Stephen H. Burum
- Cinematographer
- Camera and Electrical Department
- Additional Crew
Stephen H. Burum was born on 25 November 1939 in Visalia, California, USA. He is a cinematographer, known for The Untouchables (1987), The War of the Roses (1989) and Mission: Impossible (1996).
- Nominated for 1 Oscar
- 4 wins & 3 nominations total
Photos
Known for
Credits
Cinematographer
- Confessions of a Teenage Drama Queen
- director of photography
- 2004
- Life or Something Like It
- director of photography
- 2002
- Mission to Mars
- director of photography
- 2000
- Mystery Men
- director of photography
- 1999
- Snake Eyes
- director of photography
- 1998
- Fathers' Day
- director of photography
- 1997
- Mission: Impossible
- director of photography
- 1996
- The Shadow
- director of photography
- 1994
- Carlito's Way
- director of photography
- 1993
- 1993
- Hoffa
- director of photography
- 1992
- Raising Cain
- director of photography
- 1992
- Man Trouble
- director of photography
- 1992
- He Said, She Said
- director of photography
- 1991
- The War of the Roses
- director of photography
- 1989
Camera and Electrical Department
- I Love You to Death
- director of photography: additional photography
- 1990
- The Black Stallion
- photographer: second unit
- 1979
- Apocalypse Now
- director of photography: second unit
- 1979
- Scream Free!
- assistant camera (as Steve Burrum)
- 1969
Additional Crew
- Visions of Light
- member: ASC Education Committee
- 1992
- 1980
Personal details
- Alternative names
- Steve Burrum
- Born
- Other worksIs the main author of the "American Cinematographer Manual" (nicknamed "The Cinematographer's Bible", published by the A.S.C. (American Society of Cinematographers)
- Publicity listings
Did you know
- TriviaMember of the American Society of Cinematographers (ASC) since 1974.
- QuotesArt has never been respected in the United States, probably because the people who settled this country were Puritans, and if something didn't have to do with survival, it was considered frivolous. When I was in college, theater-arts majors were thought of as no-good beatniks, and that kind of thinking is still pretty pervasive. But every art, like every sport, has a skill behind it. In some arts that skill is apparent, but filmmakers are like magicians - you're not supposed to see the trick.
- TrademarkCinematographer of many Brian De Palma films.
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