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IMDbPro

José Luis Alcaine

  • Cinematographer
  • Camera and Electrical Department
  • Additional Crew
IMDbProStarmeterSee rank
José Luis Alcaine
Jose Luis Alcaine has a theory that the Frank Borzage movie A Farewell to Arms (1932) after a story by Ernest Hemingway, was the main and total inspiration for Pablo Picasso in the creation of the "Guernica", one of the most important painting of the 20th century. He believes that several images of a sequence of 5 minutes long showing the exodus of countrymen and soldiers on an infernal rainy night was the inspiration of Pablo Picasso. This sequence can be found in the second half of the movie - from minute 51 to minute 56 -. If you search "Jose Luis Alcaine and the Guernica" in the internet you will find the theory very well explained.
BornDecember 26, 1938
  • More at IMDbPro
    • Contact info
    • Agent info
    • Resume
BornDecember 26, 1938
IMDbProStarmeterSee rank
  • Unlock contact info on IMDbPro
  • Awards
    • 20 wins & 28 nominations

Photos

José Luis Alcaine, Juan Lebrón, Kiti Mánver, Gracia Querejeta, and Dani Rovira in Rutas de Andalucía (2019)
José Luis Alcaine and Fernando Colomo in La banda Picasso (2012)
Brian De Palma, José Luis Alcaine, and Sachli Gholamalizad in Domino (2019)
Brian De Palma and José Luis Alcaine in Passion (2012)

Known for

Antonio Banderas and Elena Anaya in The Skin I Live In (2011)
The Skin I Live In
7.6
  • Cinematographer
  • 2011
Penélope Cruz in Volver (2006)
Volver
7.6
  • Cinematographer
  • 2006
Tie Me Up! Tie Me Down! (1989)
Tie Me Up! Tie Me Down!
7.0
  • Cinematographer
  • 1989
Antonio Banderas and Penélope Cruz in Pain and Glory (2019)
Pain and Glory
7.5
  • Cinematographer
  • 2019

Credits

Edit
IMDbPro

Cinematographer

  • Strange Way of Life
    • Cinematographer
    • Post-production
    • Short
    • 2023
  • La voz del sol
    • Cinematographer
    • Post-production
  • Glow & Darkness
    • Cinematographer
    • Post-production
    • TV Series
  • Adam's Perfection
    • Cinematographer
    • In Development
  • Sweet Vengeance
    • Cinematographer
    • Pre-production
  • Cuidado con lo que deseas (2021)
    Cuidado con lo que deseas
    • Cinematographer
    • 2021
  • Penélope Cruz and Milena Smit in Parallel Mothers (2021)
    Parallel Mothers
    • Cinematographer
    • 2021
  • Tilda Swinton in The Human Voice (2020)
    The Human Voice
    • Cinematographer
    • Short
    • 2020
  • Rutas de Andalucía
    • Cinematographer
    • TV Series
    • 2019
  • So My Grandma's a Lesbian! (2019)
    So My Grandma's a Lesbian!
    • Cinematographer
    • 2019
  • Guy Pearce, Nikolaj Coster-Waldau, Eriq Ebouaney, Carice van Houten, Hamid Krim, and Bouzan Hadawi in Domino (2019)
    Domino
    • Cinematographer
    • 2019
  • Antonio Banderas and Penélope Cruz in Pain and Glory (2019)
    Pain and Glory
    • director of photography
    • 2019
  • Javier Bardem, Penélope Cruz, Ricardo Darín, and Mehdi Taleghani in Everybody Knows (2018)
    Everybody Knows
    • Cinematographer
    • 2018
  • The Queen of Spain (2016)
    The Queen of Spain
    • Cinematographer
    • 2016
  • Shirley MacLaine and Jessica Lange in Wild Oats (2016)
    Wild Oats
    • director of photography
    • 2016
  • Antonio Banderas in Finding Altamira (2016)
    Finding Altamira
    • Cinematographer
    • 2016
  • Andalucia verde (2015)
    Andalucia verde
    • Cinematographer
    • TV Series
    • 2015
  • Alex O'Dogherty in No hubo manera (2013)
    No hubo manera
    • Cinematographer
    • Short
    • 2013
  • I'm So Excited! (2013)
    I'm So Excited!
    • Cinematographer (as Jose Luis Alcaine)
    • 2013
  • La banda Picasso (2012)
    La banda Picasso
    • Cinematographer
    • 2012

Camera and Electrical Department

  • Premios Goya 33 edición (2019)
    Premios Goya 33 edición
    • cinematographer: Goya de Honor
    • TV Special
    • 2019
  • Aure Atika in Sam suffit (1992)
    Sam suffit
    • director of photography: Spain
    • 1992
  • Jeff Goldblum, Miranda Richardson, and Liza Walker in Twisted Obsession (1989)
    Twisted Obsession
    • cinematographer: Goya
    • 1989
  • Nueve cartas a Berta (1966)
    Nueve cartas a Berta
    • photographer (as J. Luis Alcaine)
    • 1966
  • Platero y yo (1966)
    Platero y yo
    • still photographer
    • 1966
  • Acteón (1965)
    Acteón
    • still photographer (as Alcaine)
    • 1965

Additional Crew

  • Songs for After a War (1976)
    Songs for After a War
    • collaborator (as Jose Luis Alcaine)
    • 1976
  • Quevedo
    • collaborator
    • Short
    • 1966
  • Bécquer
    • collaborator
    • Short
    • 1966

Personal details

Edit
  • Alternative names
    • J. Luis Alcaine
  • Born
    • December 26, 1938
    • Tangier, Morocco
  • Spouses
      Mariló OsunaDecember 15, 2006 - present
  • Parents
    • Pancho Alcaine

Did you know

Edit
  • Trivia
    First cinematographer to use fluorescent tube as "key" lightning in the 1970s.
  • Quotes
    [how digital technology has changed his work] Most of all, the digital revolution has changed the way that directors work. There's a famous memo in which David O. Selznick warned King Vidor not to do more than five takes of each shot while filming Duel in the Sun (1946). Today, thanks to the low cost of digital technology, one can shoot countless takes, and with several cameras! Many movies are shot with three, four, or even eight cameras. That destroys any notion of the director's point of view. There are still directors who shoot with only one camera, such as Asghar Asghar Farhadi, Pedro Pedro Almodóvar, or Brian De Palma Brian De Palma, with whom I'll shoot Sweet Vengeance. But there are directors who have no idea what they're going to edit while they're shooting. They use three or four cameras and the end result looks like a television broadcast. [2018]

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