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2 Weeks in Another Town

A quick Jet-set ride takes us to Rome of 1962, which for a couple of years was the movie capital of the world. Washed-up actor Kirk Douglas reinvents himself amid the vipers of his past — an abusive director (Edward G. Robinson), a medusa-like ex-wife (Cyd Charisse) and a parade of show-biz creeps that want him to fail and grovel. But wait — redemption springs eternal through the love of a simple innocent unspoiled Italiana with no agenda of her own (Daliah Lavi). Will Douglas be reborn? Director Vincente Minnelli tries his hardest to get MGM in on the Italian art-movie gold rush.

2 Weeks in Another Town


The Warner Archive Collection

1962 / Color / 2:35 widescreen / 107 min. / Street Date June 19, 2018 / available through the WBshop / 21.99

Starring: Kirk Douglas, Edward G. Robinson, Cyd Charisse, George Hamilton, Daliah Lavi, Claire Trevor, Rosanna Schiaffino, James Gregory, Joanna Roos, George Macready, Mino Doro, Stefan Schnabel, Vito Scotti, Leslie Uggams.
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M*A*S*H Actor and musician David Ogden Stiers dies, aged 75

Tony Sokol Mar 5, 2018

David Ogden Stiers played Major Winchester on M*A*S*H, and made a real contribution to the classical music his character loved.

David Ogden Stiers, best known for playing Major Charles Emerson Winchester III in M*A*S*H and Cogsworth in Disney's Beauty & The Beast, died, according to Variety. The actor’s agent Mitchell Stubbs tweeted that Stiers died after a battle with bladder cancer at his home in Newport, Oregon, on Saturday. He was 75.

Stiers joined the Korean War comedy M*A*S*H in 1977, replacing Larry Linville’s officious Major Frank Burns with aristocratic arrogance and a Harvard accent. Stiers was nominated for two Emmy Awards for outstanding supporting actor in a comedy or variety or music series, in 1981 and 1982, for the role of Major Winchester. He was nominated for a third Emmy for his role as William Milligan Sloane, founder of the U.
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Sundance Film Review: ‘Robin Williams: Come Inside My Mind’

Sundance Film Review: ‘Robin Williams: Come Inside My Mind’
In “Robin Williams: Come Inside My Mind,” a documentary that’s sharp-edged, humane, and deeply researched enough to take you closer to the manic engine of Williams’ brilliance and pain than you were before, the smartest decision made by the director, Marina Zenovich, was to use a great many never-before-seen outtakes, as well as clips from obscure or forgotten performances, so that Williams’ routines hit the audience with a fresh ping. In one of the most spectacular of these clips, the film replays the extended acceptance speech he made for Best Actor at the 2003 Critics’ Choice awards.

Williams didn’t actually win the award. He was up for his turn as a creepy psycho nerd in “One Hour Photo” (to me, a rather overrated stunt of a performance), and he lost. There was, in fact, a tie that year, with the award going to both the other nominees: Daniel Day-Lewis for “Gangs of New York” and Jack Nicholson
See full article at Variety - Film News »

Letter from an Unknown Woman

This devastating romantic melodrama is Max Ophüls’ best American picture — perhaps because it seems so European? It’s probably Joan Fontaine’s finest hour as well, and Louis Jourdan comes across as a great actor in a part perfect for his screen personality. The theme could be called, ‘No regrets,’ but also, ‘Everything is to be regretted.’

Letter from an Unknown Woman


Olive Signature

1948 / B&W / 1:37 flat Academy / 87 min. / Street Date December 5, 2017 / available through the Olive Films website / 29.98

Starring: Joan Fontaine, Louis Jourdan, Mady Christians, Marcel Journet, Art Smith, Carol Yorke, Howard Freeman, John Good, Leo B. Pessin, Erskine Sanford, Otto Waldis, Sonja Bryden.

Cinematography: Franz Planer

Film Editor: Ted J. Kent

Original Music: Daniele Amfitheatrof

Written by Howard Koch from a story by Stefan Zweig

Produced by John Houseman

Directed by Max Ophüls

A young woman’s romantic nature goes beyond all limits, probing the nature of True Love.
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We Interrupt This Program to explore Orson Welles’ War of the Worlds radio drama

In 1938, Orson Welles caused nationwide panic with his special Halloween episode of The Mercury Theatre on Air, with many listeners confusing his radio adaptation of H.G. WellsThe War of the Worlds for news of a real alien invasion. And now the story behind the drama looks to be heading to the big screen.

According to Deadline, Echo Lake Entertainment is teaming up with Sean Sorensen’s Royal Viking Entertainment for the feature film We Interrupt This Program. Based on Sorensen’s spec script, the film will “chronicle the stormy struggle taking place behind the scenes between Welles and his producer, John Houseman, as they pulled off what would become the most influential radio broadcast in history”, as well as detailed the chaos that ensued as it was broadcast.

The site reports that the project is now out to directors, and will shoot in 2018.
See full article at Flickeringmyth »

John Carpenter's '80s: "The Fog" and "Escape From New York"

  • MUBI
John Carpenter's The Fog (1980) is playing from September 9 - October 8 and Escape from New York (1981) from September 10 - October 9, 2017 in the United States as part of the series John Carpenter's '80s.A golden pocket watch hangs on the right side of the movie’s frame like a broken pendulum, or maybe a man from the gallows. It sways gently, showing five minutes before midnight. With laconic eyes and the careful accentuation of a raconteur, Mr. Michen (John Houseman) recounts to a gaggle of kids the moribund story of the Elizabeth Dane, a clipper ship captained by a wealthy man named Blake who had leprosy, and who wanted to set up a leper colony in Northern California. The ship, beset by a sudden fog bank, sailed towards a campfire mistaken for a lighthouse and crashed into the rocks. None survived. The story, which has been passed down from grandfathers to fathers to sons,
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From VHS to VOD #3

I don’t know if you’re anything like me, but I can often spend hours upon hours trawling through iTunes looking for new movies to buy… Usually I’ll randomly come across a title I haven’t seen in years and use the “Cast & Crew” links to make my way down the rabbit hole to the more obscure side of Apple’s digital movie service.

Now whilst many will decry that iTunes is a terrible VOD service due to Apple’s desire to lock its audience to their platforms, if you have an Apple TV or iPad be aware – there are some truly obscure films hidden away in the depths of the vast collection of movies. Some of which have been made available in the UK for the first time since VHS and a Lot that have been added to the service in their original uncut form!

So, with
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‘Darkest Hour’: Gary Oldman Is Simply A Force Of Nature As Winston Churchill [Telluride Review]

Telluride – A little less than three weeks from the publication of this review John Lithgow is expected to win an Emmy for his portrayal of Winston Churchill in the Netflix series “The Crown.” Earlier this year Brian Cox earned positive notices for his own interpretation of the legendary British Prime Minister in the appropriately titled “Churchill.” In fact, Churchill appears in some form or another a few times a year and talents such as Brendan Gleeson, Albert Finney, Bob Hoskins, John Houseman and Richard Burton have tried to capture the once in a lifetime charisma of this historical figure on the big or small screen.

Continue reading ‘Darkest Hour’: Gary Oldman Is Simply A Force Of Nature As Winston Churchill [Telluride Review] at The Playlist.
See full article at The Playlist »

The Forgotten: Howard Hawks' "Tiger Shark" (1932)

  • MUBI
The critical consensus about Howard Hawks' themes and talents strikes me as bang on. The Cahiers critics identified him as a classic auteur, continually exploring characters and situations he had an affinity for, and in a consistent style. The surprise is it took so long for style and characters to come together to form the Hawks we know: his best early films are outliers, and only gradually did he come to explore the kind of group dynamics, sexual sparring and codes of professionalism with which he's now justly associated.Early 1930s Hawks just isn't quite all there yet, but you can see lots of Hawksian characters and themes struggling to come together and be their ideal selves.This one has Edward G. Robinson as a "Portagee" fisherman with a Chico Marx accent and an earring. For some reason, Hawks didn't really connect effectively with the urban tough guy actors until Bogart came his way,
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They Live by Night

Don’t look to this noir for hardboiled cynicism – for his first feature Nicholas Ray instead gives us a dose of fatalist romance. Transposed from the previous decade, a pair of fugitives takes what happiness they can find, always aware that a grim fate waits ahead. The show is a career-making triumph and a real classic from Rko — which shelved it for more than a year.

They Live by Night


The Criterion Collection 880

1948 / B&W / 1:37 flat Academy / 95 min. / available through The Criterion Collection / Street Date June 13, 2017 / 39.95

Starring: Cathy O’Donnell, Farley Granger, Howard Da Silva, Jay C. Flippen, Helen Craig, Will Wright, William Phipps, Ian Wolfe, Harry Harvey, Marie Bryant, Byron Foulger, Erskine Sanford .

Cinematography: George E. Diskant

Film Editor: Sherman Todd

Original Music: Leigh Harline

Written by Charles Schnee, Nicholas Ray from the novel Thieves Like Us by Edward Anderson

Produced by John Houseman

Directed by Nicholas Ray
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June 13th Blu-ray & DVD Releases Include Madhouse (1981), Inquisition, Alienator

We have another busy week of home entertainment releases on the horizon, as there are over two dozen titles making their way to Blu-ray and DVD this Tuesday. For those of you cult film enthusiasts, you have a lot of options when it comes to adding items to your collections, as Alienator is being resurrected by Scream Factory, Arrow Video is unleashing a special edition set for Madhouse, and Mondo Macabre has given Paul Naschy’s Inquisition an HD overhaul as well.

As if that wasn’t enough, we also have new releases for The Hound of Baskervilles, Medusa, and Nicholas Ray’s classic noir They Live By Night to look forward to as well. For you TV lovers out there, the box sets for the final season of both The Vampire Diaries and Grimm are being released Tuesday, and for those who are on the hunt for some new action cinema,
See full article at DailyDead »

It Came From The Tube: The Babysitter (1980)

So far in this column, the default setting for TV horror has been the supernatural; usually ghosts (vengeful division), and a cult or two (whether it be Satan or crops). However, I would be remiss if I didn’t tend to any unusual domestic activities on a more human scale. This brings us to The Babysitter (1980), Peter Medak’s chilling tale of live-in help with some serious boundary issues. She doesn’t do windows, but she will do away with you and your family.

Originally airing on Friday, November 28th, 1980 as part of the ABC Friday Night Movie, The Babysitter as well as NBC’s Friday Night at the Movies would get trounced by CBS’ top rated shows The Dukes of Hazzard and Dallas, but those were number two and one in the land, so nobody was breaking through that block, not even the nanny from Hell.

Let’s see
See full article at DailyDead »

Seven Days in May

A military coup in the U.S.? General Burt Lancaster’s scheme would be flawless if not for true blue Marine Kirk Douglas, who snitches to the White House. Now Burt’s whole expensive clandestine army might go to waste – Sad! John Frankenheimer and Rod Serling are behind this nifty paranoid conspiracy thriller.

Seven Days in May


Warner Archive Collection

1964 / B&W / 1:85 widescreen / 118 min. / Street Date May 8, 2017 / available through the WBshop / 21.99

Starring: Burt Lancaster, Kirk Douglas, Fredric March, Ava Gardner, Edmond O’Brien, Martin Balsam, Andrew Duggan, John Houseman, Hugh Marlowe, Whit Bissell, George Macready, Richard Anderson, Malcolm Atterbury, William Challee, Colette Jackson, John Larkin, Kent McCord, Tyler McVey, Jack Mullaney, Fredd Wayne, Ferris Webster.

Cinematography: Ellsworth Fredericks

Film Editor: Ferris Webster

Original Music: Jerry Goldsmith

Written by Rod Serling from the book by Fletcher Knebel, Charles W. Bailey II

Produced by Edward Lewis

Directed by John Frankenheimer
See full article at Trailers from Hell »

‘Fences’ Actor Stephen McKinley Henderson on Working With Denzel Washington

‘Fences’ Actor Stephen McKinley Henderson on Working With Denzel Washington
Stephen McKinley Henderson stars with Denzel Washington and Viola Davis in “Fences,” which opens Christmas Day. He and most of the principals — including Washington, who directed the film — starred in a 2010 Broadway revival of the August Wilson play, one of a 10-part cycle covering each decade of the 20th century. Henderson has performed in all but two.

Was the switch to film for “Fences,” with Denzel directing, a big adjustment?

When we got with Denzel, it was clear we were in the hands of a master. The trust factor was there immediately. He has a huge generosity of heart. Denzel has had a legendary career, which let him be the person to bring August to a larger audience. With this film, he’ll be exposing more people to August’s work.

I had the great fortune to work with John Houseman at Juilliard. He said when Laurence Olivier wanted to
See full article at Variety - Film News »

Producer Jud Kinberg, Father of Simon Kinberg, Dies at 91

Producer Jud Kinberg, Father of Simon Kinberg, Dies at 91
Jud Kinberg, father of Simon Kinberg and a producer of “Lust for Life” and “The Collector,” died on Nov. 2 at his home in New York City, according to a rep for his son. He was 91.

Kinberg was a Brooklyn native who attended the University of North Carolina. He served with the U.S Army in World War II and was awarded a Purple Heart and a Silver Star.

Kinberg began working in Hollywood under John Houseman, collaborating with him on films for MGM including “Julius Caesar,” starring Marlon Brando; “Executive Suite,” starring William Holden; “Her Twelve Men,” with Greer Garson and Robert Ryan; Vincente Minnelli’s “The Cobweb,” with Richard Widmark and Lauren Bacall; and “Lust for Life,” starring Kirk Douglas as Vincent Van Gogh.

Kinberg also produced the British psychological thriller “The Collector,” directed by William Wyler, and “The Magus,” starring Michael Caine.

Kinberg also worked for ABC, Embassy,
See full article at Variety - Film News »

On Dangerous Ground

Warners knocks us out with a beautifully remastered Rko noir. Nicholas Ray's crime tale is like no other, a meditation on human need and loneliness. It's a noir with a cautiously positive, hopeful twist. On Dangerous Ground Blu-ray Warner Archive Collection 1952 / B&W / 1:37 flat Academy / 82 min. / Street Date October 11, 2016 / available through the WBshop / 21.99 Starring Ida Lupino, Robert Ryan, Ward Bond, Charles Kemper, Anthony Ross, Ed Begley, Ian Wolfe, Sumner Williams. Cinematography George E. Diskant Art Direction Ralph Berger, Albert S. D'Agostino Film Editor Roland Gross Original Music Bernard Herrmann Written by A.I. Bezzerides, Nicholas Ray from the novel Mad with Much Heart by Gerald Butler Produced by John Houseman, Sid Rogell Directed by Nicholas Ray

Reviewed by Glenn Erickson

The Warner Archive is known for pleasant surprises, but this one is a real thrill -- one of the very best Rko films noir, reissued in a much-needed beautiful restoration.
See full article at Trailers from Hell »

16mm Double Feature Night August 2nd – King Kong Vs Godzilla and St. Ives

Join us for some old-school 16mm Movie Madness! – It’s our monthly 16Mm Double Feature Night at The Way Out Club (2525 Jefferson Avenue in St. Louis)! Join Tom Stockman and Roger from “Roger’s Reels’ for a double feature of two complete films projected on 16mm film. The show is Tuesday August 2nd and starts at 8pm. Admission is Free though we will be setting out a jar to take donations for the National Children’s Cancer Society.

First up is King Kong Vs Godzilla (1962)

Lets get ready to rumble!!!!!!!!!! In the far corner of Tokyo, weighing in at 127 tons. 407 feet tall. Wearing a rubber lizard suit. He represents the island nation of Japan. He is the slayer of the shipping lanes! The smasher of cities! The self-proclaimed King of All Monsters! The one and only………Godzilla!!!!!! *Applause*. In the other corner wearing the world’s largest ape suit…..he represents the United States.
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The Law Is A Ass # 392: Bob’s Brain Has A Darkside

  • Comicmix
I am reminded of a story my father told me. What story, I’ll get to that shortly. First I’ve got to tell you about another story.

That other story is “Sleepwalker” from Tales From the Darkside# 1. For those of you who, unlike me, aren’t as old as Pangean dirt, there was a syndicated TV show of that same name combined back when Hector was a pup, and I was in my 30s. A half-hour anthology show featuring horror, science-fiction, and fantasy stories that usually climaxed with a twist ending. The show wasn’t bad, but I had a problem with it. I was raised on The Twilight Zone and EC comics. I cut my teeth on twist endings. For me the endings of Tales From the Darkside had as much twist as a pretzel rod.

Joe Hill, a fantasist with a pedigree, both a literary pedigree and a literal pedigree,
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“Manos” The Hands of Fate

Auteur Harold 'P.' Warren puts the Pee back in showmanship! After seeing this frightless Texan fright show you'll want to nominate Ed Wood for a posthumous Oscar. It's popular beyond all comprehension. The intrepid disc producers provide great extras, but can't quite make us understand Why it is the Landmark Lemon of all time. "Manos" the Hands of Fate Blu-ray Synapse Special Edition 1966 / Color / 1:33 flat / 74 min. / Street Date October 13, 2015 / 24.95 Starring Tom Neyman, John Reynolds, Diane Adelson, Harold P. Warren, Jackey Neyman, William Bryan Jennings. Cinematography attempted by Robert Guidry Film randomly assembled by Ernie Smith, James Sullivan This original Music is, ah, really original! Russ Huddleston, Robert Smith Jr. Evidence confirms that "Manos" was Produced Written and Directed by Harold P. Warren  

Reviewed by Glenn Erickson

Ah joy!  Finally -- a movie that invites all the cheap-shot insults that Savant must normally stifle. What follows is all in good fun.
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Magician: The Astonishing Life And Work Of Orson Welles – The Review

Not so very long ago I had a co-worker who described himself as a movie geek, film fan, cinema addict, what have you. He talked about film as if he knew all about it. I asked him one day what he thought of Orson Welles. His reply?

“I don’t think about Orson Welles, he was old and fat, now he’s dead, what am I supposed to think about him?”

Needless to say I never really talked to this person again, who shall remain nameless. Of course the fact that he was an egocentric, arrogant, narcissistic weasel didn’t help matters. (He claimed to have a small part in Tombstone, I have seen that movie several times, never spotted him, by the way…)

I simply cannot fathom the arrogance of someone dismissing, so casually one of the greatest film makers who ever lived. I have been fascinated, obsessed even,
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