rather like those 1960s Italian portmanteau comedy-dramas, such as ‘Yesterday, Today, Tomorrow’, ‘The Witches’ or ‘Woman Times Seven’. Such films were intended as vehicles for one female star, be they Sophia, Silvana or Shirley, to demonstrate their versatility in a variety of roles. But instead of separate stories, with different characters, ‘Arabella’ has one continuous story arc, with Lisi’s sexy heroine adopting various costumes, personas and wigs to seduce and blackmail her way through a string of lovers, who are then
See full article at CinemaRetro »

Board of Governors Bias: Bacall, Garbo Among Rare Female Winners of Academy's Honorary Award

Honorary Oscars have bypassed women: Angela Lansbury, Lauren Bacall among rare exceptions (photo: 2013 Honorary Oscar winner Angela Lansbury and Jean Hersholt Humanitarian Award winner Angelina Jolie) September 4, 2014, Introduction: This four-part article on the Academy of Motion Picture Arts and Sciences' Honorary Awards and the dearth of female Honorary Oscar winners was originally posted in February 2007. The article was updated in February 2012 and fully revised before its republication today. All outdated figures regarding the Honorary Oscars and the Academy's other Special Awards have been "scratched out," with the updated numbers and related information inserted below each affected paragraph or text section. See also "Honorary Oscars 2014 addendum" at the bottom of this post. At the 1936 Academy Awards ceremony, groundbreaking film pioneer D.W. Griffith, by then a veteran with more than 500 shorts and features to his credit — among them the epoch-making The Birth of a Nation and Intolerance — became the first individual to
See full article at Alt Film Guide »

The Official Lineup for the 67th Locarno Film Festival

  • MUBI
Above: Pedro Costa's Horse Money

The Locarno Film Festival has announced their lineup for the 67th edition, taking place this August between the 6th and 16th. It speaks for itself, but, um, wow...

"Every film festival, be it small or large, claims to offer, if not an account of the state of things, then an updated map of the art form and the world it seeks to represent. This cartography should show both the major routes and the byways, along with essential places to visit and those that are more unusual. The Festival del film Locarno is no exception to the rule, and I think that looking through the program you will be able to distinguish the route map for this edition." — Carlo Chatrian, Artistic Director

Above: Matías Piñeiro's The Princess of France

Concorso Internazionale (Official Competition)

A Blast (Syllas Tzoumerkas, Greece/Germany/Netherlands)

Alive (Jungbum Park, South Korea)

Horse Money (Pedro Costa,
See full article at MUBI »

French Cinema Icon Only Third Woman to Receive Efa Lifetime Achievement Award

Catherine Deneuve: 2013 European Film Academy’s Lifetime Achievement Award recipient Catherine Deneuve has been named the recipient of the the European Film Academy’s 2013 Lifetime Achievement Award for her "outstanding body of work." And outstanding it is. Yesterday, I posted an article about Dirk Bogarde (Victim, Death in Venice, Despair), one of the rare performers anywhere on the planet to have consistently worked with world-class international filmmakers. The Paris-born Catherine Deneuve, who turns 70 next October 22, is another one of those lucky actors. (Photo: Catherine Deneuve at the Potiche premiere at the 2010 Venice Film Festival.) Deneuve’s directors have included an eclectic and prestigious list of filmmakers from various countries. Those include Belle de Jour and Tristana‘s Luis Buñuel; Le Sauvage and La Vie de Château‘s Jean-Paul Rappenau; The Hunger‘s Tony Scott; Un Flic‘s Jean-Pierre Melville; The Mississippi Mermaid and The Last Metro‘s François Truffaut
See full article at Alt Film Guide »

Carte Blanche for the Ferroni Brigade: Six Bets on the Treasure Vaults of Finnish Cinema

  • MUBI
Above: a publicity still from Avoveteen (1938), the absent inspiration behind this retrospective.

When Simon Popek of the Ljubljana International Film Festival invited us to present a carte blanche at these year's edition (November 9th - 20th), our first thoughts went into totally different directions from the one we finally followed. Problem was: Once we got going, the going... To cut a long story short: We either ended up with programs that were too complex and huge to do inside Simon's parameters (six slots; majority of films should be from Europe) or long lists of titles that didn't add up to anything varied, inspiring and fun.

Then, it hit us: Let's do a carte blanche like probably nobody ever did before. Normally, it works like this: The honoree shows a bunch of generally well-known and -respected films, plus maybe—maybe—one slightly less-known item. Now, what would be the opposite of that?
See full article at MUBI »

Alfredo Bini obituary

Producer of Pier Paolo Pasolini's early films

Though an enterprising film producer, often ahead of his times, Alfredo Bini, who has died aged 83, is best remembered for having given the poet Pier Paolo Pasolini the chance to make his debut as a film-maker with Accattone (1960), when no other film company was prepared to back it. Bini produced more than 40 films, including all the features made by Pasolini up until 1967, including Il Vangelo Secondo Matteo (The Gospel According to St Matthew, 1964). Among his other films were many starring his wife, Rosanna Schiaffino.

Bini was born in Livorno, Tuscany, and, during the second world war, ran away from home to join the army. He was wounded and got a medal, but went back to finish his studies in biology. He soon gave up the idea of a scientific career and in 1945 moved to Rome, where, after taking on various jobs, he managed a theatre group.
See full article at The Guardian - Film News »

Laurent Terzieff obituary

'Dostoevskian' French actor with an aura of tormented youth

With his emaciated but hypnotically handsome face and lithe body, the French actor Laurent Terzieff, who has died of respiratory infection aged 75, graced the stage and films for more than half a century. There was always an aura of tormented youth about Terzieff which he carried into the classic roles of his maturity such as Luigi Pirandello's Henry IV (1989) and Shakespeare's Richard II (1991). His perfect diction and rhythmic precision made his rendering of Jean Cocteau's narration of Stravinsky's Oedipus Rex in Bob Wilson's production at the Théâtre du Châtelet in 1996 particularly exciting.

Terzieff's special talents were used by many of the great theatre producers of the day: Jean-Louis Barrault, Peter Brook, Roger Planchon, Maurice Garrel, Roger Blin and André Barsacq. He also directed dozens of plays, many at the Théâtre du Lucernaire in Montparnasse. Paradoxically, given his tormented persona as an actor,
See full article at The Guardian - Film News »

Rosanna Schiaffino obituary

Italian model and film actor, she left the cinema and joined the jet set

Rosanna Schiaffino, who has died aged 69, was one of those Italian beauty queens who began a promising acting career in the post-neorealist cinema of the 1950s. She gave up the cinema in the 1970s and married the handsome playboy and steel industry heir Giorgio Falck. Their marriage and, a decade later, their break-up and divorce, had overtones of melodrama more piquant than the content of any of the 45 films in which Schiaffino had starred.

She was born in Genoa, in north Italy, into a well-off family and, although her father wanted her to pursue studies as a surveyor, her mother encouraged her showbusiness ambitions, helping her to study privately at a drama school and then to take part in beauty contests, which she usually won. These led to modelling jobs, with photographs in important magazines, including Life.
See full article at The Guardian - Film News »

Rosanna Schiaffino

Rosanna Schiaffino, Vince Edwards in Carl Foreman’s The Victors (1963) Rosanna Schiaffino, the sensual leading lady of dozens of Italian (and a few international) productions of the ’60s and early ’70s, died on Oct. 17 at her home in Milan following a long battle with cancer. She was 69. The Genoa-born (Nov. 25, 1938) actress, referred to by some as the "Italian Hedy Lamarr," began her film career in the late 1950s. Among her best-known roles are those in Francesco Rosi’s first feature, La Sfida / The Challenge (1958); Mauro Bolognini’s La Notte brava / The Big Night / Bad Girls Don’t Cry (1959), winner of the Italian Film Critics’ Silver Ribbon for Pier Paolo Pasolini’s screenplay; and André Hunebelle’s historical [...]
See full article at Alt Film Guide »

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