Throughout the entire month of July, if you’re in the U.K., you are lucky enough to witness a selection of these influences in a program at BFI Southbank. Featuring all screenings in 35mm or 70mm — including a preview of Dunkirk over a week before it hits theaters — there’s classics such as Greed, Sunrise, and The Wages of Fear, as well as Alien, Speed, and even Tony Scott’s final film.
Check out Nolan’s introduction below, followed by
Christopher Nolan Presents has been personally curated by the award-winning director and will offer audiences unique insight into the films which influenced his hotly anticipated take on one of the key moments of WWII.
The season will include a special preview screening of Dunkirk on Thursday 13 July, which will be presented in 70mm and include an introduction from the director himself.
Christopher Nolan is a passionate advocate for the importance of seeing films projected on film, and as one of the few cinemas in the UK that still shows a vast amount of celluloid film, BFI Southbank will screen all the films in the season on 35mm or 70mm.
In 2015 Nolan appeared on stage alongside visual artist
This year’s Holiday Gift Guide is sponsored by several amazing companies, including Mondo, Anchor Bay Entertainment, DC Entertainment, and Magnolia Home Entertainment, who have all donated an assortment of goodies to help you get into the spirit of the season. Daily Dead also recently teamed up with Texas-based artist Dustin Pace of Duddy in Motion to create an amazing Stranger Things print
EW reports that Warner Bros. Home Entertainment will release Salem’s Lot and Cat’s Eye on Blu-ray, respectively, on September 20th.
On the new audio commentary for Salem’s Lot, director Tobe Hooper will discuss what should be fascinating insights on the making of the miniseries based on King’s 1975 novel about a small New England town with a serious bloodsucker problem.
Featuring adaptations of King’s short stories “Quitters, Inc.” and “The Ledge,” as well as a third tale starring Drew Barrymore,
Originally airing on CBS on Saturday November 17th and 24th, Salem’s Lot was a huge success for the network; there was even talk of turning it into a weekly series. Alas, that never came to be. However, we were gifted with 183 minutes of measured, chilling suspense and terror helmed by none other
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Dr. Patrick Corey (Lew Ayres) is experimenting on brains out of his lab from the privacy of his country home. Assisted by Dr. Frank Schratt (Gene Evans) and his complacent wife Janice (Nancy Regan
Reviewed by Glenn Erickson
Sci-fi and horror
Based on the Stephen King novel, Salem’s Lot is a three-hour-long miniseries that originally aired back in 1979, with director Tobe Hooper’s slow burn storytelling approach immersing viewers intricately into the world of a sleepy little town in Maine by paying attention to the atmosphere and tension King so cleverly established in his original story. From the guy who gave us The Texas Chain Saw Massacre, Salem’s Lot proved Hooper was an assured filmmaker who could still deliver shocking and jarring horror while using a more subtle directorial methodology.
At the start of Salem’s Lot, we meet writer Ben Mears (David Soul), who is returning home to the small town to write his second novel (in reality, it was also King's sophomore novel) based on the infamous Marsten House that he grew up fearing as a kid.
The "Crash" vs. "Brokeback" battle is one of those lingering disputes that makes the Academy Awards so fascinating, year after year. Moviegoers and critics who revisit older movies are constantly judging the Academy's judgment. Even decades of hindsight may not always be enough to tell whether the Oscar voters of a particular year got it right or wrong. Whether it's "Birdman" vs. "Boyhood," "The King's Speech" vs. "The Social Network," "Saving Private Ryan" vs. "Shakespeare in Love" or even "An American in Paris" vs. "A Streetcar Named Desire," we're still confirming the Academy's taste or dismissing it as hopelessly off-base years later.
Written by Nunnally Johnson
Directed by Robert Siodmak
A doctor is found murdered in his own condo one morning by the cleaning lady, a knife plunged into his heart. The police, led by the lively Lt. Stevenson (Thomas Mitchell), learn very soon of a possible suspect…or suspects. The recently departed had in fact proposed to a lovely looking girl named Terry Collins (Olivia de Havilland), presently the prime suspect in the investigation, that is, until Stevenson discovers the existence of her twin sister Ruth (de Havilland as well). Neither will reveal very much about who was where and doing what on the night of the murder, putting Stevenson in quite the pickle. Enter psychiatrist Scott Elliot (Lew Ayres), who has dedicated his academic and professional life to the study of twin siblings. He accepts to assist Stevenson by having private sessions with each sister individually.
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