Academy Awards, USA
2018 |
Nominee Oscar |
Best Achievement in Sound Editing Blade Runner 2049 (2017) |
2016 |
Winner Oscar |
Best Achievement in Sound Editing Mad Max: Fury Road (2015) |
1998 |
Nominee Oscar |
Best Effects, Sound Effects Editing The Fifth Element (1997) |
1993 |
Nominee Oscar |
Best Effects, Sound Effects Editing Aladdin (1992) |
1987 |
Nominee Oscar |
Best Effects, Sound Effects Editing Star Trek IV: The Voyage Home (1986) |
BAFTA Awards
2018 |
Nominee BAFTA Film Award |
Best Sound Blade Runner 2049 (2017) |
2016 |
Nominee BAFTA Film Award |
Best Sound Mad Max: Fury Road (2015) |
Association of Motion Picture Sound (AMPS)
2018 |
Nominee AMPS Feature Film Award |
Excellence in Sound for a Feature Film Blade Runner 2049 (2017) |
Australian Academy of Cinema and Television Arts (AACTA) Awards
2015 |
Winner AACTA Award |
Best Sound Mad Max: Fury Road (2015) |
Australian Screen Sound Guild
2015 |
Nominee ASSG Award |
Andrew Plain Award for Best Film Sound Design Mad Max: Fury Road (2015) |
Awards Circuit Community Awards
2017 |
Nominee ACCA |
Best Achievement in Sound Blade Runner 2049 (2017) |
1992 |
Winner ACCA |
Best Sound Aladdin (1992) |
1991 |
Nominee ACCA |
Best Sound Beauty and the Beast (1991) |
Gold Derby Awards
2020 |
Nominee Gold Derby Award |
Sound of the Decade Mad Max: Fury Road (2015)
2nd place
|
2018 |
Nominee Gold Derby Award |
Sound Blade Runner 2049 (2017) |
2016 |
Winner Gold Derby Award |
Sound Mad Max: Fury Road (2015) |
Hollywood Post Alliance, US
2018 |
Nominee HPA Awards |
Outstanding Sound - Feature Film Blade Runner 2049 (2017)
Mac Ruth (production sound mixer) Ron Bartlett (re-recording mixer) Doug Hemphill (re-recording mixer) |
2015 |
Nominee HPA Awards |
Outstanding Sound - Feature Film Mad Max: Fury Road (2015)
Gregg Rudloff (re-recording mixer) Scott Hecker (supervising sound editor) |
International Online Cinema Awards (INOCA)
2018 |
Winner INOCA |
Best Sound Editing Blade Runner 2049 (2017) |
2016 |
Winner INOCA |
Best Sound Editing Mad Max: Fury Road (2015) |
2015 |
Winner Halfway Award |
Best Sound Editing Mad Max: Fury Road (2015) |
Motion Picture Sound Editors, USA
2019 |
Nominee Golden Reel Award |
Outstanding Achievement in Sound Editing - Sound Effects, Foley, Music, Dialogue and ADR for Non-Theatrical Feature Film Broadcast Media The Christmas Chronicles (2018)
Hugh Waddell (adr editor) Piero Mura (sound effects editor) Charlie Campagna (sound effects editor) Eliot Connors (sound effects editor) Albert Gasser (foley editor) Ezra Dweck (foley editor) Fernand Bos (music editor) |
2018 |
Winner Golden Reel Award |
Outstanding Achievement in Sound Editing - Sound Effects and Foley for Feature Film Blade Runner 2049 (2017)
Christopher S. Aud (sound effects editor) Lee Gilmore (sound effects editor) Greg ten Bosch (sound effects editor) Charlie Campagna (sound effects editor) Dave Whitehead (sound effects editor) Eliot Connors (sound effects editor) Ezra Dweck (foley editor) Goro Koyama (foley artist) Andy Malcolm (foley artist) |
Nominee Golden Reel Award |
Outstanding Achievement in Sound Editing - Dialogue and ADR for Feature Film Blade Runner 2049 (2017)
Michael Hertlein (dialogue editor) |
|
2016 |
Winner Golden Reel Award |
Best Sound Editing - Sound Effects and Foley in a Feature Film Mad Max: Fury Road (2015)
Wayne Pashley (supervising sound editor) Stuart Morton (supervising foley editor) David White (sound designer) Julian Slater (sound designer) John Simpson (foley artist) Blair Slater (foley artist) Fabian Sanjurjo (sound effects editor) Cate Cahill (sound effects editor) Christopher S. Aud (sound effects editor) Chuck Michael (sound effects editor) Rick Lisle (sound effects editor) Andrew Miller (sound effects editor) Emma Mitchell (sound effects editor) Alicia Slusarski (sound effects editor) Mario Gabrieli (sound effects editor) Nigel Christensen (sound effects editor) Phil Barrie (sound effects editor) Michael W. Mitchell (sound effects editor) Jared Dwyer (sound effects editor)
Tied with The Revenant (2015).
|
Nominee Golden Reel Award |
Best Sound Editing - Dialogue and ADR in a Feature Film Mad Max: Fury Road (2015)
Kira Roessler (supervising dialogue editor) Mark Franken (supervising dialogue editor) Wayne Pashley (supervising adr editor) Sonal Joshi (dialogue editor) Danielle Wiessner (dialogue editor) Yulia Akerholt (adr editor) Derryn Pasquill (adr editor) Ines Richter (adr editor) Mia Stewart (adr editor) Beth Bezzina (adr editor) Michael Magill (adr editor) Curt Schulkey (adr editor) |
|
2005 |
Nominee Golden Reel Award |
Best Sound Editing in Feature Film - Animated Shark Tale (2004)
Thomas Jones (supervising dialogue editor) Wade Wilson (sound effects editor) Mark Binder (sound effects editor) Mike Chock (sound effects editor) Ralph Osborn (dialogue editor) David Williams (dialogue editor) Slamm Andrews (music editor) |
2002 |
Nominee Golden Reel Award |
Best Sound Editing - Dialogue & ADR, Domestic Feature Film Cats & Dogs (2001)
Elliott Koretz (supervising sound editor) Rick Mitchell (supervising foley editor) Mary Andrews (dialogue/foley editor) Larry Kemp (dialogue/foley editor) |
2000 |
Nominee Golden Reel Award |
Best Sound Editing - Effects & Foley The Green Mile (1999)
Howell Gibbens (sound editor) David E. Stone (sound editor) Solange S. Schwalbe (foley editor) |
Best Sound Editing - Dialogue & ADR The Green Mile (1999)
|
Online Film & Television Association
2016 |
Winner OFTA Film Award |
Best Sound Effects Editing Mad Max: Fury Road (2015) |
1998 |
Nominee OFTA Film Award |
Best Sound Effects Editing The Fifth Element (1997) |
Santa Barbara International Film Festival
2016 |
Winner Artisan Award |
Mad Max: Fury Road (2015)
Sound editing
|
Satellite Awards
2016 |
Nominee Satellite Award |
Best Sound (Editing & Mixing) Mad Max: Fury Road (2015) |
Seattle Film Critics Awards
2016 |
Winner Seattle Film Critics Award |
Best Sound Design Mad Max: Fury Road (2015) |