There’s no other show on TV quite like “The Marvelous Mrs. Maisel,” and there’s no other character quite like Rachel Borstein’s acerbic Susie Myerson. Myerson is a tough-as-nails manager to diamond-in-the-rough standup comic and 1950s Upper West Side Jewish housewife Midge Maisel, played by Rachel Brosnahan.
With a caustic wit and neo-feminist bent, Susie’s the lovechild of a Fran Lebowitz-Jackie Gleason hookup.
Also Read: Evan Rachel Wood and Rachel Brosnahan Prove They Are Not the Same Person (Photos)
Borstein, who was born in Illinois but now lives in Barcelona, Spain, said her chemistry with Brosnahan came quickly and unexpectedly. “The first time Rachel and I ever met was when I was auditioning,” she said. “They had us read together, and it kind of just happened off the bat.
Here are some of the most memorable movie portrayals of Santa Claus.
1. Edmund Gwenn in Miracle on 34th Street (1947)
The gold standard for cinematic Santa Clauses, Gwenn plays Kris Kringle, a department store Santa who insists he’s the real thing. Gwenn’s performance as Kringle was so convincing that he won the Oscar for Best Supporting
Top Five Highlights From the 2017 Bet Hip Hop Awards
Since my all-time favorite TV series is "The Honeymooners", the legendary sitcom that was originally broadcast in 1950s, one might think I would have been overjoyed at the prospect of seeing the show's new incarnation as a big-budget musical production that just premiered at the prestigious Papermill Playhouse in Millburn, New Jersey, a venue so revered that it was honored with a special Tony award. In reality, I had considerable trepidation about seeing the show. The characters in the TV series- bus driver Ralph Kramden, his devoted but long-suffering wife Alice and their best friends, sewer worker Ed Norton and his wife Trixie- have been ingrained in the minds of every American baby boomer. In fact, the re-runs have rarely left the New York airwaves even sixty years after their original airings and the four main cast members- Jackie Gleason, Audrey Meadows, Art Carney and Joyce Randolph
This year, there is no shortage of Hollywood star power -- ahem, the Broadway debuts of Amy Schumer and Uma Thurman, the return of Anna Camp and Clive Owen, and the Boss -- as well as anticipated new productions, must-see revivals and the redemption of director Julie Taymor. And the action is not limited to New York as two major musical adaptions get their feet wet with out of town tryouts.
2017 Fall Preview: Et's Complete Coverage
Denver Center for the Performing Arts (Colorado)
Disney’s global animated phenomenon is headed to the Broadway stage with a new musical from composers and lyricists RobertLopez and Kristen Anderson-Lopez and book writer Jennifer Lee in February 2018 after a limited engagement in Denver. The Snow Queen-inspired fairy tale and its Norwegian kingdom of Arendelle
Lamotta's memoir inspired Martin Scorsese and his 1980 movie, Raging Bull, which Robert De Niro won an Academy Award for his portrayal of the troubled boxer. The movie is widely considered one of Scorsese's best, as well as one of the best American movies of all time. In 1990, it was named to the Library of Congress' National Film Registry,
Lamotta’s daughter, Christi, confirmed the news in a Facebook post. “Rest in peace pop,” she captioned a photo of her late father. Lamotta’s wife told TMZ the late boxer “died in a nursing home due to complications from pneumonia.”
Celebrities Who Died in 2017
Lamotta was born in the Bronx in the early ’20s to Italian immigrant parents. He became a professional boxer at 19, and fought most of his career as a middleweight. His career was highlighted by a rivalry with Sugar Ray Robinson, which led to a six-fight series, of which Lamotta won only one. He did, however, win the world middleweight title in 1949, defeating Marcel Cerdan. Over the course of his career as a boxer, Lamotta earned the nickname “The Raging Bull” for his rough and aggressive fighting style.
“Our dad always saw himself as The Bright Knight and aspired to make a positive impact on his fans’ lives. He was and always will be our hero,” his family said in a statement.
The actor is best remembered for his turn as Gotham’s Caped Crusader — though his career spanned six decades of film, stage and voice work.
Born William West Anderson on Sept.
The Bandit (Burt Reynolds), Cledus “Snowman” Snow (Jerry Reed) and Frog (Sally Field) are east bound and down, loaded up and truckin’ to theaters across the country Sunday, May 21 and Wednesday, May 24 to celebrate the 40th anniversary of the high-speed high jinks in the smash hit Smokey And The Bandit.
Tickets are available now at FathomEvents.com (enter your zip code to search nearest theater locations) or at participating theater box offices. Screenings are Sunday and Wednesday at 2 p.m. and 7 p.m. local time each day. The special screening is part of Fathom Events yearlong Turner Classic Movies Big Screen Classics series.
Smokey And The Bandit originally opened May 27, 1977 – just two days after the Millennium Falcon blasted off. All throughout that summer a souped-up black Trans Am sped through theaters, leading Smokey And The Bandit to become the country’s second highest-grossing film of that milestone year.
Clifton James, the respected character actor who rose to fame as the bumbling southern Sheriff J.W. Pepper in two James Bond films, has passed away at age 96. James, a decorated veteran of WWII, appeared in many prominent films and TV series. Among his feature films: "Cool Hand Luke", "The Bonfire of the Vanities", "The Untouchables", "Juggernaut", "The Last Detail", "Will Penny" and "Something Wild". The portly James often portrayed lawmen and judges. His most prominent role came in Roger Moore's 1973 debut film as James Bond, "Live and Let Die". The character of Pepper as a comical racist lawman named Sheriff J.W. Pepper undoubtedly made audiences laugh. But to die-hard Bond fans his presence represented the increasing amount of slapstick that characterized some of Moore's Bond films. The producers brought the character back in the 1974 007 film "The Man with the Golden Gun" in which he coincidentally
Take a film like Rafter Romance, which played at TCM Classic Film Festival Friday morning. Ginger Rogers and Norman Foster star as two broke strangers living in the same apartment building (and they say people knew their neighbors back
First up Is First Blood (1982)
First Blood was the original Rambo film before he became known as a one-man army as shown in the sequels, Sylvester Stallone plays Ex-Green Beret and Vietnam War veteran John Rambo who’s passing through a small town after learning of the death of a member of his unit, and all he wants is something to eat. The local sheriff (Brian Dennehy) doesn’t take too kindly to him, however, and after he breaks out of jail,
Born in Detroit but raised in Southfield, Mich., Freedman started performing early at Cass Tech, Detroit’s performing arts high school, before attending Interlochen Arts Camp and University of Michigan, from which she graduated with honors and musical theater degree.
As Patty Dworkin, Freedman went onto perform on stage in Ohio with the Kenley Players before moving onto Broadway, where she worked on “See Saw,” “Shenandoah” and “Sly Fox.” After working with Jackie Gleason on “Sly Fox,” impressed ABC casting executives put her under contract and relocated her to Los Angeles. The ABC contract brought her roles on shows including “The Love Boat,” “Fantasy Island,” “Dynasty,” “Happy Days,” “Delta House,” “One Day at a Time,” “Eight is Enough,” and “Shirley.”
In film, Freedman was featured in “Ghostbusters,
A classic “comedian’s comedian,” Corey died on Monday at his home in Manhattan, NY his son Richard confirmed to NPR.
Billed as “the world’s foremost authority” and nicknamed “professor,” Corey was known for delivering quirky one-liners and slapstick routines as a wild-haired, faux professor dressed in a beat-up tuxedo and spaghetti tie.
Corey was a master of double-talk comedy and would make fun of academic pretenses by spouting strings of multisyllabic science-words in long nonsensical dialogues, often beginning with the word “however.
What could come across as unappealingly egocentric is instead charmingly apt considering “Sunny” is all about selfish assholes, and the topic of this week’s episode channels such narcissistic villainy toward a new purpose: highlighting the difference between half-hour comedies and manipulative sitcoms. Similar to the brilliant deconstruction of classic sitcom structuring in “The Gang Tries Desperately to Win an Award” (the lighting! the romantic pairings!
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