- Born
- Died
- Birth nameDonald McNichol Sutherland
- Height6′ 4″ (1.93 m)
- The towering presence of Canadian actor Donald Sutherland was often noticed, as were his legendary contributions to cinema. He appeared in almost 200 different shows and films. He was also the father of renowned actor Kiefer Sutherland, among others.
Donald McNichol Sutherland was born in Saint John, New Brunswick, to Dorothy Isobel (McNichol) and Frederick McLea Sutherland, who worked in sales and electricity. He had Scottish, as well as German and English, ancestry. Sutherland worked in several different jobs - he was a radio DJ in his youth - and was almost set on becoming an engineer after graduating from the University of Toronto with a degree in engineering. However, he also graduated with a degree in drama, and he chose to abandon becoming an engineer in favour of an actor.
Sutherland's first roles were bit parts and consisted of such films as the horror film Dr. Terror's House of Horrors (1965) which starred Christopher Lee. He was also appearing in episodes of TV shows such as "The Saint" and "Court Martial". Sutherland's break would come soon, though, and it would come in the form of a war film in which he was barely cast.
The reason he was barely cast was because he had been a last-minute replacement for an actor that had dropped out of the film. The role he played was that of the dopey but loyal Vernon Pinkley in the war film The Dirty Dozen (1967). The film also starred Lee Marvin, Charles Bronson, and Telly Savalas. The picture was an instant success as an action/war film, and Sutherland played upon this success by taking another role in a war film: this was, however, a comedy called M*A*S*H (1970) which landed Sutherland the starring role alongside Elliott Gould and Tom Skerritt. This is now considered a classic among film goers, and the 35-year old actor was only getting warmed up.
Sutherland took a number of other roles in between these two films, such as the theatrical adaptation Oedipus the King (1968), the musical Joanna (1968) and the Clint Eastwood-helmed war comedy Kelly's Heroes (1970). It was Kelly's Heroes (1970) that became more well-known, and it reunited Sutherland with Telly Savalas. 1970 and 1971 offered Sutherland a number of other films, the best of them would have to be Klute (1971). The film, which made Jane Fonda a star, is about a prostitute whose friend is mysteriously murdered. Sutherland received no critical acclaim like his co-star Fonda (she won an Oscar) but his career did not fade.
Moving on from Klute (1971), Sutherland landed roles such as the lead in the thriller Lady Ice (1973), and another lead in the western Alien Thunder (1974). These films did not match up to "Klute"'s success, though Sutherland took a supporting role that would become one of his most infamous and most critically acclaimed. He played the role of the murderous fascist leader in the Bernardo Bertolucci Italian epic 1900 (1976). Sutherland also gained another memorable role as a marijuana-smoking university professor in National Lampoon's Animal House (1978) among other work that he did in this time.
Another classic role came in the form of the Robert Redford film, Ordinary People (1980). Sutherland portrayed an older father figure who must deal with his children in an emotional drama of a film. It won Best Picture, and while both the supporting stars were nominated for Oscars, Sutherland once again did not receive any Academy Award nomination. He moved on to play a Nazi spy in a film based on Ken Follett's book "Eye of the Needle" and he would star alongside Al Pacino in the commercial and critical disaster that was Revolution (1985). While it drove Al Pacino out of films for four years, Sutherland continued to find work. This work led to the dramatic, well-told story of apartheid A Dry White Season (1989) alongside the legendary actor Marlon Brando.
Sutherland's next big success came in the Oliver Stone film JFK (1991) where Sutherland plays the chilling role of Mister X, an anonymous source who gives crucial information about the politics surrounding President Kennedy. Once again, he was passed over at the Oscars, though Tommy Lee Jones was nominated for his performance as Clay Shaw. Sutherland went on to appear in Buffy the Vampire Slayer (1992), Shadow of the Wolf (1992), and Disclosure (1994).
The new millennium provided an interesting turn in Sutherland's career: reuniting with such former collaborators as Clint Eastwood and Tommy Lee Jones, Sutherland starred in Space Cowboys (2000). He also appeared as the father figure to Nicole Kidman's character in Cold Mountain (2003) and Charlize Theron's character in The Italian Job (2003). He also made a fascinating, Oscar-worthy performance as the revolutionist Mr. Thorne in Land of the Blind (2006) and also as a judge in Reign Over Me (2007). He also joined forces with his son Rossif Sutherland and Canadian comic Russell Peters with the new comedy The Con Artist (2010), as well as acting alongside Jamie Bell and Channing Tatum in the sword-and-sandal film The Eagle (2011). Sutherland also taken a role in the remake of Charles Bronson's film The Mechanic (1972).
Donald Sutherland made a lasting legacy on Hollywood, whether portraying a chilling and horrifying villain, or playing the older respectable character in his films. A true character actor, Sutherland was one of Canada's most well-known names and will hopefully continue to be remembered long after his time.- IMDb Mini Biography By: Bob Stage
- SpousesFrancine Racette(August 1990 - June 20, 2024) (his death, 3 children)Shirley Douglas(1966 - May 1971) (divorced, 2 children)Lois May Hardwick(1959 - 1966) (divorced)
- Children
- ParentsDorothy Isobel McNicholFrederick McLea Sutherland
- RelativesJohn Sutherland(Sibling)Betty Sutherland(Sibling)Laurie Oldenstål(Cousin)Sarah Sutherland(Grandchild)
- Blond hair
- Adds a touch of eccentricity (sometimes much more than a touch) to each role
- Towering height and slender frame
- Offbeat grin and bold blue eyes
- Rich, mellifluous voice
- Preferred to shoot the opening scenes of a movie last in order to better set the tone of the movie to the audience.
- Being very tall, Sutherland had a habit of slouching over so he could meet other actors eye to eye.
- In the "making of" documentary for The Dirty Dozen (1967) Special Edition DVD, Sutherland said he was one of the "last dozen", meaning he was not going to have many lines. However when they were preparing to film the scene where Major Reisman (Lee Marvin) had to convince Colonel Breed (Robert Ryan) that a general was among them, it was supposed to be Posey (Clint Walker). However, Walker refused to do the scene so director Robert Aldrich picked Sutherland to do the scene. After that, Sutherland's role was expanded rather more. The Dirty Dozen (1967) is credited with helping Sutherland get more attention from filmmakers, thus launching his career. According to Sutherland, sometime later, Aldrich asked him to be in another movie but Sutherland declined. He says in the documentary that turning down Aldrich was one of his greatest regrets as an actor as he felt he owed Aldrich for helping to launch his career.
- Two of his sons were named after directors he worked with: Kiefer Sutherland was named after Warren Kiefer who directed Donald's first film The Castle of the Living Dead (1964), and his second son, Roeg Sutherland was named after Nicolas Roeg, who directed him in Don't Look Now (1973).
- Received his double major in Engineering and Drama from the University of Toronto. He had originally intended to become an engineer before trying acting.
- Pauline Kael reviewed The Day of the Locust (1975): "There's nothing specifically wrong with Donald Sutherland's performance. It's just awful." That was the most destructive, stupid piece of criticism I've ever received. I stopped reading reviews after that.
- I was up for a great part but they told me: "Sorry, you're the best actor but this part calls for a guy-next-door type. You don't look as if you've ever lived next door to anyone."
- When you're working for a good director, you become subjective and submissive. You become his concubine. All that you're seeking is his pleasure.
- Frank Lloyd Wright designed the house I was living in. From what I understood, he was having an affair with the wife of the man he was designing the house for. That man was very tall. So Wright, short and vain, designs the house in such a way that a tall person couldn't live in it without severe cranial damage. I hit my head *all* the time.
- [on his early roles] Well, I was always cast as an artistic homicidal maniac. But at least I was artistic!
- National Lampoon's Animal House (1978) - $40,000
- Steelyard Blues (1973) - $100,000
- Dr. Terror's House of Horrors (1965) - £1,000
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