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Philip Seymour Hoffman at an event for The Ides of March (2011)

Biography

Philip Seymour Hoffman

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Overview

  • Born
    July 23, 1967 · Fairport, New York, USA
  • Died
    February 2, 2014 · West Village, Manhattan, New York City, New York, USA (acute mixed drug intoxication)
  • Nickname
    • Phil
  • Height
    5′ 9½″ (1.77 m)

Biography

    • Film and stage actor and theater director Philip Seymour Hoffman was born in the Rochester, New York, suburb of Fairport to Marilyn (Loucks), a lawyer and judge, and Gordon Stowell Hoffman, a Xerox employee, and was mostly of German, Irish, English and Dutch ancestry. After becoming involved in high school theatrics, he attended New York University's Tisch School of the Arts, graduating with a B.F.A. degree in Drama in 1989.

      He made his feature film debut in the indie production Triple Bogey on a Par Five Hole (1991) as Phil Hoffman, and his first role in a major release came the next year in My New Gun (1992). While he had supporting roles in some other major productions like Scent of a Woman (1992) and Twister (1996), his breakthrough role came in Paul Thomas Anderson's Boogie Nights (1997).

      He quickly became an icon of indie cinema, establishing a reputation as one of the screen's finest actors, in a variety of supporting and second leads in indie and major features, including Todd Solondz's Happiness (1998), Flawless (1999), The Talented Mr. Ripley (1999), Paul Thomas Anderson's Magnolia (1999), Almost Famous (2000) and State and Main (2000). He also appeared in supporting roles in such mainstream, big-budget features as Red Dragon (2002), Cold Mountain (2003) and Mission: Impossible III (2006).

      Hoffman was also quite active on the stage. On Broadway, he has earned two Tony nominations, as Best Actor (Play) in 2000 for a revival of Sam Shepard's "True West" and as Best Actor (Featured Role - Play) in 2003 for a revival of Eugene O'Neill (I)'s "Long Day's Journey into Night." His other acting credits in the New York theater include "The Seagull" (directed by Mike Nichols for The New York Shakespeare Festival), "Defying Gravity," "The Merchant of Venice" (directed by Peter Sellars), "Shopping and F*@%ing" and "The Author's Voice" (Drama Desk nomination).

      He was the Co-Artistic Director of the LAByrinth Theater Company in New York, for which he directed "Our Lady of 121st Street" by Stephen Adly Guirgis. He also directed "In Arabia, We'd All Be Kings" and "Jesus Hopped the A Train" by Guirgis for LAByrinth, and "The Glory of Living" by Rebecca Gilman at the Manhattan Class Company.

      Hoffman consolidated his reputation as one of the finest actors under the age of 40 with his turn in the title role of Capote (2005), for which he won the Los Angeles Film Critics Award as Best Actor. In 2006, he was awarded the Best Actor Oscar for the same role.

      On February 2, 2014, Philip Seymour Hoffman was found dead in an apartment in Greenwich village, New York. Investigators found Hoffman with a syringe in his arm and two open envelopes of heroin next to him. Mr. Hoffman was long known to struggle with addiction. In 2006, he said in an interview with "60 Minutes" that he had given up drugs and alcohol many years earlier, when he was age 22. In 2013, he checked into a rehabilitation program for about 10 days after a reliance on prescription pills resulted in his briefly turning again to heroin.
      - IMDb mini biography by: Jon C. Hopwood

Family

  • Children
      Willa Hoffman
      Tallulah Hoffman
      Cooper Hoffman
  • Parents
      Gordon Stowell Hoffman
      Marilyn Louise Loucks
  • Relatives
      Gordy Hoffman(Sibling)
      Jill Louise Hoffman (Delvecchio)(Sibling)
      Emily Anne Hoffman (Barr)(Sibling)

Trademarks

  • His characters often ran through a wide range of emotions
  • His sluggish, almost listless way of talking
  • Subtle, but effective and seemingly effortless performances
  • Frequently worked with director Paul Thomas Anderson

Trivia

  • When asked who his acting idols were, he named Daniel Day-Lewis, Paul Newman, Meryl Streep and Christopher Walken.
  • Upon accepting his Oscar for Capote (2005), Hoffman asked everyone to congratulate his mother, because "She brought up four kids alone, and she deserves a congratulations for that.".
  • He won 23 awards for his performance in Capote (2005), including the coveted Oscar.
  • Beat Heath Ledger for an Academy Award for Best Actor in 2005 for his title role in Capote (2005), and then lost to the late actor for the Best Supporting Actor in 2008 to Ledger's performance in The Dark Knight (2008).
  • Did not drink alcohol. He became sober when he was 22 years old and said that he quit because, "I was 22 and I was panicked for my life.".

Quotes

  • A lot of people describe me as chubby, which seems so easy, so first-choice. Or stocky. Fair-skinned. Towheaded. There are so many other choices. How about dense? I mean, I'm a thick kind of guy. But I'm never described in attractive ways. I'm waiting for somebody to say I'm at least cute. But nobody has.
  • "Being unemployed is not good for any actor, no matter how successful you are. You always remember what it feels like to go to the unemployment office, what it feels like to be fired from all those restaurants".
  • "Not only couldn't I get a job as an actor, I couldn't hold down the temporary non- acting jobs I managed to get. I got fired as a waiter in restaurants and as a lifeguard at a spa" --On his life before films "If I hadn't gotten into Scent of a Woman (1992), I wouldn't be where I am today. It's been a domino effect ever since".
  • Actors are responsible to the people we play. I don't label or judge. I just play them as honestly and expressively and creatively as I can, in the hope that people who ordinarily turn their heads in disgust instead think, 'What I thought I'd feel about that guy, I don't totally feel right now' ". -- On his responsibility as an actor.
  • To have that concentration to act well is like lugging things up staircases in your brain. I think that's a thing people don't understand. It is that exhausting. If you're doing it well, if you're concentrating the way you need to, if your will and your concentration and emotional and imagination and emotional life are all in tune, concentrated and working together in that role, that is just like lugging weights upstairs with your head..And I don't think that should get any easier". -- On acting.

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