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IMDbPro

Margaret Avery(I)

  • Actress
  • Producer
  • Soundtrack
IMDbProStarmeterSee rank
Margaret Avery in Welcome Home, Roscoe Jenkins (2008)
Tracks the history of Black cinema, focused mainly on the '70s, with archival and new interviews with many of the key players from the era.
Play trailer2:04
Is That Black Enough for You?!? (2022)
12 Videos
23 Photos
Slender, attractive actress Margaret Avery, spellbinding in her role of Shug in Steven Spielberg's The Color Purple (1985), is certainly no "one-hit wonder". Although filmgoers may be able to trace her back only to that once-in-a-lifetime part, Margaret has been a talented player on the large and small screens for well over three decades.

Born on January 20, 1944, in Mangum, Oklahoma, the daughter of a Navy man, she was raised in San Diego, California, where she completed high school. Margaret demonstrated a certain passion for acting while in her teens but decided to pursue a more stable career in teaching. Graduating from San Francisco State University, she joined the Los Angeles public school system as a substitute teacher, but the "acting bug" continued to nibble away at her. She auditioned for commercials on the sly and managed to also segued into stage work and singing jobs. Her early 1970s L.A. plays included "Revolution", "Sistuhs", and 1973's "Does a Tiger Wear a Necktie?", the last for which she nabbed the Los Angeles Drama Critics Award. Her skills as an actress helped her to move into TV roles, appearing in such established 1970s and 1980s series as The New Dick Van Dyke Show (1971), Kojak (1973), Sanford and Son (1972), Kolchak: The Night Stalker (1974), The Rookies (1972), Baby... I'm Back! (1977), Murder, She Wrote (1984), Miami Vice (1984), Spenser: For Hire (1985), a recurring part in Harry O (1973), and a regular role in the short-lived series A.E.S. Hudson Street (1977).

Her film career ignited during the popular "blaxploitation" era. She somehow managed to avoid the pitfalls of many a black actress of that time, however, despite her sexy and revealing roles in her first two films, Cool Breeze (1972) starring Thalmus Rasulala and Lincoln Kilpatrick, and Hell Up in Harlem (1973), in which she found herself in the clutches of brawny former footballer Fred Williamson. Margaret carried on with Magnum Force (1973) (as a hooker) and the comedies Which Way Is Up? (1977) and The Fish That Saved Pittsburgh (1979), establishing herself as a solid, reliable actress.

Music was never far away from Margaret as attested by her roles in Louis Armstrong - Chicago Style (1976), starring Ben Vereen as "Satchmo", and Scott Joplin (1977), which showcased Billy Dee Williams. However, it was her riveting supporting turn as the drug-riddled, fly-by-night singer Shug Avery in The Color Purple (1985) that put her on the map. Stories have long circulated that Spielberg wanted a star singer in the role and that Margaret received the role only after both Patti LaBelle and Tina Turner were approached and turned it down. She had previously worked with Spielberg in her first TV movie Something Evil (1972). He remembered her from this and cast her. Earning an Academy Award nomination for "Best Supporting Actress", it was expected that her career would hit major cinematic heights. Unfortunately, Margaret didn't make another film for three years, when she played a jazz singer in the little-seen Blueberry Hill (1988) with Carrie Snodgress.

On TV she continued to grace episodes of Amen (1986), The Cosby Show (1984), Roc (1991), JAG (1995), MacGyver (1985), Bones (2005), enhanced such commendable made-for-TV movies as Heat Wave (1990) with Cicely Tyson and James Earl Jones, and has been seen sporadically in films. She co-starred in The Return of Superfly (1990) -- a nod to her old blaxploitation days--Lightning in a Bottle (1993), White Man's Burden (1995) with John Travolta, the Mario Van Peebles feature Love Kills (1998)

Into the millennium, Margaret has been seen in Waitin' to Live (2006), directed by Travolta's brother, Joey Travolta; Welcome Home, Roscoe Jenkins (2008) as well as Meet the Browns (2008) with Martin Lawrence and Angela Bassett, respectively; the crime drama Proud Mary (2018) and the family comedy Grand-Daddy Day Care (2019). She also appearing regularly alongside Gabrielle Union and Richard Roundtree on BET's Being Mary Jane (2013).

Divorced (74-80) from director Robert Gordon Hunt, Margaret has one daughter, Aisha.
BornJanuary 20, 1944
  • More at IMDbPro
    • Contact info
    • Agent info
    • Resume
BornJanuary 20, 1944
IMDbProStarmeterSee rank
  • Unlock contact info on IMDbPro
  • Nominated for 1 Oscar
    • 1 win & 1 nomination total

Leading Ladies of the 1980s

Leading Ladies of the 1980s

From Sigourney Weaver to Michelle Pfeiffer, check out some of our favorite leading ladies from the glorious 1980s.
See the full gallery
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Photos

Photos23

Whoopi Goldberg, Rae Dawn Chong, and Margaret Avery in The Color Purple (1985)
Margaret Avery in The Color Purple (1985)
Margaret Avery in Being Mary Jane (2013)
Margaret Avery and Richard Brooks in Being Mary Jane (2013)
James Earl Jones and Margaret Avery in Welcome Home, Roscoe Jenkins (2008)
Margaret Avery and Mo'Nique in Welcome Home, Roscoe Jenkins (2008)
James Earl Jones, Martin Lawrence, Margaret Avery, Michael Clarke Duncan, Joy Bryant, and Mo'Nique in Welcome Home, Roscoe Jenkins (2008)
Margaret Avery, Frankie Faison, Jenifer Lewis, Tamela J. Mann, Lamman Rucker, and David Mann in Meet the Browns (2008)
Margaret Avery and Fred Williamson in Hell Up in Harlem (1973)
Margaret Avery and Fred Williamson in Hell Up in Harlem (1973)
Danny Glover and Margaret Avery in The Color Purple (1985)
Whoopi Goldberg, Danny Glover, Margaret Avery, and Bennet Guillory in The Color Purple (1985)

Known for

The Color Purple (1985)
The Color Purple
7.7
  • Shug Avery
  • 1985
Magnum Force (1973)
Magnum Force
7.2
  • Prostitute
  • 1973
Gabrielle Union in Being Mary Jane (2013)
Being Mary Jane
7.6
TV Series
  • Helen Patterson
Blueberry Hill (1988)
Blueberry Hill
4.9
  • Hattie Cale
  • 1988

Credits

Edit
IMDbPro

Actress

  • The Nana Project
    • Gladys
    • Post-production
  • We Are Gathered Here Today (2022)
    We Are Gathered Here Today
    • Estelle Wyatt
    • 2022
  • Margaret Avery, John Amos, Golden Brooks, Luenell, Faizon Love, Merle Dandridge, Charlyne Yi, and Antoinette Robertson in Block Party (2022)
    Block Party
    • Janice Sommers
    • 2022
  • Tichina Arnold, Cedric the Entertainer, Max Greenfield, Sheaun McKinney, Beth Behrs, Marcel Spears, and Hank Greenspan in The Neighborhood (2018)
    The Neighborhood
    • Aunt Desiray
    • TV Series
    • 2021
  • David J. Castillo in Orpheus Star (2020)
    Orpheus Star
    • Lizette Jean-Marie
    • Short
    • 2020
  • Gabrielle Union in Being Mary Jane (2013)
    Being Mary Jane
    • Helen Patterson
    • TV Series
    • 2013–2019
  • Pamela Adlon in Better Things (2016)
    Better Things
    • Esther
    • TV Series
    • 2019
  • James Pickens Jr., Ellen Pompeo, and Chandra Wilson in Grey's Anatomy (2005)
    Grey's Anatomy
    • Lucille Reed
    • TV Series
    • 2019
  • Barry Bostwick, Danny Trejo, George Wendt, Hal Linden, Reno Wilson, and Anthony Gonzalez in Grand-Daddy Day Care (2019)
    Grand-Daddy Day Care
    • Millie
    • 2019
  • Holly Day (2018)
    Holly Day
    • Maddie Devereaux
    • 2018
  • Taraji P. Henson in Proud Mary (2018)
    Proud Mary
    • Mina
    • 2018
  • Rebecca Romijn, Lindy Booth, Christian Kane, John Larroquette, and John Harlan Kim in The Librarians (2014)
    The Librarians
    • Eleanor Darnell
    • TV Series
    • 2017
  • David Alan Grier, Loretta Devine, Amber Stevens West, Tiffany Haddish, Lil Rel Howery, and Jerrod Carmichael in The Carmichael Show (2015)
    The Carmichael Show
    • Janet
    • TV Series
    • 2017
  • Margaret Avery in Symposium (2017)
    Symposium
    • Woman
    • Short
    • 2017
  • Road to Redemption (2016)
    Road to Redemption
    • Kadija (rumored)
    • 2016
  • Stacey Dash, LisaRaye McCoy, and Charity Shea in Single Ladies (2011)
    Single Ladies
    • TV Series
    • 2012

Producer

  • Margaret Avery, John Amos, Golden Brooks, Luenell, Faizon Love, Merle Dandridge, Charlyne Yi, and Antoinette Robertson in Block Party (2022)
    Block Party
    • executive producer
    • 2022

Soundtrack

  • Blueberry Hill (1988)
    Blueberry Hill
    • performer: "All Around the World", "No Good Man Low Down Dirty Blues"
    • writer: "No Good Man Low Down Dirty Blues"
    • 1988
  • The Powers of Matthew Star (1982)
    The Powers of Matthew Star
    • performer: "It's My Turn"
    • TV Series
    • 1982

Videos12

Official Trailer
Trailer 2:04
Official Trailer
Official Trailer
Trailer 1:08
Official Trailer
Trailer
Trailer 2:21
Trailer
Official Trailer
Trailer 1:26
Official Trailer
Trailer [EN]
Trailer 1:22
Trailer [EN]
U.S. trailer: Welcome Home Roscoe Jenkins
Trailer 2:27
U.S. trailer: Welcome Home Roscoe Jenkins
Waitin' to Live
Trailer 3:21
Waitin' to Live
The Color Purple
Trailer 0:30
The Color Purple
Being Mary Jane: Season 4
Trailer 0:31
Being Mary Jane: Season 4
Being Mary Jane
Trailer 0:31
Being Mary Jane
Lord Help Us (aka A Taste of Us)
Trailer 0:15
Lord Help Us (aka A Taste of Us)
Symposium Trailer
Trailer 1:24
Symposium Trailer

Personal details

Edit
  • Official sites
    • Official Instagram Account
    • Official Twitter Account
  • Alternative names
    • Margaret Jo Avery
  • Born
    • January 20, 1944
    • Mangum, Oklahoma, USA
  • Spouse
    • Robert Gordon HuntJanuary 1974 - 1980 (divorced, 1 child)
  • Children
    • Aisha Hunt
  • Other works
    Stage: Appeared in "Revolution", Los Angeles, CA.
  • Publicity listings
    • 4 Articles
    • 1 Pictorial

Did you know

Edit
  • Trivia
    She waged a controversial personal campaign for an Academy Award nomination for best supporting actress in The Color Purple (1985), highlighted by her taking out an ad in an industry trade magazine. A born-again Christian, she wrote the ad in the vernacular of her character, "Shug", and made her plea directly to God. Many Academy members, reputedly including the film's director Steven Spielberg, were put off by this approach and by her using her professed faith to campaign for an award. She was nominated but lost to Anjelica Huston.

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