Herbert Beerbohm Tree(1852-1917)

Actor
Director
Writer

Herbert Beerbohm Tree was born on 17 December 1852 in Kensington, London, England, UK. He was an actor and director, known for King John (1899), Henry VIII (1911) and The Tempest (1905). He was previously married to Lady Tree. He died on 2 July 1917 in Marylebone, London, England, UK.

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Photos

Herbert Beerbohm Tree, Elmer Clifton, and Josephine Crowell in The Old Folks at Home (1916)

Herbert Beerbohm Tree and Spottiswoode Aitken in Macbeth (1916)

Herbert Beerbohm Tree and Constance Collier in Macbeth (1916)

Sir Herbert Beerbohm Tree, Constance Collier, MACBETH, Triangle-Reliance, 1916, **I.V.

Known for:

King John

5.0

Short

King John

1899

Henry VIII

5.9

Short

Cardinal Wolsey(as Sir Herbert Beerbohm Tree)

1911

The Tempest

6.3

Short

Director

1905

Trilby

4.3

Svengali(as Sir Herbert Beerbohm Tree)

1914

Credits

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IMDbPro

Actor

The Old Folks at Home
- John Coburn (as Sir Herbert Beerbohm Tree)
- 1916
Intolerance: Love's Struggle Throughout the Ages
- Extra (uncredited)
- 1916
Macbeth
- Macbeth (as Sir Herbert Beerbohm Tree)
- 1916
Trilby
- Svengali (as Sir Herbert Beerbohm Tree)
- 1914
Henry VIII
- Cardinal Wolsey (as Sir Herbert Beerbohm Tree)
- Short
- 1911
King John
- King John
- Short
- 1899

Director

Writer

Personal details

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Alternative names
- Sir Herbert Beerbohm-Tree
Born
- December 17, 1852
- Kensington, London, England, UK
Died
- July 2, 1917
- Marylebone, London, England, UK(pulmonary embolism)
Spouse
- Lady TreeSeptember 16, 1882 - July 2, 1917 (his death, 3 children)
Children
Relatives
Other works
"The Darling of the Gods," written, directed, and produced by David Belasco, with Sir Herbert Beerbohm Tree and Marie Lohr in the cast; on the West End at His Majesty's Theatre, London, England, UK.
Publicity listings

Did you know

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Trivia
He founded RADA (The Royal Academy of Dramatic Arts) in 1904 in London, England.

Quotes
[on cinema] New and vigorous impulses seem to me to be at work in it, and doubtless before long it will drop all slavish copying of the stage and strike out along fresh paths.