Ava Gardner Poster


Jump to: Overview (5)  | Mini Bio (1)  | Spouse (3)  | Trade Mark (6)  | Trivia (50)  | Personal Quotes (39)  | Salary (13)

Overview (5)

Born in Grabtown, North Carolina, USA
Died in Westminster, London, England, UK  (bronchial pneumonia)
Birth NameAva Lavinia Gardner
Nicknames Snowdrop
The Christmas Eve Girl
The World's Most Beautiful Animal
Height 5' 6" (1.68 m)

Mini Bio (1)

Ava Lavina Gardner was born on December 24, 1922 in Grabtown, North Carolina, to Mary Elizabeth (née Baker) and Jonas Bailey Gardner. Born on a tobacco farm, where she got her lifelong love of earthy language and going barefoot, Ava grew up in the rural South. At age 18, her picture in the window of her brother-in- law's New York photo studio brought her to the attention of MGM, leading quickly to Hollywood and a film contract based strictly on her beauty. With zero acting experience, her first 17 film roles, 1942-1945, were one-line bits or little better. After her first starring role in B-grade Whistle Stop (1946), MGM loaned her to Universal for her first outstanding film The Killers (1946). Few of her best films were made at MGM which, keeping her under contract for 17 years, used her popularity to sell many mediocre films. Perhaps as a result, she never believed in her own acting ability, but her latent talent shone brightly when brought out by a superior director, as with John Ford in Mogambo (1953) and George Cukor in Bhowani Junction (1956).

After three failed marriages, dissatisfaction with Hollywood life prompted Ava to move to Spain in 1955; most of her subsequent films were made abroad. By this time, stardom had made the country girl a cosmopolitan, but she never overcame a deep insecurity about acting and life in the spotlight. Her last quality starring film role was in The Night of the Iguana (1964), her later work being (as she said) strictly "for the loot". In 1968, tax trouble in Spain prompted a move to London, where she spent her last 22 years in reasonable comfort. Her film career did not bring her great fulfillment, but her looks may have made it inevitable; many fans still consider her the most beautiful actress in Hollywood history. Ava Gardner died at age 67 of bronchial pneumonia on January 25, 1990 in Westminister, London, England.

- IMDb Mini Biography By: Rod Crawford <puffinus@u.washington.edu>

Spouse (3)

Frank Sinatra (7 November 1951 - 5 July 1957) ( divorced)
Artie Shaw (17 October 1945 - 25 October 1946) ( divorced)
Mickey Rooney (10 January 1942 - 21 May 1943) ( divorced)

Trade Mark (6)

Known off-screen for bawdy language and humor and free spirit
Dimpled chin and high cheekbones
Natural brunette hair
Sparkling green eyes
Voluptuous figure
Seductive deep voice

Trivia (50)

In 1995 she was chosen by Empire magazine as one of the 100 Sexiest Stars in film history (#68).
Her singing voice in Show Boat (1951) was dubbed by Annette Warren, although her voice is left in on the soundtrack album.
Daughter of Jonas Bailey (1878-1938) and Mary Elizabeth Gardner (1883-1943). Both were born, raised, married and died in North Carolina.
The youngest of seven children. Her older siblings were Raymond, Melvin ("Jack"), Beatrice ("Bappie"), Elsie Mae, Inez, and Myra.
Her early education was sketchy; by 1945 she had read two books, the Bible and "Gone with the Wind." In later life she more than made up for this lack by continual self-education.
She sang in her own voice for The Killers (1946) but in all MGM films her singing voice was dubbed (much to her disgust).
Flamenco became one of her favorite pastimes after she learned it for The Barefoot Contessa (1954); increasingly proficient and needing little sleep, she often danced all night.
In a promotion for The Little Hut (1957), a small island in Fiji was renamed Ava Ava and leased to a contest winner.
Under contract at MGM from 1941-58.
There is an Ava Gardner Museum of memorabilia in Smithfield, NC. She is buried at Sunset Memorial Park.
She spent her final years as a recluse in her London apartment--her only companions were her longtime housekeeper Carmen Vargas and her beloved Welsh Corgi, Morgan. Two strokes in 1986 left her partially paralyzed and bedridden. Although she could easily afford her medical expenses, Frank Sinatra wanted to pay for her to visit a specialist in the US, and she allowed him to make the arrangements for a medically-staffed private plane. Her last words (to her housekeeper Carmen) were, "I'm so tired", before she died of pneumonia at age 67. Vargas took her body home to her native North Carolina for private burial. None of her ex-husbands attended.
After her death in 1990, her longtime housekeeper, Carmen Vargas, and her dog, a Welsh Corgi named Morgan, were taken in by her former co-star Gregory Peck.
Once met J.R.R. Tolkien and neither knew why the other was famous.
Ex-daughter-in-law of Joe Yule (Mickey Rooney's father).
Was a good friend of Kathryn Grayson and Lena Horne, despite the fact that Ava and Lena both competed for the part of Julie LaVerne in Show Boat (1951).
When shooting Earthquake (1974), she surprised director Mark Robson by insisting that she do her own stuntwork, which included dodging blocks of concrete and heavy steel pipes.
A statue of her from The Barefoot Contessa (1954) was given to Frank Sinatra as a gift. He kept it in his backyard garden well after their divorce. When he married Barbara Marx, she forced him to get rid of it.
During the first two years of her marriage to Frank Sinatra, he was at the lowest point of his career. She often had to loan him money so he could buy presents for his children. He went broke in 1951, and she had to pay for plane tickets for him so that he could go with her to Africa, where she was shooting Mogambo (1953). This all changed after he won the Best Supporting Actor Oscar for his performance in From Here to Eternity (1953).
Once named "The World's Most Beautiful Animal" (in a 1950s publicity campaign).
Placed #25 on the American Film Institute's list of the greatest American female screen legends.
Although she often gave the name of her North Carolina hometown as Grabtown, and at other times as Smithfield, the township is a crossroads community named Brogden. "Grabtown" is a nickname given to it by locals. Smithfield is a larger town seven miles west.
Frank Sinatra nicknamed her "Angel".
Had appeared in three films based on Ernest Hemingway stories: The Sun Also Rises (1957), The Snows of Kilimanjaro (1952) and The Killers (1946).
During her final years living in London, she became the dinner companion of director Michael Winner.
While living in Spain, she became a good friend of writer Ernest Hemingway, whom she and his other friends called "Papa". Both of them were fans of bullfighting.
An Australian reporter found her quite adept at foul language, and her swearing was "like a sailor and a truck driver were having a competition." She threw a glass of champagne at the reporter, who said that at the moment she did so "the only thing I could think was how bloody gorgeous the woman was".
Production designer John Hawkesworth, an Englishman who was the set designer on Pandora and the Flying Dutchman (1951), said about her that she "could eat twice as much as anyone, and drink three times as much".
Her three husbands were eventually married to a total of 20 brides between them.
Her The Angel Wore Red (1960) co-star Dirk Bogarde nicknamed her "Snowdrop" because, he said, anything less likely was difficult to imagine.
Her paternal great-grandparents, William Gardner and Cynthia Eliza Batts, were also the paternal great-great-great-great-grandparents of Mary Elizabeth Winstead. This makes Ava and Mary Elizbaeth second cousins, three times removed.
Biography in: "The Scribner Encyclopedia of American Lives." Volume Two, 1986-1990, pages 319-321. New York: Charles Scribner's Sons, 1999.
In Italy most of her films were dubbed by Rosetta Calavetta. She was occasionally dubbed by Dhia Cristiani, Lydia Simoneschi and Andreina Pagnani.
Suffered from a severe case of emphysema in later life, and could not travel far without an oxygen tank for breathing.
When her first husband, Mickey Rooney, brought his hugely successful musical "Sugar Babies" to London in the late 1980s, she confessed to him that she had contemplated suicide after being left partially paralyzed by two strokes in 1986.
Frank Sinatra bought her a puppy for her birthday during their courtship, a Corgi she named Rags. For the rest of her life she always had a Corgi with her. After Rags died, she had Cara and then Morgan.
She and Robert Taylor had a brief love affair during the filming of The Bribe (1949).
She was awarded a Star on the Hollywood Walk of Fame at 1560 Vine St. on February 8, 1960.
In Charlton Heston's autobiography "In the Arena" he revealed that she behaved badly during the troubled shoot of 55 Days at Peking (1963). For example, she stopped the filming when a Chinese extra took her picture without permission. Heston also stated that her character was killed off to keep the producers and director from having to deal with her anymore.
Louis B. Mayer once said of her, "She can't talk, she can't act, she's terrific".
By 1945 she was smoking three packs of Winston cigarettes a day.
When he was married to her, Artie Shaw paid tribute to her home town by making an instrumental record with his Gramercy Five (a small group within his big band) called "The Grabtown Grapple.".
She and Gregory Walcott both came from the same hometown.
Underwent two abortions during her marriage to Frank Sinatra, both during the filming of Mogambo (1953).
Was considered for the role of Leslie Benedict in Giant (1956) but was unable to leave Pakistan, where she was filming Bhowani Junction (1956).
Was initially considered for the role of Catherine Knowland in Green Fire (1954) but Grace Kelly was cast instead.
She sought the role of Mrs. Robinson in The Graduate (1967), and reportedly called Mike Nichols saying,"I want to see you! I want to talk about this 'Graduate' thing!" Nichols did not seriously consider her for the role, but did end up visiting her hotel. He later recounted that "she sat at a little French desk with a telephone, she went through every movie star cliché. She said, 'All right, let's talk about your movie. First of all, I strip for nobody'".
Yvonne De Carlo once said of her, "She's one of the few women in Hollywood that I like".
Mentioned in On the Town (1949).
On August 8, 2019, she was honored with a day of her film work during the Turner Classic Movies Summer under The Stars.

Personal Quotes (39)

All I ever got out of any of my marriages was the two years Artie Shaw financed on an analyst's couch.
I have only one rule in acting--trust the director and give him heart and soul.
When I lose my temper, honey, you can't find it any place.
I don't understand people who like to work and talk about it like it was some sort of goddamn duty. Doing nothing feels like floating on warm water to me. Delightful, perfect.
I must have seen more sunrises than any other actress in the history of Hollywood.
I haven't taken an overdose of sleeping pills and called my agent. I haven't been in jail, and I don't go running to the psychiatrist every two minutes. That's something of an accomplishment these days.
Nobody ever called it an intellectual profession.
I couldn't imagine a better place [Melbourne, Australia] for making a film on the end of the world.
Deep down, I'm pretty superficial.
After my screen test, the director clapped his hands gleefully and yelled, "She can't talk! She can't act! She's sensational!"
Everybody kisses everybody else in this crummy business all the time. It's the kissiest business in the world.
What's the point? My face, shall we say, looks lived in.
I made it as a star dressed, and if it ain't dressed, I don't want it.
I wish to live until 150 years old but the day I die, I wish it to be with a cigarette in one hand and a glass of whiskey in the other.
[in 1985, on why she came out of retirement to appear on a prime-time soap opera] For the loot, honey, for the loot.
What I'd really like to say about stardom is that it gave me everything I never wanted.
Maybe I just didn't have the temperament for stardom. I'll never forget seeing Bette Davis at the Hilton in Madrid. I went up to her and said, "Miss Davis, I'm Ava Gardner and I'm a great fan of yours." And do you know, she behaved exactly as I wanted her to behave. "Of course you are, my dear," she said. "Of course you are." And she swept on. Now that's a star.
Although no one believes me, I have always been a country girl and still have a country girl's values.
[on Robert Taylor] I knew him as a warm, generous, intelligent human being. Our love affair lasted three, maybe four months. A magical little interlude. I've never forgotten those few hidden months. I think Bob, despite all his efforts, couldn't break the mold of the beautiful lover. The film world remembers him that way, and I have to say that I do, too.
I can't bear to face a camera. But I never brought anything to this business and I have no respect for acting. Maybe if I had learned something it would be different. But I never did anything to be proud of.
[asked if her time at MGM had been any fun at all] Christ, after 17 years of slavery, you can ask that question? I hated it, honey. I mean, I'm not exactly stupid or without feeling, and they tried to sell me like a prize hog.
[on her career] Christ, what did I ever do worth talking about? Every time I tried to act, they stepped on me. That's why it's such a goddamn shame, I've been a movie star for 25 years and I've got nothing, nothing, to show for it.
I really had very little to contribute, so I played a lot of hatcheck girls, and did mob scenes, extra scenes, dancing scenes, just to have the experience of being on a set. I spent years at that. If the studio wanted a photograph to advertise a film they'd say, 'Who is it that has a good pair of legs and a good pair of breasts and is pretty and not working?' And it was always Ava because she was never working.
[on her first screen test] There wasn't a thing that I could do. I couldn't act--I was the first to be eliminated in high school plays. I had no training whatsoever. I was just a pretty little girl. But I loved the idea, because I loved movies.
God knows I've got so many frailties myself, I ought to be able to understand and forgive them in others. But I don't.
[on her role in The Bible: In the Beginning... (1966)] I've never thought of myself as right for this type of part. But John [John Huston] said he had faith that I could do it. Now I am glad I listened to him. Sarah is a wonderful role. She is a selfless woman who gives her maid servant Hagar to her husband when she herself cannot give Abraham a son. Later she is blessed by God and gives birth to a son, at 90. This is one of the most beautiful love stories in the Bible.
[on why she had an abortion during her marriage to Frank Sinatra] We couldn't even take care of ourselves. How were we going to take care of a baby?
[on mementos] I don't like all that stuff hanging around. I don't have to be reminded every day.
It's fine being stared at as a pretty girl, but not as a freak. When I tried to make myself ugly, they said, "Oh, she's lost her looks." They weren't thinking of me as an actress. I wasn't allowed to be unattractive.
[on her three failed marriages] There was no way the marriages could have survived. Nor do I regret that they didn't.
[1982] I was born with good health and a strong body and spent years abusing them. Now I spend a lot of time taking care. I go on tremendous health kicks - exercise, yogurt, no booze.
[1982] Without shame I say that I happen to be an extremely beautiful woman at any age.
[1982] I don't go to movies.
[on MGM] We were told what to do, when to do it and how, and paid very little.
[on leaving Hollywood] Yes, I was swept up, but I didn't have a nervous breakdown or go wild on booze. Years later I couldn't cope any longer. So I quit to remain sane.
[on her career] Had I really cared, I could have been really good, but I didn't.
I had no doubt I'd be a movie queen. The stupidity of youth, no doubt.
Turning 50, that was the tough one.
[1982] My life's okay. I wouldn't say this is the best part, but it's better than most people's. I'll just take the rest as it comes.

Salary (13)

Kid Glove Killer (1942) $150 /week
Ghosts on the Loose (1943) $100 per week
The Killers (1946) $350 /week
The Bribe (1949) $1,250 /week
Ride, Vaquero! (1953) $100,000
Knights of the Round Table (1953) $17,500 /week
The Naked Maja (1958) $90,000
On the Beach (1959) $400,000
55 Days at Peking (1963) $500,000
Seven Days in May (1964) $75 .000
The Night of the Iguana (1964) $400,000
The Life and Times of Judge Roy Bean (1972) $50,000
Knots Landing (1979) $50,000 /episode

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