Mark A. Mangini

Academy Awards, USA

2018	Nominee Oscar	Best Achievement in Sound Editing Blade Runner 2049 (2017) Shared with: Theo Green
2016	Winner Oscar	Best Achievement in Sound Editing Mad Max: Fury Road (2015) Shared with: David White
1998	Nominee Oscar	Best Effects, Sound Effects Editing The Fifth Element (1997)
1993	Nominee Oscar	Best Effects, Sound Effects Editing Aladdin (1992)
1987	Nominee Oscar	Best Effects, Sound Effects Editing Star Trek IV: The Voyage Home (1986)

BAFTA Awards

2018	Nominee BAFTA Film Award	Best Sound Blade Runner 2049 (2017) Shared with: Ron Bartlett Doug Hemphill Mac Ruth Theo Green
2016	Nominee BAFTA Film Award	Best Sound Mad Max: Fury Road (2015) Shared with: Scott Hecker Chris Jenkins Ben Osmo Gregg Rudloff David White

Association of Motion Picture Sound (AMPS)

2018

Nominee
AMPS Feature Film Award

Excellence in Sound for a Feature Film
Blade Runner 2049 (2017)

Shared with:

Mac Ruth

Ron Bartlett

Australian Academy of Cinema and Television Arts (AACTA) Awards

2015

Winner
AACTA Award

Best Sound
Mad Max: Fury Road (2015)

Shared with:

Australian Screen Sound Guild

2015

Nominee
ASSG Award

Andrew Plain Award for Best Film Sound Design
Mad Max: Fury Road (2015)

Shared with:

Scott Hecker

David White

Wayne Pashley

Awards Circuit Community Awards

2017	Nominee ACCA	Best Achievement in Sound Blade Runner 2049 (2017) Shared with: Ron Bartlett Doug Hemphill Mac Ruth Theo Green
1992	Winner ACCA	Best Sound Aladdin (1992) Shared with: Terry Porter Mel Metcalfe David J. Hudson Doc Kane
1991	Nominee ACCA	Best Sound Beauty and the Beast (1991) Shared with: Terry Porter Mel Metcalfe David J. Hudson Doc Kane John Pospisil

Gold Derby Awards

2020	Nominee Gold Derby Award	Sound of the Decade Mad Max: Fury Road (2015) Shared with: Scott Hecker Chris Jenkins Ben Osmo Gregg Rudloff David White 2nd place
2018	Nominee Gold Derby Award	Sound Blade Runner 2049 (2017) Shared with: Ron Bartlett Doug Hemphill Mac Ruth Theo Green
2016	Winner Gold Derby Award	Sound Mad Max: Fury Road (2015) Shared with: Chris Jenkins Gregg Rudloff Ben Osmo David White

Hollywood Post Alliance, US

2018	Nominee HPA Awards	Outstanding Sound - Feature Film Blade Runner 2049 (2017) Shared with: Theo Green (sound designer) Mac Ruth (production sound mixer) Ron Bartlett (re-recording mixer) Doug Hemphill (re-recording mixer)
2015	Nominee HPA Awards	Outstanding Sound - Feature Film Mad Max: Fury Road (2015) Shared with: Chris Jenkins (re-recording mixer) Gregg Rudloff (re-recording mixer) Scott Hecker (supervising sound editor)

International Online Cinema Awards (INOCA)

2018	Winner INOCA	Best Sound Editing Blade Runner 2049 (2017) Shared with: Theo Green
2016	Winner INOCA	Best Sound Editing Mad Max: Fury Road (2015) Shared with: David White
2015	Winner Halfway Award	Best Sound Editing Mad Max: Fury Road (2015) Shared with: David White

Motion Picture Sound Editors, USA

2019	Nominee Golden Reel Award	Outstanding Achievement in Sound Editing - Sound Effects, Foley, Music, Dialogue and ADR for Non-Theatrical Feature Film Broadcast Media The Christmas Chronicles (2018) Shared with: Byron Wilson (supervising dialogue editor) Hugh Waddell (adr editor) Piero Mura (sound effects editor) Charlie Campagna (sound effects editor) Eliot Connors (sound effects editor) Albert Gasser (foley editor) Ezra Dweck (foley editor) Fernand Bos (music editor)
2018	Winner Golden Reel Award	Outstanding Achievement in Sound Editing - Sound Effects and Foley for Feature Film Blade Runner 2049 (2017) Shared with: Theo Green (sound designer) Christopher S. Aud (sound effects editor) Lee Gilmore (sound effects editor) Greg ten Bosch (sound effects editor) Charlie Campagna (sound effects editor) Dave Whitehead (sound effects editor) Eliot Connors (sound effects editor) Ezra Dweck (foley editor) Goro Koyama (foley artist) Andy Malcolm (foley artist)
2018	Nominee Golden Reel Award	Outstanding Achievement in Sound Editing - Dialogue and ADR for Feature Film Blade Runner 2049 (2017) Shared with: Byron Wilson (supervising dialogue editor) Michael Hertlein (dialogue editor)
2016	Winner Golden Reel Award	Best Sound Editing - Sound Effects and Foley in a Feature Film Mad Max: Fury Road (2015) Shared with: Scott Hecker (supervising sound editor) Wayne Pashley (supervising sound editor) Stuart Morton (supervising foley editor) David White (sound designer) Julian Slater (sound designer) John Simpson (foley artist) Blair Slater (foley artist) Fabian Sanjurjo (sound effects editor) Cate Cahill (sound effects editor) Christopher S. Aud (sound effects editor) Chuck Michael (sound effects editor) Rick Lisle (sound effects editor) Andrew Miller (sound effects editor) Emma Mitchell (sound effects editor) Alicia Slusarski (sound effects editor) Mario Gabrieli (sound effects editor) Nigel Christensen (sound effects editor) Phil Barrie (sound effects editor) Michael W. Mitchell (sound effects editor) Jared Dwyer (sound effects editor) Tied with The Revenant (2015).
2016	Nominee Golden Reel Award	Best Sound Editing - Dialogue and ADR in a Feature Film Mad Max: Fury Road (2015) Shared with: Scott Hecker (supervising sound editor) Kira Roessler (supervising dialogue editor) Mark Franken (supervising dialogue editor) Wayne Pashley (supervising adr editor) Sonal Joshi (dialogue editor) Danielle Wiessner (dialogue editor) Yulia Akerholt (adr editor) Derryn Pasquill (adr editor) Ines Richter (adr editor) Mia Stewart (adr editor) Beth Bezzina (adr editor) Michael Magill (adr editor) Curt Schulkey (adr editor)
2005	Nominee Golden Reel Award	Best Sound Editing in Feature Film - Animated Shark Tale (2004) Shared with: Richard L. Anderson (supervising sound editor) Thomas Jones (supervising dialogue editor) Wade Wilson (sound effects editor) Mark Binder (sound effects editor) Mike Chock (sound effects editor) Ralph Osborn (dialogue editor) David Williams (dialogue editor) Slamm Andrews (music editor)
2002	Nominee Golden Reel Award	Best Sound Editing - Dialogue & ADR, Domestic Feature Film Cats & Dogs (2001) Shared with: Richard L. Anderson (supervising sound editor) Elliott Koretz (supervising sound editor) Rick Mitchell (supervising foley editor) Mary Andrews (dialogue/foley editor) Larry Kemp (dialogue/foley editor)
2000	Nominee Golden Reel Award	Best Sound Editing - Effects & Foley The Green Mile (1999) Shared with: Aaron Glascock (supervising foley editor) Howell Gibbens (sound editor) David E. Stone (sound editor) Solange S. Schwalbe (foley editor)
2000	Nominee Golden Reel Award	Best Sound Editing - Dialogue & ADR The Green Mile (1999) Shared with: Julia Evershade (supervising dialogue/adr editor)

Online Film & Television Association

2016	Winner OFTA Film Award	Best Sound Effects Editing Mad Max: Fury Road (2015) Shared with: David White
1998	Nominee OFTA Film Award	Best Sound Effects Editing The Fifth Element (1997)