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Robby Muller | Robbie Müller | Robert Müller | Rob Müller
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There are many films made today where the color is not really necessary, but you don't have a choice because the distributor wants color so he can sell it. But I always have a kind of 'thinking exercise' with the director, 'Why not in b&w?' or 'Why not in color?' So if we explain it to ourselves we know where we have to pay attention because, if you make the kind of films I generally make, color ...
Member of the 'Official Competition' jury at the 41st Cannes International Film Festival in 1988.
Frequently worked with Wim Wenders
Master of Light