Sergei M. Eisenstein (1898–1948) |
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The son of an affluent architect, Eisenstein attended the Institute of Civil Engineering in Petrograd as a young man. With the fall of the tsar in 1917, he worked as an engineer for the Red Army. In the following years, Eisenstein joined up with the Moscow Proletkult Theater as a set designer and then director. The Proletkult's director, Vsevolod ...
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Died:(age 50) in Moscow, Russian SFSR, USSR [now Russia] |
Marlon Wayans explains how a White Chicks sequel could still be in the future, even 15 years after the movie's first release.
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4 wins & 1 nomination.
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Filmography
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Director
| Writer
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Director (31 credits)
Director (31 credits)
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Writer (18 credits)
Writer (18 credits)
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Editor (5 credits)
Editor (5 credits)
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Actor (4 credits)
Actor (4 credits)
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Producer (3 credits)
Producer (3 credits)
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Miscellaneous Crew (3 credits)
Miscellaneous Crew (3 credits)
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Art director (2 credits)
Art director (2 credits)
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Art department (1 credit)
Art department (1 credit)
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Costume and Wardrobe Department (1 credit)
Costume and Wardrobe Department (1 credit)
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Costume designer (1 credit)
Costume designer (1 credit)
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Production designer (1 credit)
Production designer (1 credit)
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Thanks (2 credits)
Thanks (2 credits)
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Self (3 credits)
Self (3 credits)
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Archive footage (12 credits)
Archive footage (12 credits)
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Personal Details
Other Works:
Book: "Notes of a Film Director" See more »Publicity Listings:
10 Biographical Movies | 31 Print Biographies | 7 Articles | 1 Magazine Cover Photo | See more »Alternate Names:
S. M. Eisenstein | S.M. Eisenstein | S. Eisenstein | Sergei Mikhailovich Eisenstein | Sergei Eisenstein | Sergei EizenshteinHeight:
5' 7" (1.7 m)
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Did You Know?
Personal Quote:
The hieroglyphic language of the cinema is capable of expressing any concept, any idea of class, any political or tactical slogan, without recourse to the help of a rather suspect dramatic or psychological past.Trivia:
Suffered a severe heart attack on 2 February 1946, and spent much of the following year recovering. See more »Trademark:
[Montage] Considered the father of the cinematic montage, he often used heavily edited sequences for emotional impact and historical propaganda (his most famous being the Odessa Steps sequence in Battleship Potemkin (1925) [Battleship Potemkin]).Star Sign:
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