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Garbo Talks When Camille Screens for Free April 27th at Webster University

“When one may not have long to live, why shouldn’t one have fancies?”

Camille (1936) screens Friday April 27th at 7:30 at Webster University’s Moore Auditorium (470 East Lockwood) as part of its St. Louis Earth Day Film Series. This is a Free screening and is co-sponsored by Opera Theater of Saint Louis. A post-film question and answer session will be lead by Cliff Froehlich, executive director, Cinema St. Louis

One of Greta Garbo’s best performances on-screen (especially the ending) can be witnessed in the essential romance drama Camille (1936). She plays Marguerite Gautier, a kept woman (by Henry Daniell) that falls in love with another a young admirer played by the dashing Robert Taylor. Lionel Barrymore plays Taylor’s stern father; Jessie Ralph (among others) also appears. Directed by George Cukor it’s based on the novel by Alexandre Dumas’s son and features a screenplay by Zoe Akins Frances Marion and James Hilton.
See full article at WeAreMovieGeeks.com »

Hotel Berlin

Grand Hotel. Nazis come. Nazis go. Nothing ever happens.” That’s a paraphrase from 1932’s Grand Hotel, indicating that the hallowed halls once occupied by Greta Garbo are now overrun with Warner Bros. contract players. As defeat looms, German officers, crooks, fugitives and ordinary citizens fumble for a way to survive. Writer and fervent anti-fascist Alvah Bessie almost didn’t — he would later be politically scourged as a member of The Hollywood Ten. Get set for a soap opera with swastikas.

Hotel Berlin

DVD

The Warner Archive Collection

1945 / B&W / 1:37 flat Academy / 98 min. / Street Date March 6, 2018 / available through the WBshop / 21.99

Starring: Faye Emerson, Helmut Dantine, Raymond Massey, Andrea King, Peter Lorre, Alan Hale, George Coulouris, Henry Daniell, Peter Whitney, Helen Thimig, Steven Geray, Kurt Kreuger, Erwin Kalser, Torben Meyer, Jay Novello, Frank Reicher, John Wengraf.

Cinematography: Carl Guthrie

Film Editor: Frederick Richards

Original Music: Franz Waxman

Written by Alvah Bessie,
See full article at Trailers from Hell »

Ingrid Bergman’s Swedish Years: Eclipse Series 46

No, the movie star Ingrid Bergman was never a starlet with a seven-year contract, and her stellar career didn’t begin opposite Humphrey Bogart in Casablanca. It all happened in Sweden, where she turned herself into a screen sensation in just a couple of years. Eclipse’s six-disc set shows the immediate success of the daring Bergman, but also her acting range — her sterling qualities seem fully formed even in her first features.

Ingrid Bergman’s Swedish Years: Eclipse Series 46

The Count of the Old Town, Walpurgis Night, Intermezzo, Dollar, A Woman’s Face, June Night

DVD

1935-1940 / B&W / 1:37 full frame / 82, 79, 92, 77, 100, 89 min. / Street Date April 10, 2018 / available through The Criterion Collection / 55.96

Starring: Ingrid Bergman

Directed by Edvin Adolphson & Sigurd Wallén; Gustaf Edgren; Gustaf Molander; Gustaf Molander; Gustaf Molander; Per Lindberg

With the example of Greta Garbo preceding her by a decade, Ingrid Bergman decided early on that Sweden would
See full article at Trailers from Hell »

A look back at female firsts at the Oscars: Barbra Streisand, Kathryn Bigelow, Emma Thompson …

A look back at female firsts at the Oscars: Barbra Streisand, Kathryn Bigelow, Emma Thompson …
It certainly seems to be the year of the woman at the Academy Awards. Greta Gerwig became just the fifth woman to receive a Best Director Oscar nomination for “Lady Bird.” For the first time in the academy’s 90-year history, a woman, AFI Conservancy alum Rachel Morrison, has been nominated for Best Cinematography for “Mudbound.” And the drama’s director Dee Rees made history as the first black woman to receive a nomination for Best Adapted Screenplay.

The film’s star Mary J. Blige not only received a supporting actress nomination, but she is also nominated for Best Original Song for “Mighty River” from the film, alongside co-writers Raphael Saadiq and Taura Stinson.

But it’s been baby steps for women behind the camera in terms of Oscar nominations, let alone wins.

Here is a look at some of the trailblazers:

See 2018 Oscar nominations: Full list of Academy Awards
See full article at Gold Derby »

2018 Oscars: All 5 Best Actress nominees in Best Picture contenders for first time in 40 years?

2018 Oscars:  All 5 Best Actress nominees in Best Picture contenders for first time in 40 years?
Frances McDormand (“Three Billboards Outside Ebbing, Missouri”), Saoirse Ronan (“Lady Bird”), Sally Hawkins (“The Shape of Water”), Meryl Streep (“The Post”) and Margot Robbie (“I, Tonya”) have long been our predicted Best Actress Oscar nominees. If they all make the cut, along with their films in Best Picture, they’d join a very exclusive club: It’d be first Best Actress slate in 40 years and just the fifth overall where everyone is in a film nominated for Best Picture.

The only other times this has occurred were for the film years 1934, 1939, 1940 and 1977 — but many of them come with caveats. In 1934, there were still only three acting nominees — winner Claudette Colbert (“It Happened One Night”), Grace Moore (“One Night of Love”) and Norma Shearer (“The Barretts of Wimpole Street”) — and 12 Best Picture nominees, before the academy standardized the categories to five each. This was also the infamous year of the write-in
See full article at Gold Derby »

Loneliness of Greta Garbo laid bare as letters put up for sale

Actor wrote to a Swedish friend about her loathing for Beverly Hills and fears over how her films would be received

The woman in the photographs is almost unrecognisable as one of the most famously solitary stars of the 20th century: striding out on skis across a snowy landscape, chopping logs, sunbathing topless, cradling an armful of puppies – it is Greta Garbo, laughing among cherished friends.

The woman who emerges from letters carefully preserved for a lifetime by her friends along with the private album, and now to be sold at a Sotheby’s auction, is heartbreakingly different from the sociable, jolly figure in the photos. They were written when Garbo was back in the United States, despairing over feeble scripts, raging at stupid directors, terrified of the verdict of critics, which could be no harsher than her own.

Continue reading...
See full article at The Guardian - Film News »

Victoria Beckham, Nina Garcia and More from the Fashion World Mourn Death of Designer Azzedine Alaïa

Some of fashion’s biggest names paid tribute to Tunisian-born couturier and shoe designer Azzedine Alaïa, who died Saturday in a Paris hospital after experiencing a bad fall 10 days prior according to a French media report in Le Point. He was 77.

Dubbed “the King of Cling,” Alaïa made a name for himself for his distinctive takes on classic silhouettes, his garments often moulding the body into remarkable and eye-catching proportions.

“I don’t cut clothes for a board,” Alaïa told People in 1982. “The body of a woman is sublime. I follow it.”

Alaïa began his career studying sculpture at the
See full article at PEOPLE.com »

Women and Hollywood Announces 10th Anniversary Trailblazer Award Winners

Patty Jenkins and Gal Gadot on the set “Wonder Woman”: Warner Bros. Entertainment and THR

Women and Hollywood is honored to share the recipients of the Trailblazer Awards, which will be given out during our upcoming 10th Anniversary events in New York and Los Angeles.

The New York Trailblazer Awardees are directors Amma Asante (“Belle,” “Where Hands Touch”), Julie Dash (“Daughters of the Dust,” “Queen Sugar”), and Julie Taymor (“The Lion King,” “Frida”) as well as producer and GameChanger Films president Mynette Louie and HBO Documentary Films president Sheila Nevins. They will be honored October 17 at the Time Warner Center in NYC.

Our Los Angeles Trailblazers include directors Patty Jenkins (“Wonder Woman,” “Monster”), Haifaa al-Mansour (“Wadjda,” “Mary Shelley”), and Angela Robinson (“Professor Marston and the Wonder Women,” “D.E.B.S.”). Director Leah Meyerhoff (“I Believe in Unicorns”) is being honored for founding Film Fatales. Other honorees include the Aclu; Melissa Goodman, Audrey Irmas director of the Lgbtq, Gender and Reproductive Justice Project at Aclu of SoCal, and ​Lenora Lapidus, Director of the Women’s Rights Project at the Aclu, will be accepting. And the founder of the Media, Diversity, & Social Change Initiative, Dr. Stacy L. Smith, will also be recognized. They will receive their awards on October 25 at the ArcLight Theatre in Hollywood.

These are women who through their work, their voice, and/or their activism have been a part of raising the level of conversation on gender equality, stepping up the advocacy drumbeat, and paving the way for their female peers and colleagues.

To find out more about the Trailblazers, check out their bios below. And, remember, tickets are still available for our anniversary events in NY on October 17 and in La on October 25.

Amma Asante

Amma Asante, MBE is a multi-award winning writer and director who won a BAFTA for her first film, A Way of Life. This made Asante the first Black female director to win a BAFTA Film Award for writing and directing a film. Her next film, Belle, drew widespread critical acclaim, and saw Asante named one of CNN’s Leading Women of 2014, as well as being named by Variety as one of their 10 Directors to watch. In 2016, her film A United Kingdom was released and its European Premiere saw Asante celebrated as the first Black female director to open the BFI London Film Festival in its 60-year history. This year Asante was named an MBE by Queen Elizabeth on the 2017 Birthday Honour’s list, for services to film as a writer and director. Asante is currently in post-production on her next film, Where Hands Touch. The film, inspired by historical events, is set in 1944 Germany and follows the plight of a young girl of color attempting to survive under Nazi rule.

Julie Dash

Twenty-six years ago, filmmaker Julie Dash broke through racial and gender boundaries with her Sundance award-winning film (Best Cinematography) Daughters of the Dust, and she became the first African American woman to have a wide theatrical release of her feature film. In 2004, The Library of Congress placed Daughters of the Dust in the National Film Registry where it joins a select group of American films preserved and protected as national treasures by the Librarian of Congress. Dash is the only African American woman with a feature film that has been inducted into the National Film Registry. She is the recent recipient of the New York Film Critics Special Award, the 2017 Robert Smalls Merit and Achievement Award, and the Visionary Award from Women in Film, Washington, D.C. Dash is currently a Distinguished Professor of Art at Spelman College. She recently directed multiple episodes of the award-winning dramatic series, Queen Sugar, Season 2, created and produced by Ava DuVernay and Oprah Winfrey, for Own Television.

Mynette Louie

Mynette Louie is a New York-based film producer and the president of Gamechanger Films, the first equity fund to exclusively finance narrative features directed by women. Gamechanger’s films include Natalia Garagiola’s Hunting Season (Venice Critics’ Week 2017), Lauren Wolkstein & Christopher Radcliff’s The Strange Ones (SXSW 2017), Sarah Adina Smith’s Buster’s Mal Heart (Tiff 2016), and So Yong Kim’s Lovesong (Sundance 2016, 2017 Independent Spirit Award nominee), among others. Louie won the 2013 Independent Spirit Piaget Producers Award and was named one of Ted Hope’s “21 Brave Thinkers of Truly Free Film” and one of Indiewire’s “100 Filmmakers to Follow on Twitter.” She is on the Board of Directors of Film Independent and serves as an advisor to the Sundance Institute, SXSW, Ifp, and A3 Asian American Artists Foundation.

Sheila Nevins

Credit: Brigitte Lacombe

Sheila Nevins is president, HBO Documentary Films, responsible for overseeing the development and production of all documentaries for HBO, HBO2, and Cinemax. As an executive producer or producer, she has received 32 Primetime Emmy Awards, 34 News and Documentary Emmys, and 42 George Foster Peabody Awards. During her tenure, HBO’s critically acclaimed documentaries have gone on to win 26 Academy Awards, the most recent of which was A Girl in the River: The Price of Forgiveness in 2016. Nevins has been honored with several prestigious career achievement awards including, most recently, the 2009 Governors Award from the Academy of Television Arts & Sciences. She has supervised the production of more than 1,000 documentary programs for HBO. Nevins is the bestselling author of You Don’t Look Your Age… and Other Fairy Tales, published by Flatiron Books.

Julie Taymor

Credit: Marco Grob

Julie Taymor became the first woman to win the Tony Award for Best Direction of a Musical, and won a Tony for Best Costumes, for her landmark production of The Lion King. The Lion King has gone on to become the most successful stage musical of all time: 24 global productions have been seen by more than 90 million people. Her credits also include Broadway’s Spider-Man: Turn Off the Dark, The Green Bird, and Juan Darien: A Carnival Mass (five Tony nominations). She directed the play Grounded, and completed a cinematic version of William Shakespeare’s A Midsummer Night’s Dream, filmed during the production at Theatre for a New Audience in Brooklyn. Film credits include Titus, Frida, Across the Universe, and The Tempest. Operas include Oedipus Rex, The Flying Dutchman, Salome, The Magic Flute, and Grendel, composed by Elliot Goldenthal. Taymor is a recipient of the 1991 MacArthur Genius Award and a 2015 inductee into the Theater Hall of Fame for Lifetime Achievement. She is currently in rehearsals for a revival of M Butterfly starring Clive Owen on Broadway.

Melissa Goodman

Melissa Goodman conducts legal and policy advocacy concerning Lgbtq rights, reproductive rights, gender equality, and the rights of people with HIV. Goodman leads the Aclu SoCal’s advocacy to end discrimination against women directors and increase inclusive hiring in Hollywood, to protect the rights of transgender students and adults, to expand access to quality and confidential reproductive healthcare, to increase protections for working parents, to end bias and over-policing and over-incarceration of Lgbtq people, and to improve healthcare for incarcerated women.

​Lenora Lapidus

Lenora Lapidus litigates gender discrimination cases in courts throughout the country, engages in public policy advocacy, and speaks on gender equity issues in the media and to the public. Her work focuses on economic justice, educational equity, ending gender-based violence, and women in the criminal justice system. Along with Melissa Goodman of the Aclu of Southern CA, she urged the Eeoc to investigate the low number of women hired by studios to be directors for film and television. Lapidus has received several fellowships and awards, including 21 Leaders for the 21st Century from Women’s eNews and the Wasserstein Fellowship for outstanding public interest lawyers from Harvard Law School.

Patty Jenkins

Credit: Warner Bros.

Patty Jenkins is a writer and director best known for directing Warner Bros. and DC ComicsWonder Woman, her debut feature Monster, based on the life of convicted serial killer Aileen Wuornos, and helming the pilot episode of AMC’s hit show The Killing. Monster was named by AFI as one of its Ten Best Films of the Year. Jenkins garnered a number of awards and nominations, including winning Best First Feature at the 2004 Independent Spirit Awards. She went on to direct many commercials and TV programs including the pilot and finale episode for AMC’s The Killing, for which she received an Emmy nomination, and won the DGA award for best dramatic directing. Jenkins directed several other pilots and episodes including Fox’s Arrested Development and HBO’s Entourage. She was nominated for an Emmy for a segment of Lifetime’s Five, an anthology about breast cancer.

In 2017, Jenkins broke the record for biggest grossing live-action film directed by a woman, domestic and worldwide, with Wonder Woman. The film simultaneously smashed box office records and received critical acclaim and it has grossed a worldwide total of more than $820 million to date. ​

Haifaa al-Mansour

Haifaa al-Mansour is the first female filmmaker in Saudi Arabia and is regarded as one of its most significant cinematic figures. She studied comparative literature at the American University in Cairo and completed a Master’s degree in Film Studies from the University of Sydney. The success of her 2005 documentary Women Without Shadows influenced a new wave of Saudi filmmakers and made the issue of opening cinemas in the Kingdom front-page news. At home, her work is both praised and vilified for encouraging discussion on taboo issues and for penetrating the wall of silence surrounding the sequestered lives of Saudi women. Wadjda, al-Mansour’s feature debut, is the first feature film shot entirely in Saudi Arabia and the first by a female director. The film received wide critical acclaim after its premiere at the 2012 Venice Film Festival and established al-Mansour as an important talent emerging from the Arab World. She recently published a novelization of the film titled The Green Bicycle for Penguin publishing group. Her latest film, Mary Shelley, starring Elle Fanning and based on the life of Frankenstein author Mary Shelley, recently premiered at the Toronto International Film Festival.

Leah Meyerhoff

Leah Meyerhoff is an award-winning filmmaker whose debut narrative feature film I Believe in Unicorns was released theatrically in 2015 after premiering at SXSW, winning the Grand Jury Prize at the Atlanta Film Festival and additional awards from Woodstock Film Festival, Nashville Film Festival, First Time Fest, Tribeca Film Institute, Ifp, Nyu, and the Adrienne Shelly Foundation. Meyerhoff is also the founder of Film Fatales, a female filmmaker organization based in New York with dozens of local chapters around the world. Film Fatales is a global community of women feature film and television directors who meet regularly to mentor each other, share resources, collaborate on projects, and build a supportive environment in which to get their films made and seen. Founded in 2013, Film Fatales actively supports over 500 women directors in New York and Los Angeles, and hundreds more in a dozen sister cities across Europe, North America, Australia, and Africa.

Angela Robinson

Angela Robinson is a filmmaker who explores and exposes the breadth and complexity of humanity in an extensive body of work across both film and television. Filtering her storytelling through the multi-faceted prism of identity, Robinson uses the power of her unique voice to intelligently and empathetically bring compelling, intersectional stories — specifically those of women, people of color, and Lgbtq individuals — to the mainstream in a way that is entertaining, emotional, and thought-provoking. Most recently, Robinson wrote and directed Professor Marston and the Wonder Women, the origin story behind one of the world’s most famous superheroes, Wonder Woman.

Moving fluidly between film and television, Robinson has an overall deal with ABC Television Studios and recently served as a Consulting Producer on ABC’s hit series “How to Get Away with Murder.” She is in development on a series exploring the intersecting lives of Golden Age stars Greta Garbo and Marlene Dietrich.

Stacy L. Smith, Ph.D.

Stacy L. Smith is the Founder and Director of the Media, Diversity, & Social Change Initiative, the leading think tank globally studying issues of inequality in entertainment. Mdsc research focuses on inclusion in film, television, and digital media and all facets of the music industry. Dr. Smith has written over 100 journal articles, book chapters, and reports on media content patterns and effects. She was the principal investigator of the Card report, examining Hollywood’s hiring practices on screen, behind the camera, and in the executive ranks across the major media companies and digital distribution platforms. Dr. Smith speaks routinely on issues of inequality. She has given a Ted Talk and spoken at the United Nations, the White House, Sundance Film Festival, Promax, and Lunafest. Dr. Smith’s work was the basis for the EPiX docuseries, 4%: Film’s Gender Problem.

Women and Hollywood Announces 10th Anniversary Trailblazer Award Winners was originally published in Women and Hollywood on Medium, where people are continuing the conversation by highlighting and responding to this story.
See full article at Women and Hollywood »

How New Movies Are Redefining Our Understanding of Family Life

  • Indiewire
How New Movies Are Redefining Our Understanding of Family Life
The following essay was produced as part of the 2017 Locarno Critics Academy, a workshop for aspiring film critics that took place during the 70th edition of the Locarno Film Festival.

Locarno isn’t just home to a major European film festival. It’s also an ideal place for many Swiss and foreign families to travel in summer and enjoy its hot weather, pleasant cuisine, and serene lake. This makes it a terrific place for contemplating new movies.

Ironically, during the 70th edition of the Locarno Film Festival, many of the films outwardly questioned the value of traditional family life. Many viewers encountered the puzzling contrast of watching subversive movies, leaving the screening rooms, and watching very conventional heterosexual families enjoying their vacations. But this only made the power of these movies stand out.

“C’est moi” says Fanny Ardant, a transgender women, in “Lola Pater,” the film by the Franco-Algerian director Nadir Mokneche,
See full article at Indiewire »

Caribbean Luxury Hotel Owned by Pippa Middleton's In-Laws Devastated by Hurricane Irma

  • PEOPLE.com
Caribbean Luxury Hotel Owned by Pippa Middleton's In-Laws Devastated by Hurricane Irma
Eden Rock, a luxury resort owned by Pippa Middleton‘s in-laws, David and Jane Matthews, was slammed by Hurricane Irma on Wednesday.

The world-famous hotel located on the Caribbean island of St. Barts has welcomed loyal celebrity guests including Tom Hanks and Jennifer Lopez over the years. Photos taken in the storm’s aftermath show its beachfront buildings submerged in water, while the main buildings, which are built into a rocky cliff, appear intact above the flood line.

Related: St. Bart’s Most Exclusive, Celeb-Frequented Resort Is Owned by Pippa Middleton’s New In-Laws

The Matthews family endured another hurricane
See full article at PEOPLE.com »

Rob Zombie on Tobe Hooper: 'The Texas Chain Saw Massacre' Changed My Life

Rob Zombie on Tobe Hooper: 'The Texas Chain Saw Massacre' Changed My Life
I remember once reading about a conversation Orson Welles had with PeterBogdanovich about the fact that screen legend Greta Garbo only made tworeally good pictures out of 40.Orson's response was, "Well, you only need one."

Well, Tobe Hooper definitely had "the one." Sure, he made several pictureshorror fans remember fondly such as Poltergeist, The Funhouse and Salem'sLot. But “the one” he will be forever remembered for is The TexasChain Saw Massacre.Game changers arrive on the scene without warning – and in the early Seventies, this movie exploded on screen.

Even
See full article at Rolling Stone »

Hollywood’s grim century of fat-shaming: from Greta Garbo to Chloë Grace Moretz

The film industry has a long and unhealthy obsession with the weight of its female stars. The more who speak up – like Moretz did this week – the more chance there is of change

This week, 20-year-old actor Chloë Grace Moretz said she had been “body-shamed” by a male actor on set when she was 15. He was her co-star at the time, in his 20s, cast in the role of her love interest, and he said he would never date her in real life, because she was too big. It was a comment that drove her to tears. Moretz is the latest in a string of Hollywood stars who are prepared to be more open about their experiences of sexism in the industry, from Jennifer Lawrence to Emma Watson. Like the late Carrie Fisher, who revealed she was asked to lose weight before appearing in the new Star Wars series, Moretz
See full article at The Guardian - Film News »

Charlize's Birthday Share

Look at all these people who share Charlize Theron's birthday! Our favorite Atomic Blonde isn't even the only South African Oscar winner born on this day. It's quite a day in showbiz history all told. Which of these luminaries will you celebrate today inside your hearts?

Jeanne Moreau as Mata Hari in 1964

1876 Mata Hari, exotic dancer / spy / juicy role for both Greta Garbo & Jeanne Moreau

1884 Billie Burke, Glinda the Good Witch herself (also an Oscar nominated actress for Merrily We Live, 1938)

1901 Yuliya Solntseva, actress/director (the only female to win Best Director at Cannes until Sofia Coppola this summer)

1902 Ann Harding, Oscar nominated actress (Holiday, 1930)

1914 Ted Moore, Oscar winning cinematographer from South Africa

1927 Carl "Alfafa" Switzer of Our Gang fame

1942 Garrison Keillor of A Prairie Home Companion

1942 Bj Thomas, singer of the Oscar-winning "Raindrops Keep Falling on My Head"

1942 Caetano Veloso, singer of the sublime "Cucurrucucú Paloma" which is
See full article at FilmExperience »

Review: Alfred Hitchcock's "The Paradine Case" (1947) Starring Gregory Peck; Kino Lorber Blu-ray Special Edition

  • CinemaRetro
By Jeremy Carr

Alfred Hitchcock may have directed The Paradine Case, the 1947 adaptation of Robert Smythe Hichens’ 1933 novel, but the film is most clearly a David O. Selznick production. It was his coveted property, he wrote the screenplay (with contributions from Alma Reville, James Bridie, and an uncredited Ben Hecht), and the movie itself discloses far more of its producer’s temperament than it does its director’s. The Paradine Case was, in fact, the last film made by the British-born master as part of his seven-year contract with Selznick, and by most accounts, Hitchcock’s heart just wasn’t in it. Unfortunately, it shows.

But this is no slipshod motion picture. Selznick spared no expense—the completed film cost almost as much as Gone with the Wind—and the entire project is built on quality and class. Set in London, in “the recent past,” The Paradine Case stars an
See full article at CinemaRetro »

Watch: Inside Greta Garbo's Extremely Private and Perfectly Preserved New York City Home, Now for Sale for $5.95 Million

Watch: Inside Greta Garbo's Extremely Private and Perfectly Preserved New York City Home, Now for Sale for $5.95 Million
Stepping into screen legend Greta Garbo’s former New York City home, is like taking a step back in time. The perfectly preserved floor-through apartment overlooking the East River is in one of the neighborhood’s most historic buildings, the Camponile, and is covered in knotty pine that realtor Brian Lewis notes, reminded her of her native Sweden.

Related: Jackie Kennedy’s Spectacular Childhood Home is For Sale for $49.5 Million

“She was an artist,” Lewis says, pointing out that the actress’s sprawling living room, which offers panoramic views and plenty of light, is expertly decorated despite its potentially awkward scale.
See full article at PEOPLE.com »

Kevin Spacey to play Gore Vidal in Netflix biopic

Variety is reporting that two-time Oscar winner Kevin Spacey is set to portray the late American writer Gore Vidal in an upcoming biopic entitled Gore, which is being produced by Netflix.

Gore is being directed by Michael Hoffman (The Last Station) and will explore the life of the author, playwright and political commentator during the 1980s. The film is currently shooting in Rome, but will soon move to Vidal’s longtime villa in Ravello, where he entertained a host of high-profile friends including the likes of Greta Garbo, Lauren Bacall, Paul Newman, Susan Sarandon, Andy Warhol, Rudolf Nureyev, and Mick Jagger.

Kevin Spacey was most recently seen in Edgar Wright’s latest film Baby Driver, while his upcoming films include Rebel in the Rye, Billionaire Boys Club and All the Money in the World – all of which see him portraying real life people in Whit Burnett, Ron Levin and J.
See full article at Flickeringmyth »

Kevin Spacey Playing Author Gore Vidal in Netflix Original Biopic (Exclusive)

Kevin Spacey Playing Author Gore Vidal in Netflix Original Biopic (Exclusive)
Rome – Oscar winner Kevin Spacey is playing writer Gore Vidal in a new Netflix original biopic, “Gore,” which is in production in Italy.

U.S. director Michael Hoffman (“The Last Station”) is helming the 1980s-set film about the late American author, playwright, and occasional political candidate. “Gore” is currently shooting in Rome but will move next month to Vidal’s longtime villa in Ravello, a village on the Amalfi Coast, sources tell Variety.

British producer Andy Paterson (“Girl with a Pearl Earring”) is producing “Gore” for Netflix.

Netflix was not available for comment.

Vidal’s beloved gravity-defying villa La Rondinaia, nestled on a craggy cliff in Ravello a thousand feet above the Tyrrhenian Sea, will feature prominently in the movie, according to the president of the Ravello Foundation, Sebastiano Maffettone, local media reported. At La Rondinaia, which he sold in 2004, Vidal entertained his vast network of high-profile friends and acquaintances, including Greta Garbo,
See full article at Variety - Film News »

Cortez Part IV: Leading Ladies and Marriage to Tragic Drug-Addicted Wife

Cortez Part IV: Leading Ladies and Marriage to Tragic Drug-Addicted Wife
Ricardo Cortez in 'Ten Cents a Dance,' with Barbara Stanwyck. No matter how unthankful the role, whether hero or heel – or, not infrequently, a combination of both – Cortez left his bedroom-eyed, mellifluous-voiced imprint in his pre-Production Code talkies. Besides Barbara Stanwyck, during the 1920s and 1930s Cortez made love to and/or life difficult for, a whole array of leading ladies of that era, including Bebe Daniels, Gloria Swanson, Betty Compson, Betty Bronson, Greta Garbo, Florence Vidor, Claudette Colbert, Mary Astor, Kay Francis, Joan Crawford, Irene Dunne, Joan Blondell, and Loretta Young*. (See previous post: “Ricardo Cortez Q&A: From Latin Lover to Multiethnic Heel.”) Not long after the coming of sound, Ricardo Cortez was mostly relegated to playing subordinate roles to his leading ladies – e.g., Kay Francis, Irene Dunne, Claudette Colbert – or leads in “bottom half of the double bill” programmers at Warner Bros. or on loan to other studios. Would
See full article at Alt Film Guide »

After Valentino and Before Bogart There Was Cortez: 'The Magnificent Heel' and the Movies' Original Sam Spade

After Valentino and Before Bogart There Was Cortez: 'The Magnificent Heel' and the Movies' Original Sam Spade
Ricardo Cortez biography 'The Magnificent Heel: The Life and Films of Ricardo Cortez' – Paramount's 'Latin Lover' threat to a recalcitrant Rudolph Valentino, and a sly, seductive Sam Spade in the original film adaptation of Dashiell Hammett's 'The Maltese Falcon.' 'The Magnificent Heel: The Life and Films of Ricardo Cortez': Author Dan Van Neste remembers the silent era's 'Latin Lover' & the star of the original 'The Maltese Falcon' At odds with Famous Players-Lasky after the release of the 1922 critical and box office misfire The Young Rajah, Rudolph Valentino demands a fatter weekly paycheck and more control over his movie projects. The studio – a few years later to be reorganized under the name of its distribution arm, Paramount – balks. Valentino goes on a “one-man strike.” In 42nd Street-style, unknown 22-year-old Valentino look-alike contest winner Jacob Krantz of Manhattan steps in, shortly afterwards to become known worldwide as Latin Lover Ricardo Cortez of
See full article at Alt Film Guide »

From Silent Film Icon and His Women to Nazi Era's Frightening 'Common Folk': Lgbt Pride Movie Series (Final)

From Silent Film Icon and His Women to Nazi Era's Frightening 'Common Folk': Lgbt Pride Movie Series (Final)
(See previous post: “Gay Pride Movie Series Comes to a Close: From Heterosexual Angst to Indonesian Coup.”) Ken Russell's Valentino (1977) is notable for starring ballet dancer Rudolf Nureyev as silent era icon Rudolph Valentino, whose sexual orientation, despite countless gay rumors, seems to have been, according to the available evidence, heterosexual. (Valentino's supposed affair with fellow “Latin LoverRamon Novarro has no basis in reality.) The female cast is also impressive: Veteran Leslie Caron (Lili, Gigi) as stage and screen star Alla Nazimova, ex-The Mamas & the Papas singer Michelle Phillips as Valentino wife and Nazimova protégée Natacha Rambova, Felicity Kendal as screenwriter/producer June Mathis (The Four Horsemen of the Apocalypse), and Carol Kane – lately of Unbreakable Kimmy Schmidt fame. Bob Fosse's Cabaret (1972) is notable as one of the greatest musicals ever made. As a 1930s Cabaret presenter – and the Spirit of Germany – Joel Grey was the year's Best Supporting Actor Oscar winner. Liza Minnelli
See full article at Alt Film Guide »
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