Robert Wagner Poster


Jump to: Overview (4)  | Mini Bio (1)  | Spouse (4)  | Trivia (45)  | Personal Quotes (19)  | Salary (2)

Overview (4)

Born in Detroit, Michigan, USA
Birth NameRobert John Wagner
Nicknames RJ
The Brylcreem Kid
Height 5' 11½" (1.82 m)

Mini Bio (1)

Robert John Wagner Jr. was born on February 10, 1930 in Detroit, Michigan, to Thelma Hazel Alvera (Boe), a telephone operator, and Robert John Wagner Sr., a traveling salesman. His paternal grandparents were German and his maternal grandparents were Norwegian. His family moved to Los Angeles when he was seven. Always wanting to be an actor, he held a variety of jobs while pursuing his goal, but it was while dining with his parents at a restaurant in Beverly Hills that he was "discovered" by a talent scout. After making his uncredited screen debut in The Happy Years (1950), Wagner was signed by 20th Century Fox, which carefully built him up toward stardom. He played romantic leads with ease, but this was not until he essayed the two-scene role of a shell-shocked war veteran in With a Song in My Heart (1952) that studio executives recognized his potential as a dramatic actor.

He went on to play the title roles in Prince Valiant (1954) and The True Story of Jesse James (1957), and portrayed a cold-blooded murderer in A Kiss Before Dying (1956). However, his film career skidded to a stop in the mid-'60s after The Pink Panther (1963). Several years of unemployment followed before Wagner made a respectable transition to television as star of the lighthearted espionage series It Takes a Thief (1968) (1968-1970). He also starred on the police series Switch (1975), but Wagner's greatest success was opposite Stefanie Powers on the internationally popular Hart to Hart (1979), which ran from 1979-1984 and has since been sporadically revived in TV-movie form (the series Lime Street (1985) was quickly canceled due to the tragic death of Wagner's young co-star, Samantha Smith).

Considered one of Hollywood's nicest citizens, Robert Wagner has continued to successfully pursue a leading man career; he has also launched a latter-day stage career, touring with Stefanie Powers in the readers' theater presentation "Love Letters". He found success playing Number Two, a henchman to Dr. Evil in the blockbuster trilogy Austin Powers: International Man of Mystery (1997), Austin Powers: The Spy Who Shagged Me (1999) and Austin Powers in Goldmember (2002), and in 2007, he began playing Teddy Leopold, a recurring role on the CBS sitcom Two and a Half Men (2003).

- IMDb Mini Biography By: Anonymous

Spouse (4)

Jill St. John (26 May 1990 - present)
Natalie Wood (16 July 1972 - 29 November 1981) ( her death) ( 1 child)
Marion Marshall (21 July 1963 - 14 October 1971) ( divorced) ( 1 child)
Natalie Wood (28 December 1957 - 27 April 1962) ( divorced)

Trivia (45)

Father of Katie Wagner (b. 1964) with Marion Marshall and Courtney Wagner (b. 1974) with Natalie Wood.
Engaged to Tina Sinatra (June 1970 - January 1972).
Has made seven movies with wife Jill St. John: Banning (1967), How I Spent My Summer Vacation (1967), Around the World in 80 Days (1989), The Player (1992), Something to Believe In (1998), The Calling (2002) and Northpole (2014). On TV, they appeared together in Hart to Hart: Hart to Hart (1979) and Seinfeld: The Yada Yada (1997).
He sued Aaron Spelling Productions for $20 million in June 2000, charging that he was cheated out of profits on the Fox soap opera Beverly Hills, 90210 (1990). He claimed that he was entitled to profits as part of a ten-year-old settlement between producer Aaron Spelling and Fox that gave Spelling the right to produce "Beverly Hills, 90210" in exchange for "Angels 88", a never-produced series in which Wagner had a stake. According to the suit, the conflict dates back to 1973 when he and his then wife, Natalie Wood, made a deal with Spelling to submit ideas for pilots to ABC. One idea that the couple submitted led to the action series Charlie's Angels (1976). Following the terms of their deal, Spelling, Wagner and Wood equally shared profits from the series. In 1988, Spelling developed a new series, "Angels 88". According to the terms of their contract, Wagner was to receive 7.5% profit participation -- whether or not he rendered services. Fox committed to the series, without his knowledge, and then reneged, giving Spelling "Beverly Hills, 90210" instead. Since Spelling was given "Beverly Hills, 90210" in exchange for an asset in which Wagner had an interest, Wagner claimed that he is entitled to the same profit participation on "Beverly Hills, 90210" as he had on "Angels 88". The suit alleges breach of contract and fraud and seeks 7.5% of gross profits from "Beverly Hills, 90210" as well as damages of not less than $20 million.
Former brother-in-law of Lana Wood.
Wagner's wife, Jill St. John starred in the James Bond film Diamonds Are Forever (1971) which also featured his late former wife's real-life sister, Lana Wood. During a Bond girl reunion photo shoot in September 1999 for Vanity Fair magazine, an altercation occurred between Wood and St. John when photographer Annie Leibovitz asked for a picture of them together. Reportedly, St. John was so adamantly opposed to the idea that it reduced Wood to tears. A publicist for the shoot, however, said it was he who vetoed the photo because Wagner would prefer his present wife not be shot with his sister-in-law.
After being submerged at one point in an industrial strength foaming agent during the bathtub scene in The Pink Panther (1963), went blind for four weeks. The studio wanted Wagner replaced, but director Blake Edwards stuck by him and he finished the picture.
Is portrayed by Michael Weatherly in The Mystery of Natalie Wood (2004). He later portrayed Anthony DiNozzo Sr., the father of Weatherly's character Tony DiNozzo, on NCIS (2003).
Cooperated with Gavin Lambert (author of the novel and screenplay Inside Daisy Clover (1965) that starred Wagner's late wife Natalie Wood on Lambert's biography "Natalie Wood" (2004). A friend of Wood's, Lambert believed that Wood's memory was sullied by the tabloid headlines generated by her tragic death, with the result that no one remembers his friend as a human being, and so wrote the book to correct the public's misconceptions about Wood.
On September 21, 2006, he became a grandfather for the first time when his elder daughter (with ex-wife Marion Marshall), Katie Wagner, gave birth to her son, Riley John.
Recently sold the Brentwood ranchette he's shared with Jill St. John since 1983, for $14 million and moved to Aspen, Colorado. [August 2007]
When he was seven, his family moved to Los Angeles, where Wagner attended military academies and The Harvard School.
His first acting break came when one of his friends took him to Warner Bros. to meet the head of casting. After an interview and a reading, he was told that the studio would use him in two or three small roles coming up in the near future. Two days later, a strike postponed all production plans, so this was back to school for Robert Wagner.
For many years, his bungalow at Universal Studios was a stop on their tour. He was an important star at the studio with a successful run of three television series. Lucille Ball, another star with a long run of success on television had the same bungalow and tour stop prior to Robert Wagner.
Spokesman for the Senior Lending Network and the Guardian First Funding Group.
He was awarded 2 Stars on the Hollywood Walk of Fame for Motion Pictures at 7021 Hollywood Boulevard; and for Recording at 7001 Hollywood Boulevard in Hollywood, California.
Became friends with Fred Astaire, long before he co-starred on It Takes a Thief (1968).
Had a long association with Eddie Albert, his co-star on Switch (1975), and who was said to be one of his childhood heroes.
His wife Jill St. John, his deceased former wife Natalie Wood, and his Hart to Hart (1979) co-star Stefanie Powers attended ballet classes together as youngsters.
In his memoirs, Wagner revealed he had affairs with Yvonne De Carlo, Joan Crawford, Elizabeth Taylor, Anita Ekberg, Shirley Anne Field, Lori Nelson and Joan Collins.
Was originally going to star with Victor Mature and Debra Paget in The Proud Ones (1956).
Best friend of Eddie Albert. Wagner attended his lifelong friend's funeral on 26 May 2005.
His paternal grandparents were German and his maternal grandparents were Norwegian.
Robert Wagner says in his autobiography that he had a four year relationship with Barbara Stanwyck who was more than twenty years older than he was. He says she was his first great love and that she gave him more than any woman in his life.
Robert Wagner tells in his biography that when he was in Paris for the shooting of The Longest Day (1962), he made a mistake when, one night, he was about to get back to is hotel. He was drunk and grabbed the man at the desk because the employee did not recognize him. Robert Wagner simply entered the wrong hotel lobby.
Best known by the public for his role as Jonathan Hart on Hart to Hart (1979).
Attended and graduated from Santa Monica High School in Santa Monica, California as Senior Class President.
The Los Angeles County Sheriff's Department reopened its investigation into Natalie Wood's death in November 2011, following statements made by the captain of the yacht Wood disappeared from the night she drowned, Dennis Davern. Lana Wood and Marti Rulli maintain that the investigation is ongoing as of 2017 but that mainstream media won't report the uncovered information unless they get a direct quote from authorities.
LACSD Homicide Bureau Lt. John Corina says Wagner's story about Natalie Wood's death "just doesn't add up" and has named Wagner a Person of Interest. [February 2018]
In mid-October 1981, Wagner reportedly made a string of telephone calls to the Los Angeles/Long Beach Coast Guard base in San Pedro, California to find out about search and rescue procedures.
He and Marion Marshall were engaged for two years before they wed in 1963.
Has known his wife Jill St. John since 1959. They've been a couple since 1982, eight years before their wedding.
In 1960, MGM toyed with the idea of doing an all-male remake of The Women (1939) which would've been entitled "Gentlemen's Club." Like the female version, this would have involved an all masculine cast and the plot would have involved a man (Jeffrey Hunter) who recently discovers among his comrades that his wife is having an affair with another man (Earl Holliman) and after going to Reno to file for divorce and begin a new life, he later finds himself doing what he can to rectify matters later on when he discovers that the other man is only interested in money and position and he decides to win his true love back again. Although nothing ever came of this, it would have consisted of the following ensemble had it did: Jeffrey Hunter (Martin Heal), Earl Holliman (Christopher Allen), Tab Hunter (Simon Fowler), Lew Ayres (Count Vancott), Robert Wagner (Mitchell Aarons), James Garner (Peter Day), Jerry Mathers (Little Martin), James Stewart (Mr. Heal), Ronald Reagan (Larry), Troy Donahue (Norman Blake), and Stuart Whitman (Oliver, the bartender who spills the beans about the illicit affair).
Although the double surname suggests otherwise, he never legally adopted his ex-stepdaughter Natasha Gregson Wagner.
Ex-brother-in-law of Richard Smedley.
As of 2018, he has appeared in two films nominated for Best Picture Academy Award: The Longest Day (1962) and The Towering Inferno (1974).
Appeared in six films with Jeffrey Hunter: The Frogmen (1951), White Feather (1955), A Kiss Before Dying (1956), The True Story of Jesse James (1957), In Love and War (1958) and The Longest Day (1962).
Has appeared in three films with Faye Dunaway: The Towering Inferno (1974), The Calling (2002) and El padrino (2004).
Longtime publicist is Alan Nierob.
For a brief period in the early '70s, while he was engaged to Tina Sinatra, her father Frank Sinatra was dating Jill St. John. Had both couples made it to the altar, Jill would've been R.J.'s stepmother-in-law.
Was the first choice for the role of Guy Woodhouse in Rosemary's Baby (1968), but had to turn it down when Paramount refused to accommodate his scheduling conflicts with It Takes a Thief (1968).
Is good friends with Don Johnson and served as best man at Johnson's 1999 wedding to Kelley Phleger.
His marriage to Jill St. John has lasted longer than all of their six other marriages combined. She was previously divorced three times, while Wagner was divorced twice and widowered once.
Ex-stepfather of Peter Donen and Joshua Donen.
Has four "surrogate" grandchildren: Cooper Mount (stepson of Wagner's ex-stepson Joshua Donen), Oliver and Felix Watson (stepsons of Wagner's ex-stepdaughter Natasha Gregson Wagner), and Clover Watson (daughter of Natasha and Barry Watson). Katie Wagner's son Riley is his only biological grandchild. His daughter Courtney Wagner has never married and has no children.

Personal Quotes (19)

Life isn't full of 'what ifs'. Only 'what is'.
[on wife Jill St. John] She's always been magical with me.
[on his daily routine with wife Jill St. John] We get up in the morning. I feed the birds. My wife feeds me. Together, we feed the animals.
My wife was a Bond Girl, so I play James Bond in real life every day.
When I can't sleep, I'll start thinking about how many shows I've done, count up the number of television shows and movies.
[regarding his grief about the 1981 drowning of wife Natalie Wood] When Natalie died, I was embittered. I still get angry about it and I wonder why it had to happen. I have all those feelings of grief and anger that people who've lost someone they love always have. I had lived a charmed life, and then I lost a beautiful woman I loved with all my heart.
[in 2009, on late wife Natalie Wood] I have talked to her on occasion - let's just say I feel her presence.
[on writing his memoir, "Pieces of My Heart"] I had a difficult time letting it go. I had such anxiety about it.
[when Natalie Wood began dating Warren Beatty] I wanted to kill that son of a bitch... I was hanging around outside his house with a gun, hoping he would walk out. I not only wanted to kill him, I was prepared to kill him.
I should have realised our marriage could have gone on a bit longer if she had gone into therapy. Of course, there was work to do in our relationship, but I wanted her attention to be with me and I thought this was another thing that would take her away from me. I was wrong. But when you are young you don't have that kind of perception. I wanted her to be with me. I wanted to be the one that could help her. After the divorce, I had to work on myself. I was a very jealous person and I had to address that.
[after Natalie Wood's death on November 29, 1981] Jill [Jill St. John] didn't try to put the lights on the Christmas tree; she was just there for me. I was shattered. I don't think our relationship could have gone anywhere until I put those pieces together again; and with Jill's help, and a lot of other people's help, I started to do that. It's still [as of 2009] in progress. But I'm very happy at the moment. I'm more down to who I really am. It's important to enjoy life as it comes and be able to see without tears in my eyes.
[on wife Jill St. John] Jill is very bright, very caring, and has what I can only call a gift for life... Jill has always been there. You can't ask for more from any human being. Plus, there is the fact that she's loving, and caring, a wonderful wife, 100 percent for me.
My daughters are my pride.
[on dating Elizabeth Taylor] It was like sticking an eggbeater in your brain.
[on his on- and off-screen chemistry with Eddie Albert, who played Frank MacBride on Switch (1975)] Eddie was a very, very accomplished actor, I admired him tremendously. We had great fun together. I knew his wife, Margo, and before we worked together, and it was really an enjoyable time. We worked together for about four years on that. I really enjoyed it, I had a great deal of respect for Eddie, I thought the world of it.
[when he defined Eddie Albert, who starred with him on Switch (1975), about his longtime friend's real-life experience as a lieutenant in the Navy, prior to becoming a young movie star] Eddie Albert was an interesting man who possessed what could legitimately be termed a big set of balls. Before World War II, he was a contract actor at Warner Bros. when he had an affair with Jack Warner's wife, Ann. One time they were making love when Jack walked in and discovered them. As Jack told me, "I didn't mind that so much; it was the fact that he didn't stop that bothered me." Well, that little episode got Eddie blacklisted for a while.
[of Eddie Albert] In almost all respects, he was an admirable man. But with his life experiences, Eddie wasn't fazed by things like stealing scenes, and he could be a bit devious and scratchy at times - about his character, his wardrobe, everything. Basically, he wanted to play both his part and mine, and sometimes he stole scenes for the hell of it. In his heart of hearts, he would have been very happy if "Switch" had been called "The Eddie Albert Show". That said, I've always had affection for a theatrical rogue, and Eddie and I got along fine, mostly because if Eddie was going to steal scenes, so was I. Game on! For three years, we had a very pleasant competition.
[if Eddie Albert was instrumental with Switch (1975)] To work with Eddie, he was a tremendous actor, had a tremendous background, and he loved acting. And when Larry did the Switch (1975) with us, he can tell you that Eddie Albert was a tremendous person to work with.
[on Suzanne Finstad's bestselling 2001 biography of Natalie Wood, which was deeply unflattering about Wagner] This woman has fabricated, you know, those things that are all these things that she talks to these different people and she says she knows this and that. You know, it's -- there have been other books written besides that one, you know. And there's absolutely nothing you can do about it.

Salary (2)

All the Fine Young Cannibals (1960) $75,000
The Towering Inferno (1974) $60 .000

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