- Born
- Birth nameRajmund Roman Liebling
- Nickname
- Romek
- Height5′ 3″ (1.60 m)
- Roman Polanski is a Polish film director, producer, writer and actor. Having made films in Poland, Britain, France and the USA, he is considered one of the few truly international filmmakers. Roman Polanski was born in Paris in 1933.
His parents returned to Poland from France in 1936, three years before World War II began. On Germany's invasion in 1939, as a family of mostly Jewish heritage, they were all sent to the Krakow ghetto. His parents were then captured and sent to two different concentration camps: His father to Mauthausen-Gusen in Austria, where he survived the war, and his mother to Auschwitz where she was murdered. Roman witnessed his father's capture and then, at only 7, managed to escape the ghetto and survive the war, at first wandering through the Polish countryside and pretending to be a Roman-Catholic kid visiting his relatives. Although this saved his life, he was severely mistreated suffering nearly fatal beating which left him with a fractured skull.
Local people usually ignored the cinemas where German films were shown, but Polanski seemed little concerned by the propaganda and often went to the movies. As the war progressed, Poland became increasingly war-torn and he lived his life as a tramp, hiding in barns and forests, eating whatever he could steal or find. Still under 12 years old, he encountered some Nazi soldiers who forced him to hold targets while they shot at them. At the war's end in 1945, he reunited with his father who sent him to a technical school, but young Polanski seemed to have already chosen another career. In the 1950s, he took up acting, appearing in Andrzej Wajda's A Generation (1955) before studying at the Lodz Film School. His early shorts such as Two Men and a Wardrobe (1958), Le gros et le maigre (1961) and Mammals (1962), showed his taste for black humor and interest in bizarre human relationships. His feature debut, Knife in the Water (1962), was one of the first Polish post-war films not associated with the war theme. It was also the first movie from Poland to get an Oscar nomination for best foreign film. Though already a major Polish filmmaker, Polanski chose to leave the country and headed to France. While down-and-out in Paris, he befriended young scriptwriter, Gérard Brach, who eventually became his long-time collaborator. The next two films, Repulsion (1965) and Cul-de-sac (1966), made in England and co-written by Brach, won respectively Silver and then Golden Bear awards at the Berlin International Film Festival. In 1968, Polanski went to Hollywood, where he made the psychological thriller, Rosemary's Baby (1968). However, after the brutal murder of his wife, Sharon Tate, by the Manson Family in 1969, the director decided to return to Europe. In 1974, he again made a US release - it was Chinatown (1974).
It seemed the beginning of a promising Hollywood career, but after his conviction for the sodomy of a 13-year old girl, Polanski fled from he USA to avoid prison. After Tess (1979), which was awarded several Oscars and Cesars, his works in 1980s and 1990s became intermittent and rarely approached the caliber of his earlier films. It wasn't until The Pianist (2002) that Polanski came back to full form. For that movie, he won nearly all the most important film awards, including the Oscar for Best Director, Cannes Film Festival's Palme d'Or, the BAFTA and Cesar Award.
He still likes to act in the films of other directors, sometimes with interesting results, as in A Pure Formality (1994).- IMDb Mini Biography By: Yuri German (blsidt1 AT imf.org)
- SpousesEmmanuelle Seigner(August 30, 1989 - present) (2 children)Sharon Tate(January 20, 1968 - August 9, 1969) (her death, 1 child)Barbara Lass(September 9, 1959 - 1962) (divorced)
- Children
- ParentsBula LieblingRyszard Liebling
- RelativesAnnette Polanski(Half Sibling)
- Likes to arrange shots from the protagonist's perspective and slowly pan around the room to points of interest as the character notices them.
- By the end of his films, the protagonist often meets an uncertain, melancholic future (The Ninth Gate (1999), The Ghost Writer (2010), Rosemary's Baby (1968), Chinatown (1974) and Macbeth (1971)).
- Often key scenes or plot are featured near or associated with water.
- His films are often told in a subjective narrative.
- After Polanski fled American justice, the judge over his case swore to put him behind bars again. Though the judge died in 1989, the director still cannot return to the U.S. as he would be arrested immediately.
- Convicted of sodomy and statutory rape of a 13-year-old girl after plea bargaining, Polanski served time in prison in California, but prison officials released him sooner than judge Laurence J. Rittenband's original sentence had intended. The judge then sought to have Polanski brought to court again for further sentencing. Rather than do so, Polanski fled to Europe to avoid and escape a second arrest and incarceration. In 2013, his former victim, Samantha Geimer - who was 50 years old and had long ago forgiven him for the crime - detailed her story in her autobiography "The Girl" (2013).
- Has not returned to the United States since 1978.
- In 1969, while Polanski was out of town on business, his wife, actress Sharon Tate, was brutally murdered by members of Charles Manson's cult family, though Manson only ordered the killing and was not present during the murders. Tate was eight months pregnant with Polanski's first child at the time. Polanski has said that his life's biggest regret was not being present at the house the night his wife and four others were murdered.
- Roman and his father are Holocaust survivors. His father was Jewish, and his half-Jewish mother (who was murdered in Auschwitz) had been raised as a Roman Catholic.
- Normal love isn't interesting. I assure you that it's incredibly boring.
- My films are the expression of momentary desires. I follow my instincts, but in a disciplined way.
- [on filmmaking] You have to show violence the way it is. If you don't show it realistically, then that's immoral and harmful. If you don't upset people, then that's obscenity.
- [on his style of filmmaking] I don't really know what is shocking. When you tell the story of a man who is beheaded, you have to show how they cut off his head. If you don't, it's like telling a dirty joke and leaving out the punch line.
- The best films are because of nobody but the director.
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