23 wins & 2 nominations.
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Filmography
2010-2022
The Walking Dead
(TV Series) (executive producer - 169 episodes)
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Trust
(2022)
... (executive producer)
-
Warlords
(2022)
... (executive producer)
2015-2021
Talking Dead
(TV Series) (consulting producer - 38 episodes)
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Hunted
(2021)
... (consulting producer)
2017-2018
Lore
(TV Series documentary) (executive producer - 10 episodes)
2018
Hell Fest
(producer - produced by, p.g.a.)
2017
Mankiller
(Documentary) (executive producer)
2016
Falling Water
(TV Series) (executive producer - 10 episodes)
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The Well
(2016)
... (executive producer)
2016
Hunters
(TV Series) (executive producer - 13 episodes)
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Promise
(2016)
... (executive producer)
2013
Horizon
(TV Movie) (executive producer)
2004
The Coven
(TV Movie) (executive producer)
2002-2003
Adventure Inc.
(TV Series) (executive producer - 10 episodes)
1995
Sugartime
(TV Movie) (executive producer)
1986
Aliens
(producer - produced by)
1989-1990
Alien Nation
(TV Series) (consultant - 21 episodes)
1980
Alligator
(production assistant - uncredited)
2004
The Punisher
(executive soundtrack producer - uncredited)
2016
Hren' 2.0
(TV Series) (special mention - 1 episode)
2003
Hulk
(Video Game) (special thanks)
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Self (55 credits)
2011-2019
Talking Dead
(TV Series)
Self - Guest / Self / Self - Panelist / ...
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Omega
(2019)
... Self - Guest
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Mercy
(2017)
... Self - Guest
2016
Today
(TV Series)
Self - Guest
2016
Face Off
(TV Series)
Self - Guest Judge
2014
The Real History of Science Fiction
(TV Mini Series documentary)
Self - Producer: Aliens & The Terminator / Self / Self - Producer, The Terminator
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Invasion
(2014)
... Self - Producer: Aliens & The Terminator
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Robots
(2014)
... Self - Producer, The Terminator
1997-1998
Masters of Fantasy
(TV Series documentary)
Self - Film Producer / Self - Producer
1995
Close-Up
(TV Series documentary short)
Self
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Personal Details
Publicity Listings:
3 Interviews
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3 Articles
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Alternate Names:
Gale Hurd
Height:
5' 4" (1.63 m)
Parents:
Hurd, Frank E.
| Hurd, Lolita
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Did You Know?
Personal Quote:
(on the benefits of shooting on real locations) When you're on a sound stage -- which I have to tell you everyone prefers -- it's easier. But you don't have the same tension, the same energy level. You can tell a film that has been shot at a brisk pace with lots of energy. It comes through in the dynamics of what you see on the screen. Somehow, it's easier to create when you're out there in real ...
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Trivia:
Received her Bachelor's degree in Economics and Communications from Stanford University (1977).
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