Mark A. Mangini

Academy Awards, USA

2022	Winner Oscar	Best Sound Dune: Part One (2021) Shared with: Mac Ruth Theo Green Doug Hemphill Ron Bartlett
2018	Nominee Oscar	Best Achievement in Sound Editing Blade Runner 2049 (2017) Shared with: Theo Green
2016	Winner Oscar	Best Achievement in Sound Editing Mad Max: Fury Road (2015) Shared with: David White
1998	Nominee Oscar	Best Effects, Sound Effects Editing The Fifth Element (1997)
1993	Nominee Oscar	Best Effects, Sound Effects Editing Aladdin (1992)
1987	Nominee Oscar	Best Effects, Sound Effects Editing Star Trek IV: The Voyage Home (1986)

BAFTA Awards

2022	Winner BAFTA Film Award	Best Sound Dune: Part One (2021) Shared with: Mac Ruth Doug Hemphill Theo Green Ron Bartlett
2018	Nominee BAFTA Film Award	Best Sound Blade Runner 2049 (2017) Shared with: Ron Bartlett Doug Hemphill Mac Ruth Theo Green
2016	Nominee BAFTA Film Award	Best Sound Mad Max: Fury Road (2015) Shared with: Scott Hecker Chris Jenkins Ben Osmo Gregg Rudloff David White

Association of Motion Picture Sound (AMPS)

2022	Winner AMPS Feature Film Award	Excellence in Sound for a Feature Film Dune: Part One (2021) Shared with: Theo Green (Supervising Sound Editor) Doug Hemphill (ReRecording Mixer) Ron Bartlett (ReRecording Mixer) Mac Ruth (Production Sound Mixer) György Mihályi (Boom Operator)
2018	Nominee AMPS Feature Film Award	Excellence in Sound for a Feature Film Blade Runner 2049 (2017) Shared with: Mac Ruth Ron Bartlett

Australian Academy of Cinema and Television Arts (AACTA) Awards

2015

Winner
AACTA Award

Best Sound
Mad Max: Fury Road (2015)

Shared with:

Australian Screen Sound Guild

2015

Nominee
ASSG Award

Andrew Plain Award for Best Film Sound Design
Mad Max: Fury Road (2015)

Shared with:

Scott Hecker

David White

Wayne Pashley

Awards Circuit Community Awards

2017	Nominee ACCA	Best Achievement in Sound Blade Runner 2049 (2017) Shared with: Ron Bartlett Doug Hemphill Mac Ruth Theo Green
1992	Winner ACCA	Best Sound Aladdin (1992) Shared with: Terry Porter Mel Metcalfe David J. Hudson Doc Kane
1991	Nominee ACCA	Best Sound Beauty and the Beast (1991) Shared with: Terry Porter Mel Metcalfe David J. Hudson Doc Kane John Pospisil

Gold Derby Awards

2022	Winner Gold Derby Film Award	Sound Dune: Part One (2021) Shared with: Ron Bartlett Doug Hemphill Mac Ruth Theo Green
2020	Nominee Gold Derby Film Award	Sound of the Decade Mad Max: Fury Road (2015) Shared with: Scott Hecker Chris Jenkins Ben Osmo Gregg Rudloff David White 2nd place
2018	Nominee Gold Derby Film Award	Sound Blade Runner 2049 (2017) Shared with: Ron Bartlett Doug Hemphill Mac Ruth Theo Green
2016	Winner Gold Derby Film Award	Sound Mad Max: Fury Road (2015) Shared with: Chris Jenkins Gregg Rudloff Ben Osmo David White

Hollywood Post Alliance, US

2018	Nominee HPA Awards	Outstanding Sound - Feature Film Blade Runner 2049 (2017) Shared with: Theo Green (sound designer) Mac Ruth (production sound mixer) Ron Bartlett (re-recording mixer) Doug Hemphill (re-recording mixer)
2015	Nominee HPA Awards	Outstanding Sound - Feature Film Mad Max: Fury Road (2015) Shared with: Chris Jenkins (re-recording mixer) Gregg Rudloff (re-recording mixer) Scott Hecker (supervising sound editor)

International Cinephile Society Awards

2022

Nominee
ICS Award

Best Sound Design
Dune: Part One (2021)

Shared with:

Phil Barrie

Theo Green

Dave Whitehead

International Online Cinema Awards (INOCA)

2022	Nominee INOCA	Best Sound Dune: Part One (2021) Shared with: Mac Ruth Theo Green Doug Hemphill Ron Bartlett
2018	Winner INOCA	Best Sound Editing Blade Runner 2049 (2017) Shared with: Theo Green
2016	Winner INOCA	Best Sound Editing Mad Max: Fury Road (2015) Shared with: David White
2015	Winner Halfway Award	Best Sound Editing Mad Max: Fury Road (2015) Shared with: David White

Latino Entertainment Journalists Association Film Awards

2022

Winner
LEJA Award

Best Sound
Dune: Part One (2021)

Shared with:

Motion Picture Sound Editors, USA

2022	Winner Golden Reel Award	Outstanding Achievement in Sound Editing - Feature - Effects/Foley Dune: Part One (2021) Shared with: Theo Green (supervising sound editor) Dave Whitehead (sound designer) Phil Barrie (sound effects editor) Lee Gilmore (sound effects editor) Greg ten Bosch (sound effects editor) Bob Kellough (sound effects editor) Piero Mura (sound effects editor) Christopher Bonis (foley editor) Andy Malcolm (foley artist) Goro Koyama (foley artist) Sandra Fox (foley artist)
2019	Nominee Golden Reel Award	Outstanding Achievement in Sound Editing - Sound Effects, Foley, Music, Dialogue and ADR for Non-Theatrical Feature Film Broadcast Media The Christmas Chronicles (2018) Shared with: Byron Wilson (supervising dialogue editor) Hugh Waddell (adr editor) Piero Mura (sound effects editor) Charlie Campagna (sound effects editor) Eliot Connors (sound effects editor) Albert Gasser (foley editor) Ezra Dweck (foley editor) Fernand Bos (music editor)
2018	Winner Golden Reel Award	Outstanding Achievement in Sound Editing - Sound Effects and Foley for Feature Film Blade Runner 2049 (2017) Shared with: Theo Green (sound designer) Christopher S. Aud (sound effects editor) Lee Gilmore (sound effects editor) Greg ten Bosch (sound effects editor) Charlie Campagna (sound effects editor) Dave Whitehead (sound effects editor) Eliot Connors (sound effects editor) Ezra Dweck (foley editor) Goro Koyama (foley artist) Andy Malcolm (foley artist)
2018	Nominee Golden Reel Award	Outstanding Achievement in Sound Editing - Dialogue and ADR for Feature Film Blade Runner 2049 (2017) Shared with: Byron Wilson (supervising dialogue editor) Michael Hertlein (dialogue editor)
2016	Winner Golden Reel Award	Best Sound Editing - Sound Effects and Foley in a Feature Film Mad Max: Fury Road (2015) Shared with: Scott Hecker (supervising sound editor) Wayne Pashley (supervising sound editor) Stuart Morton (supervising foley editor) David White (sound designer) Julian Slater (sound designer) John Simpson (foley artist) Blair Slater (foley artist) Fabian Sanjurjo (sound effects editor) Cate Cahill (sound effects editor) Christopher S. Aud (sound effects editor) Chuck Michael (sound effects editor) Rick Lisle (sound effects editor) Andrew Miller (sound effects editor) Emma Mitchell (sound effects editor) Alicia Slusarski (sound effects editor) Mario Gabrieli (sound effects editor) Nigel Christensen (sound effects editor) Phil Barrie (sound effects editor) Michael W. Mitchell (sound effects editor) Jared Dwyer (sound effects editor) Tied with The Revenant (2015).
2016	Nominee Golden Reel Award	Best Sound Editing - Dialogue and ADR in a Feature Film Mad Max: Fury Road (2015) Shared with: Scott Hecker (supervising sound editor) Kira Roessler (supervising dialogue editor) Mark Franken (supervising dialogue editor) Wayne Pashley (supervising adr editor) Sonal Joshi (dialogue editor) Danielle Wiessner (dialogue editor) Yulia Akerholt (adr editor) Derryn Pasquill (adr editor) Ines Richter (adr editor) Mia Stewart (adr editor) Beth Bezzina (adr editor) Michael Magill (adr editor) Curt Schulkey (adr editor)
2005	Nominee Golden Reel Award	Best Sound Editing in Feature Film - Animated Shark Tale (2004) Shared with: Richard L. Anderson (supervising sound editor) Thomas Jones (supervising dialogue editor) Wade Wilson (sound effects editor) Mark Binder (sound effects editor) Mike Chock (sound effects editor) Ralph Osborn (dialogue editor) David Williams (dialogue editor) Slamm Andrews (music editor)
2002	Nominee Golden Reel Award	Best Sound Editing - Dialogue & ADR, Domestic Feature Film Cats & Dogs (2001) Shared with: Richard L. Anderson (supervising sound editor) Elliott Koretz (supervising sound editor) Rick Mitchell (supervising foley editor) Mary Andrews (dialogue/foley editor) Larry Kemp (dialogue/foley editor)
2000	Nominee Golden Reel Award	Best Sound Editing - Effects & Foley The Green Mile (1999) Shared with: Aaron Glascock (supervising foley editor) Howell Gibbens (sound editor) David E. Stone (sound editor) Solange S. Schwalbe (foley editor)
2000	Nominee Golden Reel Award	Best Sound Editing - Dialogue & ADR The Green Mile (1999) Shared with: Julia Evershade (supervising dialogue/adr editor)
1996	Nominee Golden Reel Award	Best Sound Editing - Feature Film Space Jam (1996) Space Jam
1995	Winner Golden Reel Award	Best Sound Editing - Animated Feature The Lion King (1994) Shared with: Richard L. Anderson
1993	Winner Golden Reel Award	Best Sound Editing - Animated Feature Aladdin (1992)
1992	Winner Golden Reel Award	Best Sound Editing - Animated Feature Beauty and the Beast (1991)
1989	Nominee Golden Reel Award	Best Sound Editing - Feature Film Star Trek V: The Final Frontier (1989) Star Trek V
1987	Nominee Golden Reel Award	Best Sound Editing - Feature Film Innerspace (1987) Innerspace
1986	Nominee Golden Reel Award	Best Sound Editing - Feature Film The Hitcher (1986) The Hitcher
1986	Nominee Golden Reel Award	Best Sound Editing - Feature Film Star Trek IV: The Voyage Home (1986) Star Trek IV
1985	Nominee Golden Reel Award	Best Sound Editing - Feature Film Explorers (1985) Explorers
1982	Nominee Golden Reel Award	Best Sound Editing - Feature Film Poltergeist (1982) Poltergeist
1981	Winner Golden Reel Award	Best Sound Editing - Feature Film Raiders of the Lost Ark (1981) Raiders

North Carolina Film Critics Association

2022

Winner
NCFCA Award

Best Sound Design
Dune: Part One (2021)

Shared with:

North Dakota Film Society

2022

Winner
NDFS Award

Best Sound
Dune: Part One (2021)

Shared with:

Online Film & Television Association

2016	Winner OFTA Film Award	Best Sound Effects Editing Mad Max: Fury Road (2015) Shared with: David White
1998	Nominee OFTA Film Award	Best Sound Effects Editing The Fifth Element (1997)

Santa Barbara International Film Festival

2016

Winner
Artisan Award

Mad Max: Fury Road (2015)

Sound editing

Satellite Awards

2022	Nominee Satellite Award	Best Sound (Editing & Mixing) Dune: Part One (2021) Shared with: Mac Ruth Theo Green Doug Hemphill Ron Bartlett
2016	Nominee Satellite Award	Best Sound (Editing & Mixing) Mad Max: Fury Road (2015) Shared with: Chris Jenkins Gregg Rudloff Ben Osmo David White Scott Hecker