- Born
- Birth nameNathalie Kay Hedren
- Nickname
- Ms. Tippi Hedren
- Height5′ 4″ (1.63 m)
- From working for the exacting Alfred Hitchcock to a film written by Edward D. Wood Jr., Tippi Hedren, the Minnesota girl of Scandinavian descent, has had a distinctive career. She was working as a New York fashion model when she married her first husband, four-years-younger Peter Griffith, in 1952 (they divorced in 1960). She gave birth to her only child, future star Melanie Griffith, on August 9, 1957. Alfred Hitchcock discovered Tippi, the pretty cover girl, while viewing a commercial on NBC's Today (1952) show. He put her under personal contract and cast her in The Birds (1963). In a cover article about the movie in Look magazine (Dec. 4, 1962), Hitchcock praised her; he also told the Associated Press: "Tippi Hedren is really remarkable. She's already reaching the lows and highs of terror". Her performance in the film earned her both the Golden Globe award and the Photoplay award as Most Promising Newcomer. Her next film was playing the title role in Hitchcock's Marnie (1964), where she played a challenging and difficult role of a frigid, habitual thief. The film wasn't as big a hit as "The Birds," and it would take years before she won well-deserved admiration for her work. The professional relationship with Hitchcock ended with mutual bitterness and disappointment during the filming of "Marnie." That year, she married her agent, Noel Marshall (married until 1982). Charles Chaplin cast her in a supporting role in his final film A Countess from Hong Kong (1967), which flopped. Thereafter, Tippi and her husband Marshall collected big cats and other wildlife for the film Roar (1981), which they starred in and produced. The film took 11 years and $17 million to make, but it only made $2 million worldwide. Nevertheless, the film was a turning point in her life; she became actively involved in animal rights, as well as a wide variety of humanitarian and environmental causes. She married her third husband, businessman Luis Barrenecha, in 1985 but divorced him seven years later. In 2002, she became engaged to veterinarian Martin Dinnes, but after six years and no wedding, the couple called it quits. Tippi has devoted much time and effort to charitable causes: she is a volunteer International Relief Coordinator for "Food for the Hungry". She has traveled worldwide to set up relief programs following earthquakes, hurricanes, famine and war, and has received numerous awards for her efforts, including the Humanitarian Award presented to her by the Baha'i Faith. As for animal causes, she is founder and president of The Roar Foundation. Onscreen, she continues to work frequently in films, theater and TV. She appeared in I Woke Up Early the Day I Died (1998), finally bringing to the big screen the last screenplay written by the late Edward D. Wood Jr. in 1974 (and featuring Wood regulars Maila Nurmi and Conrad Brooks, just about the only surviving members of Wood's stock company). She also enjoyed playing comedic roles, such as an abortion rights activist in Alexander Payne's satire Citizen Ruth (1996) and slapping Jude Law in I Heart Huckabees (2004). Tippi's contributions to world cinema have been honored with Life Achievement awards in France at The Beauvais Film Festival Cinemalia 1994; in Spain, by The Fundacion Municipal De Cine in 1995; and at the Riverside International Film Festival in 2007. In 1999, Tippi was honored as "Woman of Vision" by Women in Film and Video in Washington, D.C., and received the Presidential Medal for her work in film from Hofstra University. She enjoys spending time with her daughter and grandchildren: Alexander Bauer, Dakota Johnson and Stella Banderas.- IMDb Mini Biography By: kdhaisch@aol.com
- SpousesLuis Barrenechea(February 15, 1985 - 1992) (divorced)Noel Marshall(September 27, 1964 - November 30, 1984) (divorced)Peter Griffith(October 24, 1951 - 1960) (divorced, 1 child)
- Children
- ParentsBernard Carl HedrenDorothea Henrietta Eckhardt
- RelativesDakota Johnson(Grandchild)Alexander Bauer(Grandchild)Stella Banderas(Grandchild)
- During a 1975 trip to Hope Village (a Vietnamese refugee camp), she met with a group of women who had recently fled the takeover of South Vietnam by the armed forces of Communist leader Ho Chí Minh. In an effort to introduce them to the US workforce, she soon discovered that the women were fascinated by her manicure. Hedren then arranged for her manicurist Dusty Coots Butera, with the help of a local cosmetology school, to teach the group of 20 women the art of the perfect manicure. Once the women were licensed, Hedren would personally scout nail technician openings in salons and secure jobs for her students. Some of the original 20 women, after graduating, taught the nail trade to other immigrants. This would lead to an explosion in Vietnamese working as nail technicians.
- At the end of shooting Mister Kingstreet's War (1971), she discovered that the big cats used in the production had no place to go and would likely languish in small cages. This prompted her to obtain a parcel of land on her own to establish a home with a natural setting for retired big cats. She named it Shambala and it exists to this day.
- Alfred Hitchcock saw her in a 1961 commercial aired during the Today (1952) show and cast her in The Birds (1963). In the commercial for a diet drink, she is seen walking down a street and a man whistles at her slim, attractive figure, and she turns her head with an acknowledging smile. In the opening scene of The Birds (1963), the same thing happens as she walks toward the bird shop. This was an inside joke by Hitchcock.
- Found it touching when Sir Sean Connery, her leading man from Marnie (1964), publicly said that she was underrated while almost everyone in Hollywood was overrated.
- Sienna Miller played her in the cable movie The Girl (2012), which dealt with Tippi's three years with Sir Alfred Hitchcock. She told Miller to play her as strong, since she rejected Hitchcock's advances, even though this meant the end of her career as a leading lady. She said she was happy with Miller's portrayal.
- [on Alfred Hitchcock] To be the object of somebody's obsession is a really awful feeling when you can't return it.
- [on 3/1/05, when asked which is her favorite of the Alfred Hitchcock films she starred in] I think Marnie (1964). They were both so different that it's kind of hard to figure out which, but The Birds (1963) was sort of a chase. All of the Hitchcock films have a mystery to them and that sort of thing, but the personality of Marnie was so intriguing. She was really - poor Marnie.
- My advice to anyone contemplating acting as a profession is to be independently wealthy or have another vocation as a backup. [Melanie Griffith] and [Antonio Banderas] are well set, but most actors make a pittance.
- For years, directors and producers came up to me and said they'd wanted me for a role, but [Alfred Hitchcock] wouldn't allow it. The worst was when I found out that François Truffaut had wanted to cast me. I'd never heard a word about it. That one hurt.
- [on being offered the title role in Marnie (1964) by Alfred Hitchcock] I was stunned. I was amazed that he would offer me this incredible role and that he would have that kind of faith in me . . . I thought Marnie was an extremely interesting role to play and a once-in-a-lifetime opportunity.
- A Countess from Hong Kong (1967) - £250 per day
- Marnie (1964) - $600 per week
- The Birds (1963) - $500 per week
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